Tag Archives: WCW

Sting – Into The Light

Sting - Into the Light DVD coverIn 1985 Steve Borden, aka Sting, first stepped into a wrestling ring. Now, 31 years later, speculation is rife that his in-ring career is over following a neck injury sustained in September 2015 during a match with then WWE World Heavyweight Champion Seth Rollins.

With that in mind, as we approach Wrestlemania weekend 2016 and Sting being inducted into the WWE Hall Of Fame, I thought it seemed the right time to take a look at the documentary released in mid-2015 charting the career of the man dubbed ‘The Icon’.

The main documentary, running at just over an hour, deals with most aspects of Sting’s 30 years in the ring as well as some elements of his personal life and, while clearly very much produced from the WWE point of view, it does allow some interesting stories to come through.

Like many of the more recent WWE documentaries, made since the dawning of the WWE Network, Into The Light takes something of a dual path approach to its story; one focusing on the more ‘reality’ aspect of the then current build up to Sting’s debut in WWE and the other looking at his history.

Sting circa 1990

Sting circa 1990

All of this is highlighted by a series of new interviews with Sting himself where he opens up, in relatively candid terms, about his path. As a wrestling fan dating back to the early 1990s for me the most interesting parts of this revolve around his feud with Ric Flair that spanned the late 1980s to the final WCW Nitro show in early 2001. This segment gives a real insight into the way the wrestlers work together and quite what it means to them to compete at the top of their ‘sport’.

Along with the Sting interviews the documentary is packed with inserts from a range of stars, past and present, and again it’s Sting’s contemporaries from WCW that provide the most insight, particularly his old ‘running buddies’ Lex Luger and Rick Steiner.

Notable by his absence here (especially as Jerry Jarrett appears and rival company TNA even gets a passing mention) is Scott Steiner, though given rumours surrounding his relationship with WWE it’s not really surprising.

All too brief in all of this are a couple of clips of Ultimate Warrior who broke into pro-wrestling with Sting and it would have been great to hear more of this, sadly circumstances of course prevent that.

Sting and Ric Flair at The Great American Bash

Sting and Ric Flair at The Great American Bash

As things get up to the era of the NWO in WCW we get some more insight into how the company was being mismanaged that, while never totally explicit, back up a lot of what is rumoured and discussed. While he remains polite about it, its clear that Sting was hugely frustrated by all the ‘politics’ at play around Hulk Hogan and Eric Bischoff and that this had a major effect on both his professional and personal life.

Knowing some of the history of Steve Borden outside of the ring I wasn’t surprised to see some sections about his faith. While I always find these kind of things a bit trying, they do represent what is clearly a strong aspect of the man and fed into his choices about working with WWE over the last decade and a half – though given his work in TNA this isn’t totally convincing.

What I’ve described as the more ‘reality’ sections are fascinating in their own right as they allow a view into the day-to-day working of the WWE away from the pro-wrestling that shows quite how huge and varied a concern it is.

Sting and John Cena

Sting and John Cena

Along with clips of meetings with Paul ‘Triple H’ Levesque, we get to see inside ‘Titan Towers’ in Stamford, Connecticut with meetings about merchandise, community/charity work and more.

This all culminates with a look back at Sting making his WWE debut at Wrestlemania 31 against Triple H. While it skirts certain questions it is an interesting insight into, arguably, the most historic match at that event.

Bonus Features

As with all these documentaries the DVD/Blu-Ray release comes with a bunch of off-cut extra ‘stories’ and these don’t disappoint.

Sting at Wrestlemania 31

Sting at Wrestlemania 31

While not essential to the story told in the main feature they offer some new insights from the origins of the Scorpion Death Lock/Sharpshooter (as explained by Tyson Kidd) to more behind the scenes looks at WWE to Sting’s then revolutionary entrances rappelling from the ceiling in NWO era WCW.

Along with these are a series of career spanning matches that, along with the previously released Best of Sting set, offer a pretty exhaustive look at Borden’s career from early matches with the Warrior-to-be as The Blade Runners through WCW and up to the match with Triple H at Wrestlemania 31.

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WrestleMania 31 – 29/03/15

Westlemania 31 poster31 years since the birth of Hulkamania WWE brought its ‘Showcase of the Immortals’ to San Jose, California for one of the most hyped WrestleManias of all time.

Clocking in at 6 hours, including the two pre-show segments, it was also the longest WrestleMania to date and the first to be almost entirely reliant on the existence of the WWE Network and in this, and other respects, it seemed to be the beginning of a new chapter in the history of WWE and mainstream pro-wrestling – following last year’s subsequently somewhat stalled attempt at the same.

Pre-show

The first hour of the pre-show was essentially the standard warm-up fare with hype packages for the big matches and few backstage segments. The only real thing of note was the nicely played cameo of Vince McMahon’s old pair of stooges, Pat Patterson and Gerald Brisco, as they had a brief run in with J&J Security, their current equivalents who stand alongside Seth Rollins.

Also the appearance of Lana with Rusev continued their storyline nicely leading into the match later with John Cena and the video package for Undertaker vs Bray Wyatt, using Johnny Cash’s When The Man Comes Around, showed what WWE can do with hyping matches when they are at their best.

The second hour of the pre-show is where things really began as it moved from the free format of YouTube and onto the WWE Network (that’s $9.99 a month, as they have been drilling into us for the last year!) and we got a couple of matches along with some more hype and some #AskLita segments which, while it’s always good to see Lita back on-screen, were a bit pointless.

Tag Team Championships: Tyson Kidd and Cesaro (w/ Natalya) (c) vs The Usos (w/Naomi) vs The New Day (w/Xavier Woods) vs El Matadores (w/ El Torito)

Cesaro takes a superkick

Cesaro takes a superkick

With the doors having only been open for an hour the near 80,000 strong crowd were still making their way in as the teams made their way out with slightly truncated entrances, but it wasn’t long before the audience really got into this.

An injury to one of the Usos was well covered as Cesaro threw him into the barricade and he was helped out leaving his brother to go it alone, but, with the amount of people already around the ring, this really didn’t matter.

The crowd really got into it with chants for the Swiss Superman and some great clap along ‘New Day Sucks’ chants as Woods tried to get a positive chant going for his team.

The match flew from spot to spot excellently with only one or two minor loose moments and no major botches to speak of, which is always impressive for a spot fest like this.

