Tag Archives: unsigned bands

BBC Introducing Guernsey: October 2017 – Sound Guernsey and 10 years of Introducing

Sound Guernsey on BBC Introducing-Guernsey

Anni and Jon Bisson from Sound Guernsey

Click here to listen to the show

Earlier this month BBC Music Introducing celebrated 10 years of supporting new and upcoming music from around the British Isles with BBC Introducing Day.

For the October 2017 edition of BBC Introducing in Guernsey then, I presented a show very much looking back and looking forward.

The first hour of the show featured the organisers of the Sound Guernsey events for under-18s, Jon and Anni Bisson, who over the last two years have provided a place for the islands youngsters experience live music while also giving new bands a place to play alongside some more established acts.

Then for the second half of the show I took a look at some highlights of the past decade of music in Guernsey (there too many to fit into an hour) as well as the BBC Introducing 10th birthday celebration that took place at Brixton Academy earlier in the month.

Along with that I took my usual look at some bands who’ve been gigging around the island recently and we featured the new single from Kings (you can see the video below).

Everything Everything at Brixton

Everything Everything at Brixton

You can listen to the show online for the next 30 days by clicking here

Tracklist

 

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Granite Wolf and SugarSlam – The Vault – 13/10/17

Granite Wolf

Granite Wolf

Following Brunt at The Golden Lion a couple of weeks ago and WaterColour Matchbox at The Vault last weekend the loud, heavy end of Guernsey’s music scene continued to be represented in St Peter Port on Friday 13th October 2017 as hardcore riff machine Granite Wolf and hard power pop quartet SugarSlam rocked the venue on the seafront.

After a bit of time away Granite Wolf launched into their set in tight, punchy and intense form with their brand of hardcore with hints of heavy metal making a refreshing blast to the senses.

While its hard to pin down visually quite why, the five-piece presented a united, gang like, front on stage and this was infectious with the audience at the front feeling like part of the process of the energy flowing through the room.

Granite Wolf

Granite Wolf

With riffs and beatdowns aplenty they did get a couple of modest mosh pits going but it seemed many in the crowd were more worried about spilling their pints than really letting go on the dancefloor, but nonetheless they got into the heavy sounds.

With a good mix of fast, speed metal, heavy head banging stuff and powerful hardcore, Granite Wolf once again set out their stall as one of the bands to watch in the island – I just hope they get to gigging a little more regularly now they seem to be back to their more solid, original, line up.

After something of a protracted break to set up and sound check, SugarSlam hit the stage in slightly heavier mode than usual, no doubt to try to match the earlier band, however, less than two songs in they ran into trouble with a blown amplifier.

SugarSlam

SugarSlam

With that hastily fixed they were back on form and racing through a set mixing covers and originals new and old, but by this time the audience had sadly diminished to quite a degree.

Undeterred the band blasted on and those who remained clearly had a great time with songs by Nirvana and Queens of the Stone Age going down just as well as the band’s own – Jackals being a particular, immense sounding, highlight that isn’t heard as much these days.

Given the time and an under the weather drummer the band cut their set short, wrapping up with their take on Neil Young and Crazy Horse’s Rockin’ In The Free World, before the audience convinced them back for a super speed blast of Ace Of Spades to close the night on sweaty and exhausted high.

You can see a full gallery of my photos from the show on the BBC Introducing Guernsey Facebook page

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Brunt, Buff Hudd and Tim Bishop – The Golden Lion – 30/09/17

Brunt at The Golden Lion

Brunt

On the 30th September 2017, for the first time in years, loud and heavy rock music returned to the downstairs bar at The Golden Lion as Brunt took to the small stage alongside acoustic acts Buff Hudd and Tim Bishop.

The event was organised as a fundraiser for Action Aid and presented one of the most varied line ups seen at a show like this in a while.

My review was published in The Guernsey Press on Saturday 7th October 2017 and you can see more of my photos of the show on the BBC Introducing Guernsey Facebook page.

Brunt, Buff Hudd and Tim Bishop review

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BBC Introducing Day 2017

BBC Introducing 10 yearsFor the past ten years BBC Introducing has been championing new music around the UK, and at BBC Introducing Guernsey, I’ve been a part of that, officially for the last nine years.

While BBC Introducing Guernsey marked nine years last weekend (you can find out more about that here), we got involved with the 10th birthday celebrations by featuring a selection of tracks from bands and artists we’ve supported and championed, and those who’ve gone on to make their mark on a wider stage, across BBC Radio Guernsey‘s day time output.