With bodies flying over the ropes and all sorts of other spots it was a fun, psychology free, affair that warmed the crowd up a treat and ended on a great double-triple-top-rope superplex spot and showed that Cesaro and Kidd are by far the most over team on the main roster and really none of the other teams came across as potential contenders at all.

Andre The Giant Memorial Battle Royal

Hideo Itami eliminates Bo Dallas

Hideo Itami eliminates Bo Dallas

After an initial big build up this match was dropped to the pre-show and, once it got going, it was obvious why.

Battle royals are always a challenging affair as, with so many people in the ring, the first three-quarters of the match are generally hard to follow and this was no different, though there were a few nice spots featuring Zack Ryder, Hideo Itami and others.

The crowd also seemed really into Itami which was great to hear and a bit of a theme for the whole show of just quite how over NXT has become in recent months.

Unfortunately most of those being cheered for were soon eliminated (Curtis Axel, Itami, Ryder and others) and it became an excuse for the bigger guys to show off despite the crowd clearly not being into them.

Sandow sends Miz over the top

Sandow sends Miz over the top

The exception was Ryback who got some good cheers, though I’ve yet to work out why, but even he didn’t seem over like the more ‘underdog’ performers and his elimination of The Ascension continued to prove that once on the main roster no one seems to know what to do with the NXT performers.

The match ended with some nice stuff between The Miz and Mizdow which will hopefully lead to a career making feud for the highly talented Sandow (Mizdow) but it was all ultimately won by Big Show in an inexplicably pointless bit of booking that saw an old, past it, out of shape, performer go over at the expense of future stars who could have been made here.

Main show

After a decent rendition of America The Beautiful which didn’t go on too much or feel too xenophobic (they were saving that for later) and an odd intro video featuring LL Cool J, for reasons I’ve yet to fathom, the main show kicked off with a bang as Daniel Bryan made his way to ring for the Intercontinental Ladder match.

Intercontinental Championship: Wade Barrett (c) vs Daniel Bryan vs Dolph Ziggler vs Dean Ambrose vs Luke Harper vs R-Truth vs Stardust

Ambrose take a dive

Ambrose take a dive

Much like the tag team title match this was clearly positioned as a high energy spot fest to get the crowd warmed up and kick off the show with something strong as the audience continued to file into the stadium.

It was clear the Ambrose, Bryan and Ziggler were the wrestlers the crowd cared about and, if I’m honest the presence of Truth, Stardust and even Harper was mostly window dressing.

All men hit some big spots over and around the ropes to the floor early on and it all look surprisingly, and thankfully, safe. As things went on Stardust pulled out a sparkly ladder and, in a nice new spot, Barret broke off one of the rungs and used it as a particularly stiff looking weapon.

Sick powerbomb on Ambrose

Sick powerbomb on Ambrose

Much like many multi-person ladder matches this one suffered from two things.

The first is that we have seen so many of these matches now the spots are often just retreads of what we’ve seen before and the other was something that would mar the whole show – that the commentary team seemed totally in over the heads to actually explain anything that was going on in an exciting and coherent way.

That said there was some nice stuff as Wade Barret hit a nice range of Bullhammer elbows, Dean Ambrose took a sick powerbomb through a ladder, that clearly had both the audience in the stadium and at home concerned, and the matches climax of Bryan and Ziggler slugging it out on top of the ladder was simple, stiff looking and effective and I hope sets up a future feud between the two.

Daniel Bryan

Daniel Bryan

Bryan winning the match felt very odd at the time, as did the outcome of other early matches on the card, but in context of the show as a whole, it seems like a good thing as it gives Bryan a (hopefully) solid position.

Having a slightly bigger star as champion should also help elevate the Intercontinental Championship a little more.

It may be wishful thinking but this state of affairs could easily see the belts put back into their rightful positions like they are in the current NXT setting.

Randy Orton vs Seth Rollins (w/ J&J Security)

Rollins hits Avada Kedavra on Orton

Rollins hits Avada Kedavra on Orton

After the IC title match we were straight into what felt, in the build up, like it should have been one of the top matches on the card as ‘The Face’ squared off against ‘The Future’.

Unfortunately I’ve always found Orton hard to take as a face, his general cocky nature, even here, and the whole ‘hearing voices that make him hurt people’ gimmick isn’t really a good guy thing so this felt like heel vs heel, but thankfully two heels who can both do different and engaging things.

As the match went on J&J Security got dealt with effectively by Orton and Rollins really put in the lion’s share of the big moments (as was to be expected) with suicide dives, Asai moonsaults and an attempted phoenix splash all being memorable ‘high spots’.

Orton prepares for an astonishing RKO

Orton prepares for an astonishing RKO

Story wise the match also went well with each man surviving the others finisher and it built to a great climax and one of the best reversals into an RKO I’ve ever seen leading to Orton picking up the win.

As Orton posed in victory this felt like another moment of the new stars being pushed down in favour of already established names, a counter intuitive thing to do, but this became less of an issue in this match thanks to what was to come.

In the end, while this was a good match it didn’t quite electrify like it seems it should have, though several moments, particularly that RKO, will go down as classic WrestleMania moments.

Triple H vs Sting

The build up to this match had felt like the build up to a story that began in early 2001 when WWE finally saw off its main competition WCW, and, as was hyped here, this was ‘the last remnant of WCW’ finally facing off with the man at the top of WWE, sort of.

Triple H and Sting prepare for battle

Triple H and Sting prepare for battle

We didn’t get to this though until after both men had come to the ring, first out was Sting, which felt a bit backwards. His troupe of Japanese drummers didn’t really make much sense and seeing the dark, Crow-style, character come out in daylight also felt wrong, so we were off to an odd start.

The crowd also seemed more intrigued and interested in him than genuinely excited, so he wasn’t greeted with as big a pop as I was expecting, but maybe we’re just 13 years too late – this is a feeling that would recur at the conclusion of the match.

After a baffling Terminator promo video Triple H emerged from the stage surrounded by an army of the cyborgs in his most ridiculous and least effective WrestleMania entrance yet. Obviously linked in with the previous night’s induction of Arnold Schwarzenegger into the WWE Hall of Fame, this whole sequence felt forced and again didn’t work in the broad daylight of a Californian afternoon.

Sting applies the Scorpion Death Lock

Sting applies the Scorpion Death Lock

Once Motorhead’s The Game kicked in though we were on more familiar ground and Triple H, as always, looked the part of a conquering barbarian king as he marched to the ring.

Once that was all done and the two men faced off in the ring things started well with the two going back and forth and Sting hitting a great dropkick and generally looking amazing for a man of 56 as “You’ve still got it” chants from the crowd backed this up.

This back and forth reached a quick crescendo as, after some outside brawling, Sting went for the Scorpion Death Lock submission hold and D-Generation X’s music hit.

Triple H hits the Pedigree

Triple H hits the Pedigree

The New Age Outlaws and X-Pac ran in and Sting fought them back but, as Triple H capitalised and went for the Pedigree the nWo theme kicked in and out came The Outsiders and Hulk Hogan, somewhat slower than their DX counterparts.

From here on in the match became a surreal mess as Shawn Michaels showed up too, just to cap things off, and Triple H picked up the win, while commentators JBL and Michael Cole buried WCW, a company that went out of business over a decade ago.

If you’ve read my review of WrestleMania X8 you’ll know my view on the nWo becoming obsolete by 2002 and here, what seemed geared to be a nostalgic moment, fell totally flat for me.

Sting connects with the Stinger Splash

Sting connects with the Stinger Splash

This was because we’ve seen all of these men (except Sting) in similar ‘nostalgia act’ situations so many times before and the link between Sting and the nWo is far from the tight relationsip between Triple H and D-X, so it just came across as an overbooked mess where it should have been a triumphant moment for long time pro-wrestling fans.

I can only think this falls into category of a McMahon family ego trip moment, but unfortunately felt rather like the sort of event that was happening in the dying days of WCW…

Following that we got a musical performance that, as ever, went down like a lead balloon with the crowd who treated this time, half way through the show, as a rest break, and, to be honest I don’t blame them. Though a regular part of WrestleMania now, live music performances never really work in context and this was no different.

AJ Lee & Paige vs Nikki and Brie Bella

Superkick from Paige

Superkick from Paige

After the Sting/Triple H fiasco it was going to take something to get me back into it and, as Paige made her way out I was hopeful, following the recent development of the ‘Divas’ division, and I wasn’t disappointed.

Across the match the four ladies told a great story and, while it didn’t live up to what’s happening on NXT, it is clear that the stellar women’s matches there are having an effect. In that regard we got some nice moments including a top rope dropkick and a steel stair spot and the match as a whole probably last longer than the last five years worth of WrestleMania Divas matches.

Brie Bella with a flying dropkick

Brie Bella with a flying dropkick

Once again the commentary entirely failed to add anything to the match but the in-ring action stepped up well and, while the bigger story isn’t the most clear, it was an enjoyable and well put together match and hopefully a sign of things to come for the ladies on the main roster.

The traditional Hall of Fame recap came next and, while the ceremony itself was a bit on the long side, it was great seeing some of these guys on stage here.

Bushwhacker Butch in particular deserves respect for even making it onto stage and still being a lot of fun and into the whole thing despite his obvious ill-health, Lanny Poffo was hugely respectful and respectable representing his brother Macho Man Randy Savage and even Kevin Nash managed to not milk it too much showing that, like Scott Hall, maybe he has changed and once again sees his place within pro-wrestling in a more humble light.

United States Championship: Rusev (w/Lana) (c) vs John Cena

Rusev on a tank!

Rusev on a tank!

One of the moments of the night came next as Rusev made his entrance as part of a mock, Soviet-style, rally complete with marching troops, an artillery salute and Rusev himself riding in on a tank.

Moments like this, where pro-wrestling steps beyond regular logic and into a world of utter silliness, are hit and miss but here, it was all delivered with such a straight face it was amazing and actually got me into the feud more than anything else over the past few months and had me rooting for the Bulgarian Brute throughout.

Cena had an equally over the top entrance video, but, unfortunately, it came across like a jingoistic, pro-American, Republican party political broadcast, and only served to amplify my dislike of Cena and his Never Give Up washcloth thing he brings to the ring (doesn’t quite match up to riding in on a tank does it).

Rusev and Cena face off

Rusev and Cena face off

The match itself started well with Rusev in monster mode before Cena got into his moves of doom and then it was a good back and forth with both men focusing on their respective submissions, The Accolade (Camel Clutch) for Rusev and STF(U) for Cena.

As it went on the crowd seemed to get behind Rusev and he hit a great top rope diving headbutt for a near fall.

It all ended, after Cena broke out of the Accolade, with a very loose and unconvincing AA (is there any other sort?) that saw Cena win the US Championship and Rusev go off on his manager Lana, who’s attempted interference caused the loss.

Cena's first move of doom

Cena’s first move of doom

Much like the Daniel Bryan win earlier in the night I’m hoping having a bigger star with a lower belt is used well to elevate the title and breathe some new excitement into the mid card scene.

This section of the card, while it has a lot of good performers, hasn’t had much for them to really get their teeth into in for a while, and it would be nice if it breathed some fresh life into the painfully stale John Cena character.

Following this we headed back up to the pre-show team for some highlights of those matches and all the while the crowd are letting loose with some huge ‘N-X-T’ chants – I get the feeling that the ‘developmental’ brand is a lot more over than anyone in WWE thought and the whole WrestleMania weekend has proved it, and then Triple H and Stephanie McMahon are in the ring.

Rhonda Rousey with a hip throw on Triple H

Rhonda Rousey with a hip throw on Triple H

As they announce the ‘official attendance’ for the event of 76,976 Stephanie went into an excellent heel promo that put The Authority back into position of top heels following the confusing ending of Triple H’s match earlier and showed that she really is her father’s successor – though a Shane-O-Mac chant later in the segment was nice to hear.

Mid flow she was interrupted by The Rock who was on fire on the mic, as always, and the segment culminated in a tease of Rock vs Triple H (for next year’s Mania maybe?) and the involvement of UFC star Ronda Rousey was surprisingly effective and made this segment much more than I think anyone expected when it started.

Undertaker vs Bray Wyatt

Undertaker squares off with Bray Wyatt

Undertaker squares off with Bray Wyatt

The ‘New Face of Fear’ made his way out next with a great entrance involving zombie scarecrows that continued to build the creepy character that Wyatt is so good at delivering.

What we were all waiting for though was the man who came out next, a year after his last appearance Undertaker’s walk to the ring was surprisingly simple, but, even in the still day light conditions, was as effective as always and it was clear Taker was looking better than he was 12 months ago.

Along with this Wyatt’s performance of staring down The Deadman really helped set the psychology and story of this match up long before the bell.