You can listen back to all the tracks on the BBC iPlayer by visiting the BBC Radio Guernsey homepage and listening to all the shows, but here’s the list tracks featured and on which show:

Oscar Pearson
Buffalo Huddleston – Sunrise
Robyn Sherwell – Islander
The Recks – Low Life

Jenny Kendall-TobiasBBC Introducing Day artists 2017
Le Quesne – He’s An Idiot
James Dumbelton – College Boy
Buff Hudd & Flexagon – Drifting (Into The Light)
Of Empires – See You With The Angels Kid

John Randall (presented by Ollie Guillou)
Static Alice – SOS (live)
Robert J. Hunter – Bigger Things
Tantale – Wash Her In Wasps
Thee Jenerators – Guaranteed High

Islands at 5
The Space Pirates of Rocquaine – Edge of the World
mura masa – Lovesick

If you’re making music and want to upload it to BBC Introducing or just find out more and explore some of the great music being championed around the country than click here to visit the BBC Introducing main website

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BBC Introducing Guernsey: September 2017 – Of Empires and Sark Roots Festival

Of Empires and Sark Roots Festival

Of Empires and Roz & Lazlo from Sark Roots

Click here to listen to the show

As BBC Introducing prepares to celebrate its 10th birthday, BBC Introducing in Guernsey marked nine years on the air while wrapping the 2017 summer festival season for its September show.

I spoke to Jack Fletcher from Of Empires about their summer which has seen the slick rock ‘n’ roll four piece make their first foray into the UK’s mainstream festival scene with appearances at both Isle of Wight and Reading festivals thanks to promoters of all things guitar music based, This Feeling.

I also caught up with Sark Roots Festival organiser Roz following their second successful event celebrating not just the great music of the Channel Islands but all things environmental as well.

On top of that I had a brief look back at the 2017 Vale Earth Fair and, in marking the show’s birthday, a few of the tracks that have made a mark over the past decade or so.

You can listen to the show by clicking here

Tracklist

You can read my look back at Guernsey’s 2017 summer festival season here

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Guernsey’s Summer Festival Season 2017

Jupiter and Okwess at the Vale Earth Fair

Jupiter and Okwess on the Castle Stage at Vale Earth Fair

With the autumnal weather setting in and music events moving back into the island’s indoor venues, I think its safe to say as we move into October that Guernsey’s ever-growing summer festival season has come to an end.

As with every year it seems more and more events are labelling themselves as festivals or have that feeling of big, outdoor, events that typifies the British and European style of music festival; from the long running likes of the Vale Earth Fair to the House On Herm events or the food and drink ‘festivals’ that often feature live musical entertainment.

This year’s festival season began, as it is prone to, with Liberation Day on 9th May.

The Recks

The Recks

While the Vale Earth Fair were part of the now customary street party in St Andrews, the ‘official’ side of the celebrations in St Peter Port came in the form of LibRock 2017 on the Albert Pier.

Like last year this event showcased not just big names like The Devotees, The Recks and Clameur De Haro, but also gave a chance to some of the island’s younger bands to appear in front of a bigger crowd, namely Unclassified and Problematic.

Read my review of LibRock

The Guernsey Literary Festival was next on the list and that featured a night of live music and poetry at The Fermain Tavern before Guernsey Arts Commission‘s Arts Sunday took over the St Peter Port Seafront.

Tantale on the BBC Introducing Guernsey stage

Tantale

As it has every year Arts Sunday featured about as much live music as it was possible to fit in from the young performers of The School of Popular Music and the Thirst Music School, to a selection of established performers staged by The Vault, to the BBC Introducing Guernsey Stage that was curated to showcase some of the artists featured and championed by BBC Introducing in the islands including Blue Mountains, Buff Hudd, The Recks, Tantale and Thee Jenerators.

Read my review of BBC Introducing Guernsey at Arts Sunday

The first of the big, fully fledged music festivals of the year came at the end of June with the 13th happening of the Chaos Weekend (generally these days shortened to simply, Chaos).

Heave at Chaos 13

Heave

After a few up and down years this year’s felt very much back to its past prime with a few visiting headliners such as Graveyard Johnnys and Johnny Cage & The Voodoogroove, sharing the stage with the best rock bands Guernsey has to offer like Heave, Static Alice and SugarSlam, while The Peace Tent showcased everything from New Zealand folk duo Great North to the doom rock of Brunt to Flexagon‘s brand of psytrance.