Undertaker and Bray Wyatt

Undertaker sits up after Sister Abigail

The match itself was a great example of using strengths to tell a story, we know Taker is now fallible but he is still somewhat of a monster, but Wyatt also came across stronger than ever before and some nice moves like a big uranage really putting him over.

With finishers hit and kicked out off the best moment of the match was when Taker sat up mid-Wyatt spider walk and, with a second tombstone, The Deadman went 22-and-1.

This was a fine example of how to make a new guy look great, while keeping the legacy of the Undertaker alive. How much life is left in Taker’s career remains to be seen and, personally, I’d like to see one more match next year to round it off and send him out on a high in his home state as WWE finally establishes its new generation.

WWE World Heavyweight Championship: Brock Lesnar (w/Paul Heyman) (c) vs Roman Reigns

Brock Lesnar and Roman Reigns get ready for a war

Brock Lesnar and Roman Reigns get ready for a war

To say this match had stirred up its fair share of controversy and debate among pro-wrestling fans would be an understatement so, as ‘face’ Roman Reigns made his way out, flanked by a legion of security and to a chorus of boos and ‘heel’ Brock Lesnar strode out to cheers, this had a genuine big fight, main event feel, that even WrestleMania main events sometimes struggle to attain.

As soon as the bell rang the match was a stiff showing of strikes and throws with Lesnar dominant as expected, but, unlike his match with Cena at SummerSlam last year, this felt like a pro-wrestling match with a story to tell.

German suplex to Reigns

German suplex to Reigns

Roman got his licks in, cutting Lesnar early on, and then smiling and laughing in the face of the beating, infuriating The Beast, and both men played it off brilliantly, and even the commentary, finally, helped develop the story.

With more than 10 suplexes, three F5’s, a number of superman punches and two spears, and Brock Lesnar bleeding more than anyone in WWE has in a decade, the match was reaching a climax point that was genuinely hard to call when Seth Rollins’ music hit and Mr Money In The Bank hit the ring and cashed in.

With Curbstomps for both men, Rollins’ pinned Reigns for the title and took his place next to Edge as best and most convincing use of the Money In The Bank yet rounding off a mixed WrestleMania on a real high point and ushering in a new top level of talent for the company

Rollins sets up to Curbstomp Lesnar

Rollins sets up to Curbstomp Lesnar

Conclusions

A year before WrestleMania 31 a lot of seeds were sown for a new era in WWE and many of those have now begun to reach fruition. This show felt like a WrestleMania, which they don’t always, and while it wasn’t the best ever (that honour still goes to 17) it was a strong one.

What it really left me thinking though was that it has acted as a reset for the main roster with new and (for the most part) fresh champions and angles coming out of the show and, generally, without making anyone look weak – with the exception of the pointless booking of the battle royal and the stand alone exhibition of Triple H and Sting.

With the set up as it is now we can look forward to a great heel World Champion on TV regularly giving Rollins and Reigns a chance to elevate themselves further, and hopefully add some legitimacy to the so far forced character of Reigns.

WWE Championship belt customised for Seth Rollins

WWE Championship belt customised for Seth Rollins

We can also see Daniel Bryan rule the mid card with great newer performers like Ambrose and Harper (and Ziggler as well) while John Cena can, hopefully, find something new in his new mid card role.

While this is going on Lesnar remains a monster who can do his part-time destruction thing far more effectively, though quite who in WWE can face up to him now he’s gone through Triple H and Undertaker remains to be seen.

Now all we need are some reasonable tag teams to contend with Kidd and Cesaro.

As a show, WrestleMania 31 took a while to make sense, but once it did and the pieces fell into place it was very enjoyable, with the exception of the nonsense of Sting vs Triple H and the battle royal, but it has succeeded in getting me far more invested with what could be coming next than I thought I would be when the show began.

On top of this, let’s be honest, there isn’t another wrestling company in the world who can put on a show with this much star power, performances and spectacle all rolled into one – now, let Rollins run with this and WWE could be heading into another heyday!

Seth Rollins - WWE World Heavyweight Champion

Seth Rollins – The new WWE World Heavyweight Champion

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Wrestlemania X8: Icon Vs Icon (2002)

wwf-wrestlemania-x8-coverOn March 17th 2002 the then WWF took their flagship show, Wrestlemania, north of the border to the SkyDome in Toronto, Ontario, Canada for the second and treated 68,237 people to one of the biggest main events in the history of pro-wrestling as generations clashed when Hollywood Hulk Hogan battled The Rock – there is however, the matter of the rest of the near four-hour extravaganza…

This coming from Canada we don’t America The Beautiful to open the show, so we don’t have to sit through a cringe worthy hyper-patriotic video package. Unfortunately what we do get is something that will mark this show and, I think, is one of the reasons it fails to reach the heights of its predecessor, a performance of a generic nu-metal single from Saliva.

To give things a bit of context, Wrestlemania 18 comes a year after what is widely considered the best show WWF have ever put on Wrestlemania X7 (or 17 for those who prefer a conventional numbering system). That show came weeks after the collapse of WCW and ECW and it was clear WWF was in celebratory mode.

Saliva on the X8 set

Saliva

This show however comes after the, generally, failed ‘Invasion’ storyline where WCW and ECW tried to take over WWF, so we come in here to a show packed with some of the biggest names in wrestling history but a general lack of creative direction as WWF tried to work out what its place is in a world with, essentially, no competition.

After Saliva’s woeful performance (live music rarely works in the context of a pro-wrestling show despite many efforts to make it work) we get a fairly standard intro video where all the big names hype what Wrestlemania is but for the most part don’t tell us anything about the matches or stories we are going to see, which makes for a somewhat low-key opening that fails to entirely excite as I feel it should.

Intercontinental Championship – William Regal (c) vs Rob Vam Dam

RVD ad William RegalThe show kicks off with what should be a big match, as the WWF’s second championship is contested between two bonafide superstars of the business. Seeing William Regal with a belt is always a treat for me, but it is in more recent times that his contributions have been properly appreciated. That said in terms of in ring performance both men here are arguably in their prime.

Things start off a little shaky as they both have such different styles but they are soon gelling well and both exhibit their own styles brilliantly with Regal’s villainous side and RVD high spots looking great, and Van Dam sells Regal’s throws and neckbreakers like only he can.

Unfortunately the match is only a very short one so while its non-stop action and manages to make both guys look pretty good, despite a clean pinfall win for RVD, it ends just as it feels like its starting to get going. But it does a decent job of getting the crowd going.

European Championship: Diamond Dallas Page (c) vs Christian

Christian and DDPThis crowd reaction is soon lost though as we get a generic heel promo from Toronto native Christian where he says he’s moved to Florida and a video fails to raise any excitement for this match stemming from DDP trying to help Christian with his proto-DDP Yoga gimmick.

Christians entrance is awesome with his then new ‘At Last Your On Your Own’ opera-metal theme and general cocky heel shenanigans but DDP elicits little response and it’s just strange seeing a guy who was a top name in WCW in this lower-mid card position.

The match itself is ok, though the crowd take a long time to warm up and its hard to find any investment in it as the meat of the storyline is at best basic, and even for the live crowd is only really a week long. As it goes on there are a few nice Diamond Cutter and Killswitch (Unprettier) counters but DDP’s win falls flat and his following ‘self-help’ promo and Christian’s temper tantrum get no response from a crowd who seem more interested in getting their signs on camera.

Business picks up briefly next as we get a promo from The Rock which serves to demonstrate just why this man is the mega-star he now is.

Starting off with his comedy shtick he gets interviewer Jonathan Coachman to ‘say his prayers’ a la Hulk Hogan, before kicking him to the curb and expertly hyping his upcoming encounter with the aforementioned legend. The crowd aren’t totally behind Rocky but still sing along and, as we will see later, its clear this is the match they all came to see.

Hardcore Championship: Maven (c) vs Goldust

Maven and GoldustThird match of the night and third for a belt, this highlights one of the problems with the WWF at this time was that there were too many belts flying around which meant the main championships felt less special. This is a problem they’ve yet to really find a suitable solution for, but it’s not as bad now as it was at this time.

This match is largely pointless and features one of the worst Van Daminator style spots I’ve witnessed, but really it is nothing but an angle setting a series of backstage segments across the show. So it ends with Spike Dudley running in and using the 24/7 rule (which grew very tired very quickly) to win the Hardcore title and escape through the crowd pursued by Crash Holly as we the have to sit through a song by Drowning Pool, supposedly helping to tell the story of tonight’s world championship match.

All this serves to do however is kill the crowd who had already calmed considerably thanks to the nonsense hardcore segment.

The musical performance is followed by a backstage hardcore segment that sees Al Snow in a golf cart before Hurricane swoops in to pin Spike for the belt.

I’m not going to go into detail on all of these segments as they are many and pointless throughout the night but they do nothing but make the notion of championships pointless and do nothing to develop any stories or make anyone actually look any good and just seem to entirely kill any momentum the show manages to build.

Kurt Angle vs Kane

WrestleMania_18_-_Kurt_Angle_Vs_Kane_01Kurt Angle comes out first and looks in prime shape, which is amazing, and starts to cut one of his fine heel promos before Kane’s pyro goes off and out marches the Big Red Machine. Here Kane is the good guy looking to avenge an injury he sustained at Kurt’s hands a few weeks prior which leads to JR saying the phrase ‘head trauma’ about a thousand times in the opening couple of minutes.

Commentary team JR and Jerry Lawler are on fine form all night but it’s here, as Lawler picks up on JR’s repetition that their famed chemistry really comes into own.

Its evident throughout the crowd really don’t care about this story which seems very one-dimensional considering the semi-main event level of the two guys involved and the differing styles of the two men never really gel, though Kurt is a total machine and looks as good as he can.

A belly-to-belly suplex on Kane is a particularly impressive looking throw, but it all leads to what is a solid match rather than the kind of stand out Kurt Angle is more than capable of delivering – the slightly botched roll up ending doesn’t help matters either.

Following some more hardcore nonsense that feels like the bad bits of WWF during the Attitude era we get a fine promo package hyping…

The Undertaker vs Ric Flair – no disqualification match

Ric Flair and The UndertakerIn the video Undertaker is set up as a real bad ass heel who has targeted Flair’s family and friends to get this match with the 16 time world champ who had been acting as co-owner of the company for the past few months, so this sees Flair’s return to the ring following the final Nitro a year and a bit earlier.

‘Taker gets a huge initial pop when Limp Bizkit’s Rollin’ hits despite being a bad guy and Flair gets a reasonable, if not stellar, reception, but is in surprisingly good shape.

Most of the match see’s the pair battle in and out of the ring with punches and Flair’s knife-edge chops and it isn’t too long before Flair is bleeding all over the place and genuinely wearing the proverbial ‘Crimson Mask’. Despite the general lack of actual wrestling the pair manage to tell a great story of Flair fighting back in the seemingly insurmountable face of the younger, bigger, monster heel while JR and Lawler really get the whole thing over excellently on commentary.

WrestleMania_18_-_Undertaker_Vs_Ric_Flair_01The highlight of the match comes when ‘Taker hits a full top rope superplex on Flair which is astonishing to see from the 6’10” Deadman and 50-something year old Flair, who JR reminds us suffered a broken back in his younger days.

The match ends following a vicious looking spinebuster from Arn Anderson who appears from no where but it’s not enough to keep ‘Taker down who fails to deliver The Last Ride to Flair but just goes for a Tombstone, which the crowd love, as the Deadman goes 10 and 0 at Wrestlemania.

Booker T vs Edge

Backstage Michael Cole is with Booker T who does his best to live up The Rock’s promo earlier but entirely fails. Considering he’s feuding with Edge about a shampoo advert though this isn’t surprising.

BOOKER T and  EDGEBooker comes out to very little reaction and even hometown hero Edge doesn’t get the response you might expect but the sign in the crowd saying ‘They’re fighting about shampoo” sums up why perfectly.

Both guys are perfectly adequate, though Edge has yet to hit his Rated-R Superstar peak and Booker T is still stuck in his Invasion-era gimmick so the angle hampers them and fails to engage anyone.

The match is generally ok despite a botched top rope hurricanrana spot, Edge’s Spear has yet to become a bonafide finisher and when he wins the crowd go mild, despite, as I said earlier, his being from Toronto – the Canadian crowd are nothing if not contrary at times.

More backstage hardcore stuff leads into…

Stone Cold Steve Austin vs Scott Hall (w/ Kevin Nash)

Steve Austin and Scott HallFollowing a video package doing a decent job of hyping the return of the nWo as Vince McMachon’s hired goons and their attacks on Austin we get a match that, a few years prior, could have torn the house down and, for the first part here, does a good job of heading in that direction.

Despite both being a little past their prime the duo tell a great story and hit some nice spots, with Hall in particular looking far better than I think anyone expected at the time.