Read my review of Chaos Voodoo 13

While I skipped this year’s Sark Folk Festival in favour of the British Summer Time event in Hyde Park featuring Green Day, Rancid, The Living End and more, the big live music events continued throughout July with the Sound Guernsey School’s Out Party, the School Of Popular Music Summer Showcase and a Vale Earth Fair Fundraiser before the main event itself.

Honest Crooks at the Vale Earth Fair

Honest Crooks

This year the Vale Earth Fair was marking 41 years and did so with one of the most stacked line ups in some time. The main stage was headlined by Chali 2Na & Krafty Kuts, Jupiter & Okwess and Jah Wobble & The Invaders of the Heart with the local side represented by The Recks, Robert J. Hunter, SugarSlam and more. Meanwhile outside the Vale Castel The Honest Crooks headlined with Lifejacket, Near Bliss and more.

Read my review of the Vale Earth Fair

In past years the festival season has really come to an end with the Vale Earth Fair but last year and this its extended well into September, not only is there Smaashfest but the Sark Roots Festival has quickly grown into something that feels like an established event.

The Surfin' Birds

The Surfin’ Birds

This year the event grew from last year’s first to feature a mix of bands from Guernsey and Jersey along with visiting acts from the UK and even New Zealand highlighted by Buffalo Huddleston, The Honest Crooks and The Surfin’ Birds.

Read my review of Sark Roots Festival

With plenty more going on besides, from The Rocquaine Regatta to the North Show and more, its fair to say summer in the islands is about as packed as it can be with events with a strong musical presence that serve to highlight quite how spoilt we are for new music in the islands.

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Guernsey Gigs Jam Night #2 – The Fermain Tavern – 22/09/17

Who Would Dare Give Me The Raspberry

Who Would Dare Give Me The Raspberry

Back in March Guernsey Gigs put on an event that was a bit of an experiment, based on the idea of some of the open mic nights that take place but formalising it with randomly drawn selections of musicians being given 20 minutes to ‘jam’ and see what happens.

Given that the first was a success for both musicians and the curious audience, there was a bit of buzz around this second version of the event with a broader scope of musicians putting their names in the buckets to play.

While people were arriving and the first of the jam bands were getting things together the Ten Toe Hobo hopped up on stage to play a short impromptu set that found the feeling of the night very well in the way only he can.

Ten Toe Hobo

Ten Toe Hobo (slightly in the dark)

When it comes to a night like this of course it’s a little different to a normal gig as none of the bands are bands and none of the songs are songs and just getting up on stage takes more confidence than certainly I have, whatever the outcome.

The first band, dubbed I think accidentally Not Yet by the evening’s compere Graham ‘G-Dog’ Duerden, were slightly more prepared than most of the night’s combos and delivered a set of funky, jazzy instrumentals led by the saxophone of Boondoggle‘s Dennis Allen.

One thing about a jam night like this which is always something of a worry is that each group will just fall back into a kind of standard bluesy groove, so it was encouraging that even between the first two groups neither came close to doing that.

Deliberate Mistake

Deliberate Mistake

Deliberate Mistake, as they called themselves, threw together elements of psyche and indie with hip hop. With Silas The Assyrian Assassin on vocals, the backing provided a more relaxed groove for his insistent, Beastie Boys like punk rock-rap style delivery but for the most part it worked.

With Christiaan Mariess of Brunt on drums it was no surprise that The Dangles had a heavy groove going throughout nicely balanced by some more of Dennis’ saxophone and his Boondoggle comrade Carrie’s vocals.

While the next couple of bands didn’t quite gel as well they still led to some nice moments. Sexual Content featured some Doors like hints from The Recks‘ Richey Powers before he switched to guitar in Quintessentially Human and showed some fine power blues stylings as they neared their climax, showing off something we don’t get to see normally.

Key Change

Key Change

Possibly the most unexpected grouping of the night saw City Limits‘ lead guitar whiz, Glenn Holmes, teaming up with Ukuladeez (all counting as one vocalist). While they found a few nice jams amongst their bizarre mixture, I think their highlight moment was when Ellie added some percussion in the form of tap dancing. 

And then it was Murray Brown… Named for the Burning At Both a Ends guitarist whose name had been drawn several times across the night despite the fact he wasn’t actually there and combining the forces of Lord Vapour, Mechanical Lobster and Citizen-X, amongst others to create something like a deranged version Hawkwind but with more extreme vocals drenched in reverb and delay creating a highlight of the night.

As the night neared its end things went off the rails somewhat as last group, Who Would Dare Give Me The Raspberry, filled the stage with performers who played with a great fluidity considering the situation.