Unfortunately typical nWo shenanigans strike as Nash gets involved and soon the ref is knocked out. At this point they beatdown Austin briefly but he fights back hitting stunners on Hall and Nash completely killing any sense of threat The Outsiders might have had going forward as they can be easily overcome by one man.

Nash is eventually sent to the back and some kind of order is restored for Austin to hit two more stunners on Hall and get a clean pinfall win.

The return of the nWo was, much like the Invasion, another angle that almost entirely failed. The popularity of Hogan (more of which later) and this outcome at Wrestlemania, led to the faction being watered down barely a month into their run and the cynic in me suggests this may have been Vince McMahon’s intent to further discredit WCW and the things they did that were (initially at least) superior to WWF’s product – thankfully this run for the nWo is now mostly forgotten but for the purposes of this show it leads to a promising match falling flat.

Tag Team Championship: Billy & Chuck (c) vs The Dudley Boyz vs The Hardy Boyz vs APA

four-corner-eliminationNu-metal-mania continues next as Saliva are back to massacre the Dudley Boyz entrance music and introduce this tag-team-four-corner-elimination match.

Following the previous year’s run of TLC matches this had a lot to live up to and entirely fails. Things start off reasonably well as the APA clatter everyone with stiff powerslams and spinebusters and a great looking Clothesline From Hell, but they are soon eliminated in forgettable fashion while the Dudleys set up a table on the floor.

For a while the Dudleyz and the Hardyz have a very standard tag match as Billy & Chuck watch on before D-Von is sent through the table and Bubba is pinned leaving us with the Hardyz and Billy & Chuck.

For the second time this match the Hardyz hit their standard double team spots and the match ends with a belt shot from Billy to Jeff Hardy leading to a pinfall win for Billy & Chuck who retain while no one in attendance cares, including most of the guys in the match it seemed.

Hollywood Hulk Hogan vs The Rock

The Rock and Hulk HoganFollowing a great package hyping this battle of the generations the nWo music hits and Hogan comes out to a huge pop which just keeps going and grows as he does the shirt ripping bit in the ring.

Many things get hyped by WWE as being ‘Wrestlemania Moments’ but when Rock and Hogan face off in the middle of the ring with the crowd genuinely losing it we witness one of the biggest moments in the now 30 year history of the show.

It’s soon evident that for this one the roles are reversed from even a week before and Hogan is face so Rock switches masterfully into heel mode, being one of the few wrestlers to be able to genuinely deliver either at the drop of a hat and the pair spend the next 15 minutes or so telling a gripping story of who really is the top icon.

The Rock and Hulk HoganAs the match goes on both men hit their finishers and survive, with Hogan’s ‘Hulking Up’ seeing the crowd become even more unglued, and it finally comes down to a Rock Bottom and a People’s Elbow and The Rock getting his hand raised.

What follows is a handshake that really does feel like Hogan passing the torch in a way he hadn’t done previously. Storylines briefly kick back in as Hall and Nash attack Hogan, banishing him from the nWo, before The Rock and Hogan run them off, hug and then Rock lets Hogan do his posing before both men walk to the back together.

While the actual wrestling isn’t the best this is a true classic match that shows just what WWE/F can do when at its best in terms of character, story and performance.

Women’s Championship: Jazz (c) vs Lita vs Trish Stratus

The crowd are clearly exhausted after Hogan/Rock so give very little to this messy three-way contest.

Lita and Trish StratusChampion Jazz spends most of the time out of things, despite a few nice moves, and Lita and Trish are yet to reach their later high point that saw their rivalry become a classic.

The high point comes at the matches conclusion as Trish takes a nasty looking bump into the turnbuckles and then out to the floor before Jazz hits Lita with a spectacular if scary top rope fisherman’s suplex ending a real nothing of a match.

We then get our final hardcore segment that sees Maven pin Christian and escape in a taxi resetting the Hardcore Championship to where it started the night and making all these segments entirely pointless.

Undisputed WWF Championship: Chris Jericho (c) (w/Stephanie McMahon-Helmsely) vs Triple H

Chris Jericho and Stephanie McMahonWith the crowd still reeling from Hogan/Rock, Triple H is played to the ring by Drowning Pool as they massacre his theme that is usually done by Motorhead. This doesn’t help the crowd any and nor does the fact, from my point of view, that Hunter is meant to be the face, but with no video package to explain things the story is at best unclear.

Jericho then comes out with Triple H’s on-screen (at the time) wife to little reaction and the two engage in what is a decent match but, in the circumstances, can’t compete with what it follows and comes across as one of the worst outings these two performers could give.

The biggest crowd reactions come when the Triple H/Stephanie story comes to the fore, which does a huge disservice to both Jericho and the championship and throughout the divide between face and heel is never quite clear enough to make either man be the fan favourite.

Triple HEnding with a slightly clunky reversal into a Pedigree, Triple H starts a new championship reign on something of a low point to round off the 18th Wrestlemania.

In the end this is a very transitional show as the Attitude era has yet to be finally put to rest but the next direction for the WWF hasn’t really been confirmed either. With a roster as packed with stars as this the show really should have been better but too many of the stories and angles are underdeveloped and focus is, more often than not, misplaced.

This combined with too many distracting segments of nu-metal performances or backstage ‘hardcore’ activity leads to a show that is watchable and fine but unbalanced and fails entirely to live up what it could and should have been.

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Ladies and Gentlemen, My Name is Paul Heyman

WWE_Ladies-and-Gentlemen-My-Name-Is-Paul-Heyman_BD_3DIf you follow me on Twitter, or have seen some of my previous posts here, you’ll know I have something of a love/hate relationship with elements of pro-wrestling, particularly WWE, but that I am something of a self-confessed ‘mark’ so keep on watching regardless.

Every now and again though the biggest “Sports Entertainment” company in the world gets it spot on and, much like previous documentary packages You Think You Know Me (Edge), Best In The World (CM Punk) and most notably The Rise and Fall of ECW, Ladies and Gentlemen, My Name is Paul Heyman does the rare thing of breaking down (most) of the walls of the ‘sport’ to be both enlightening and entertaining.

What instantly helps is the subject, Paul Heyman has, for the best part of the last 30 years, been one of the most arresting and charismatic figures on pro-wrestling TV.

From NWA and WCW, through his legendary run in ECW to being “the 1 behind the 1 in 21 and 1” in WWE he has managed big stars and, more importantly, rising stars both on camera and off and has left a legacy that has changed the face of pro-wrestling, even if some of the powers that be would like to downplay it.

Paul Heyman, Freddie Blassie, Captain Lou and the Grand Wizard

Paul Heyman, Freddie Blassie, Captain Lou and the Grand Wizard

As with many of these documentaries from WWE much of the most interesting stuff comes early on. Here its as we see personal archive of Heyman’s as a photographer and interviewer for his own fanzines and then magazines as a teenager in New York.

One particularly striking image is him with Captain Lou Albano, Classy Freddie Blassie and The Grand Wizard, three renowned on-screen managers of the late 70s and 80s who Heyman would go on to emulate and, arguably, better in years to come.

What makes this section so good is it is, largely, devoid of politics. Gone, it seems are the days of WWE doing its best to put everyone else down (even though they went out of business years ago) so we just get Heyman’s views of other organisations and performers, and, in many cases their views of him. All of this does back up Heyman’s on screen persona in WWE but also seems to have the ring of truth that is becoming rather easier to spot on WWE TV these days.

Paul Heyman in ECW

The ‘evil-genius’ in ECW

The ECW portion seems, counter-intuatively, to be the most swayed section as all those interviewed only have good things to say about Heyman, though many admit they’ve had their problems with him in the past and WWE once again comes of it looking like the hero. It is very nice seeing some non-WWE faces here though, particularly in the form of past ECW performers like Raven and Tommy Dreamer and the man who gave Heyman his job there, Tod Gordon.

As we head into his WWE tenure it seems Heyman is actually given a little more free rein to ‘shoot’ (albeit in a controlled way) as he discusses his time as commentator, Brock Lesnar’s manager (seemingly both on and off-screen, which may be telling in Lesnar’s career trajectory in WWE) and his time as head writer on Smackdown.

Managing a young Brock Lesnar

Managing a young Brock Lesnar

Where this gets really interesting is in his arguable ‘fall from grace’ and, while the reasoning is somewhat sanitized (we don’t get anything from Vince McMahon while Stephanie McMahon and Heyman give a very by the numbers explanation of what may have happened), hearing Heyman discuss his work in OVW and getting CM Punk’s comments (obviously recorded before he “took his ball and went home” in January) on the period is genuinely fascinating.

This section did also leave me wondering if those in charge at WWE really pay attention to this stuff as it is evident how they have, from time to time, mishandled amazing talent leading to things like the current Punk situation – but who am I to say, I’m just an internet ‘smark’, aren’t I?

This is most interesting as it sets up for some stuff about his time out of pro-wrestling setting up Heyman Hustle and leading into the Looking4Larry creative agency which I had previously not been entirely aware of.

While this could feel like a contractual obligation section from WWE, as its clear Heyman is back in the fold as long as this side of his work gets its publicity, it is really interesting to see that the on-screen character is far from the be all and end all of the man, especially as we get a glimpse of Heyman the family man too.

Managing CM Punk

Managing CM Punk

In the end I think, once again, it is the subject that allows this WWE documentary to really stand out from the pack (I can’t see one on John Cena being as varied and interesting) but it is all handled well.

While there are a few moments that clearly shy away from some things or stick to the ‘official story’, and it is undeniably a puff piece for one of their best workers, Ladies and Gentlemen, My Name is Paul Heyman sits in the top bracket of WWE releases and I would say is a must for anyone with an interest in the last 30 years of pro-wrestling history, particularly if you want to see it away from Hulk Hogan and his ilk.

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Greatest Wrestling Factions

Greatest Wrestling FactionsThe few years have seen WWE’s DVD output generally increase in quality to quite a high degree, with the likes of CM Punk: Best In The World and Edge: You Think You Know Me really standing out (alongside the older Rise and Fall of ECW) as collections that break the fourth wall of the ‘sport’ to shed some light on the entertainment.

Unfortunately, it’s clear very early on that this isn’t the case with the Greatest Wrestling Factions DVD collection.

Rather than doing what the title says this seems to be WWE’s best attempt to cram in as many factions, or stables, into one collection as possible, with short intro segments drawing largely on clearly scripted interviews with current ‘Superstars’ and ‘Divas’ and largely acting to confirm that all of WWE’s ideas were far superior to anyone else’s, whether the accompanying match demonstrates this or not.

D-Generation X

D-Generation X

We do get some good stuff, seeing some of DX’s antics, the nWo’s moments and stuff from The Four Horsemen, Evolution and The Heenan Family all demonstrating why these factions had a major impact on pro-wrestling. Alongside this the bWo offer some light relief and here come across as one of the most entertaining things pro-wrestling has ever seen.

Unfortunately alongside these we get some smaller, less historically important, factions being treated like wrestling royalty, why The Oddities are here I have no idea as they come across purely as WWE trying far too hard and, while The Brood started the careers of a couple of the last decades big names in Edge and Christian, as a faction they were short-lived and left little to remember by save a cool entrance.

The bWo

The bWo

This is where the main issue with the set comes to the fore, it gives as much time to the likes of the bWo and the Oddities as it does to The Four Horsemen and the nWo which really serves little purpose other than to discredit the likes of Flair, Nash and Hall.

The other problem comes with the interviews, rather than being shot specifically for this collection they often seem to be culled from other interviews and largely base themselves within the ‘storylines’ of pro-wrestling which in this day and age seems at best naïve and at worst just makes for mostly dull soundbites.

The exceptions to this, predictably, are where the likes of Paul Heyman, Tommy Dreamer and CM Punk talk, but even these sections are edited in such a way as to often make the original ECW look like a bunch of foolish amateurs and make Vince McMahon come across as a real life evil genius (as is the intent of his ‘Mr McMahon’ in-ring character).

Dungeon of Doom

Dungeon of Doom

While some of the matches of this collection are good others seem to have been chosen simply because they needed a match to show – again The Oddities highlight is, apparently, a match again glorified jobber Too Much on Shotgun Saturday Night and some just feel like matches not good enough for past collections, such as the near non-sensical three-way, every man for himself nWo vs nWo vs WCW War Games Match which others just feel like great wrestlers second-rate matches.

So, in the end, unless you’re a completist or have the strange desire to see more of The Oddities or the frankly painful Dungeon of Doom, than this set really is not worth it.

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A Lion’s Tale: Around The World in Spandex by Chris Jericho

A Lion's Tale - Chris Jericho coverEver since Mick Foley wrote Have A Nice Day pro-wrestling autobiographies have become something of a must for pretty much any performer who ever had even the slightest recognition in the mainstream.