Murray Brown

Murray Brown

With Rentoclean‘s Kieran Smale scratching on the decks (following drumming duties earlier) adding yet another new sound and Gregory Harrison delivering a kind of scat vocals with beat boxing and rap thrown in, they ended the night in a way that showed exactly the best of what this night could do, getting different groups of musicians together and creating something new that, at the start of the night, no one thought they’d be playing.

You can see more of my photos from the show on the BBC Introducing Guernsey Facebook page

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Greenman Chaos Night – KGV – 23/09/06

As the BBC website has started to remove a lot of older content (including a lot of mine) I may, from time to time, resurrect older pieces on here – this is one of those – originally posted as part of Guernsey Unsigned (the forerunner to BBC Introducing Guernsey) in September 2006.

All names are left as credited at the time and the only edits are for tidying up and corrections.

Spitshine - KGV - 23/09/06

Spit Shine Blues Band

As lightning flashed in the sky outside the KGV bar welcomed an eclectic night of music from some of Guernsey’s best new bands.

Heading up the stairs from the entrance to the bar of the KGV I could hear the sounds of some good old rock ‘n’ roll in the form of Johnny B. Goode being played live by the Spit Shine Blues Band.

Featuring J.J. Corbin on lead guitar and vocals, the band rocked through a set of blues and rock ‘n’ roll covers which sounded like they came from the soul of a young Eric Clapton. Corbin in particular stood out as a fantastic young guitarist with a great voice which could grow to become a real gravely blues drawl should he want it to.

Though he was not the only stand out as the band’s drummer showed his stuff as well and the saxophone and bass held it all together to present a great sound, especially for a band who I believe don’t play together on a regular basis.

After the Spit Shine Blues Band treated us to a full on ‘Rock ‘n’ Roll ending’ to their set things took a turn for the mellower as semi-acoustic trio Said in Silver took to the stage.

Guitarist/vocalist Diggi started the set by asking “how do you follow Joe Corbin’s band?” and it seemed that Said in Silver had the answer.

Said In Silver

Said In Silver

Playing a collection of original tunes and covers the three piece worked through their nerves to sound great with Diggi acting as a hugely charismatic and witty frontman and Astrid vocals sounding great and fitting the songs perfectly.

Their stand out tracks were undoubtedly their rendition of Alanis Morissette’s Ironic and their own song My Saturday Afternoon in London, but all of the songs sounded great and they showed definite promise with such good original material, if they can overcome their nerves.

Next up the chaos promised in the events name almost came to fruition in the form of Spat. Blasting out a style of pure punk not seen in a long while they too combined original material and covers to brain scrambling effect.

Spat

Spat

The band’s tuning up set the stage for what was to come with shambolic shouts of “We can’t hear the ****ing guitars” and this chaotic sound continued throughout the set displaying their punk credentials well with covers of the Anti-Nowhere Leagues So What and Ramones Now I Want To Sniff Some Glue all presented through Jack Sunderland’s barking screams, bringing to mind any number of the great British punk bands of the late 1970’s and 80’s.

Being the only band to really get the crowd going we were treated at one point to the sight of a full on three-man circle pit as well as a slightly larger standard mosh. The band ended up with some true class as Lee Burton smashed his guitar to pieces before Jack slammed his mic stand into its remains to create an ear splitting wall of noise.

Sadly falling victim to the fact that a majority of the audience had cleared off by the time they came on Bald Justice still played their blues rock and old school metal with true style, making the floor shake to the sounds of some Black Sabbath classics as well as other covers and some of their own songs.

Bald Justice

Bald Justice

Stand outs were their own tune Sweet Ophelia which they pulled out early in the set and their covers of Sabbath’s The Wizard and N.I.B. which closed things off.

Showing the ability and the class to carry on playing with such a depleted audience the band’s energy only seemed to wane slightly at one point towards the middle of the set before building itself up again by the end and they definitely deserved more people to hear them play, though as the band’s bassist Mutley said afterwards “I haven’t had to follow a proper punk band in 15 years” and following a band like that must be a challenge, especially when the crowd were so clearly behind Spat.

When it was all said and done the night clearly belonged to Spat, although all four bands put on great performances, and it just goes to say many happy returns to Lloyd and Boon and that’s a hell of a way to have a birthday bash.

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Sark Roots Festival 2017 – 15-17/09/17

Sark Roots Festival Field

The festival field

In 2016 the Sark Roots Festival appeared on the Channel Islands scene, late in the season and looking in some way like a cross between the wildly successful Sark Folk Festival and the Vale Earth Fair, combining a diverse selection of musical acts with workshops on various earthy subjects and the idyllic setting of Sark – specifically a field to the north of the island overlooking Guernsey and Herm one way and Alderney and France the other.