While some, like the aforementioned Foley’s or Ric Flair’s books are fascinating insights into the strange and bizarre multi-million dollar carnival of pro-wrestling, others are clearly cash-ins that aren’t worth the paper they’re printed on.

So where does Jericho’s book come in this scheme?

Thankfully it’s nearer the caliber of Foley’s work than say, The Hardy Boyz, as it takes us largely through the Lion Heart’s time working through the 90s indie wrestling world and in Europe, Mexico and Japan, as well as his time in WCW.

Written while Jericho was on a break from WWE in the mid-2000s the book pulls no punches in its discussion of pro-wrestling, this gives us a truly interesting look at the much misunderstood industry and points out its flaws as well as its good sides from training right through to the big time – although as it ends with Jericho’s WWE debut it does, potentially, let Vince and co off the hook.

Lance Storm and Chris Jericho

Lance Storm and Chris Jericho

That aside we get to see how ‘The last survivor of the Hart Dungeon’ made it from a bowling alley in Calgary to the biggest arenas in the world.

For me the most interesting parts were hearing about how the industry differs from one country to another. While Canada and the USA have all but merged in terms of pro-wrestling the stories from Mexico, Germany and Japan show very different ways of doing things and explain a lot about the different matches I have seen from each region – particularly the European approach where many of wrestlers mentioned have visited Guernsey over the years to flog their shtick of ‘homage’ of famous guys from the US.

What we also get an insight into is how the characters of wrestlers are created, or at least how it worked for Jericho.

Having established himself as a heel (bad guy), Jericho angled to work that role whenever possible but, depending on the bookers (the guys who put the matches and shows together) they would either work with him or impose their ideas and if Jericho didn’t follow he’d be out of a job.

Chris Jericho in JapanThis led to some interesting moments that have been left out of WWE’s official history of “the Ayatollah or Rock and Roll-a” including The Phoenix in Mexico and the one time only appearance of Super Liger in New Japan and how such things effected his journey.

The last chunk of the book deals with the time in WCW and again gives an interesting view of how things were working there as, while it doesn’t exactly paint the likes of Bischoff, Hall, Nash and Hogan in the best light, it doesn’t do a complete hatchet job on them either as it draws a picture of a company running totally off the rails, which cleared up some of my questions about how WCW hit such a peak and then so quickly collapsed before it was taken over by WWE in 2001.

On top of all the wrestling stuff we also get to find out about Chris Irvine, the man who is Chris Jericho, and see how his life has panned out from being a young wrestling fan onwards.

Chris Jericho in WCWIt’s this that takes the book up a level as we gain a real insight into why he does what he does in the ring and how his real life and wrestling life have affected each other over the years.

This is something that doesn’t always come across as, for some, its something that they don’t want to put across (or would spoil their in-ring persona) or there seemingly isn’t that much to tell – here though, much like in Foley’s story, we get a balance of the two that really made me connect with Jericho in a way that the best autobiographies (on any subject) do.

While I’m not going to claim A Lion’s Tale would be a fascinating read for non-wrestling fans, it is one the books on the subject I’ve read which would at least be accessible and, for any ‘Jericho-holics’, is a must, while there is certainly something in there for both more casual fans and even some non-fans to find out more about both the man and the multi-million dollar sideshow world he lives in.

And here’s a little bit of Jericho himself talking about the book:

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WWE Falls Count Anywhere (Blu-ray)

WWE continues it’s recent trend of solid Blu-ray and DVD compilation releases on this look at their hardcore history.

This year has seen a series of great compilation releases from WWE (from Edge’s history through to ECW Unreleased) and they continue their trend of at least good releases with Falls Count Anywhere: The Greatest Street Fights And Other Out Of Control Matches.

Hosted by Mick Foley, we get a slightly odd series of match introductions which are endearing in Mick’s own comedy promo style, but don’t give a huge amount of insight to the matches other than the fact that doing this sort of thing hurts and WWE has got a bit more tame since Mick’s days at the top.

So onto the matches.

Things start a bit shaky, but interesting, with a match from the WWF in the early 1980s pitting Pat Patterson against Sgt. Slaughter. By any modern wrestling fans standards this is about as tame as a ‘street fight’ can get but it shows how wrestlers, managers and announcers can work together to tell the story and transmit the psychology of a match – specifically here with reference to the wrestlers boots and how they are used as ‘weapons’.

From there Hulkamania overtook WWF so the mid-80s to the mid-90s are represented by WCW and these matches are a very mixed bag with over blown gimmicks and over-basic camera work making the matches hard to follow out of context (though Jim Cornette demonstrates why he was such a great manager and we get to see Cactus Jack in his early prime going against legendary Sting).

The mid-90s matches see a mix of WWF and WCW matches showing how they were trying to make their product slightly less child-centric at the time but, ultimately, still falling short thanks to the producers clearly still not really knowing how to shoot these matches for TV and the various rules and stipulations getting a bit baffling (especially in Savage vs Crush at Wrestlemania X!).

Things really start to pick up though as we head into the late-90s and the birth of the “Attitude Era” of WWF, with the feud between Bret Hart and Steve Austin and the return of Cactus Jack against Triple H.

From here the collection is a rollercoaster ride of extreme matches that highlight a sort of pro-wrestling which has since left the mainstream, as chairs, tables, sledgehammers and ladders all become mainstays of the matches, along with some spectacular spots and set pieces.

This middle section of the two Blu-ray set is certainly the strongest as we get to see Triple H in his prime along with matches featuring the frankly fearless (or insane, or both) Shane McMahon along with some great late-era Ric Flair outings and Shawn Michaels’ impressive return.

As we head towards the end of the disc we head back into WWE’s PG pro-wrestling territory, so the matches become much tamer, but there are still a few performances of note, specifically from Triple H and Randy Orton, although the John Cena vs Umaga match seems needlessly shoehorned in just so Cena makes an appearance.

The Blu-Ray features four extra matches, one of which see’s Mankind going against ‘Santa’, which is frankly a waste of disc space, however the other three bonus matches show how WWE can still do a street fight even without chair shots to the head or excessive amounts of blood (Triple H’s neck/arm injury against Sheamus being a fine example of in ring story telling).

Overall this set isn’t up there with ECW Unreleased Vol.1 or You Think You Know Me: The Story of Edge from earlier in the year, however it is still certainly worth a look if you’re a fan of WWE’s contributions to the genre of hardcore wrestling.

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