I’ll admit that I was initially sceptical, while the music side looked good it didn’t seem to be anything we hadn’t seen at any of the other festivals happening around the Bailiwick over the summer and the other stuff, which to my mind looked like a lot of ‘hippy nonsense’ (to use the polite version of my commonly used phrase), looked like too much distraction from the music.

After good reports from pretty much everyone who went, and as I missed the 2017 Sark Folk Festival, I thought I’d give it a go for this year though and I have to say it failed to live up my original expectations in the best of ways.

Sark Roots Festival Field

The festival field

Of course the location was spectacular  – other than the destroyed vineyards and intentionally abandoned properties, where in Sark isn’t?

The set up of the field, while reminiscent of the folk festival, was rather more rustic and humble with extra additions of a play area including trampoline, tight ropes and a home-made climbing frame, several fire pits which would come into their own later in the evening and various tents and tipis where the weekend’s non-musical events would take place.

The main tent included a good-sized stage at one end and, slightly separate, a bar at the other selling a range of small brewery beers and ciders from Sark Brewery, Guernsey’s White Rock Brewery and Rocquette Cider.

Day 1

Ten Toe Hobo

Ten Toe Hobo

So onto the music which began with a regular of pretty much all festivals in the islands, Ten Toe Hobo.

Delivering possibly a more blues tinged version of his usual busking style set he provided a relaxed start to the weekend that really captured the tone perfectly.

The set got more energetic as it went on with original song Loose Lips a favourite as always and Move On, another original track I’m sure I’d heard before, also sounding great and of course the song that has become something of his theme tune, Charlie Winston’s Like A Hobo being another highlight.

While a few bands and performers have come out of Sark over the years there was only one truly Sark based act on the bill here, Big Sheep.

Big Sheep

Ash, Dave and Roz of Big Sheep

Featuring the festival’s lead organisers Roz (ukulele) and Lazlo (bass) along with leader Dave (guitar and vocals), Ash (trumpet and vocals) and part-time Space Pirate Jess (fiddle) they presented their usual mix of original tunes and songs and a few made famous by The Levellers.

While there were a few points where it all became a bit of a mess when it coalesced they have a great sound, particularly with Roz’s vocals working alongside Dave’s to build some deeper tones.

For obvious reasons they were very warmly received and got the first dancers of the day up with a group of the island’s youngsters who seemed to be having a great time all weekend and gave the whole thing as much a community fair kind of feel as that of a festival.

Sergeant Pipon's Lonely Hearts Club Band

Sergeant Pipon’s Lonely Hearts Club Band

The first of the weekend’s acts from Jersey was Sergeant Pipon’s Lonely Hearts Club Band (abbreviated to Sergeant Pipon on the programme).

They came across like a slightly more risqué answer to the The Space Pirates of Rocquaine with a foot a bit more firmly in rock ’n’ roll territory.

With songs of drinking, debauchery and other nocturnal activities, run through a filter of tunes sounding suspiciously like some familiar favourites, they were the first of the weekend’s band to get really irreverent and were great fun with it.

With the sun now set the tent was filling up for The Rectory Hill Skillet Lickers and, with them at full, eight-piece, strength on stage, the upbeat tones continued and they soon had a few dancing at the front.

The Rectory Hill Skillet Lickers

Louis and Clem of The Rectory Hill Skillet Lickers

Clem and Louis Brouard sharing the stage they added to the family feel of the festival while their brand of lo-fi, vintage, rag time sounded as good as ever.

Gemma Honey’s sweeter voice and Clem’s abrasive vocals played off each other brilliantly while a few songs previously heard from The John Wesley Stone were highly appreciated and Ash Jarman continued to show his ridiculous musical skill swapping from brass to some very finely played spoons!

With quite a sonic contrast Lord Vapour brought their fuzzy cosmic grooves fresh off their recent debut European tour.

With new material that builds on their past jammed out heavy psychedelia they built to huge crescendos and, while in the past they have sometimes felt rhythmically imbalanced they had a more measured pace here that saw them at their best driven by the relaxed but powerful drum work of Squirrel.

And, as Richey from The Reck’s pointed out, they all have great looking hair.

Monty of The Pirates

Monty of The Pirates

While Lord Vapour had got heads nodding it was The Pirates (formerly Pirate Party Brigade) from Jersey who really got the moving with the highly skankable punk ska energy.

As a party band par excellence they blasted through a set of infectiously energetic songs in tight and punchy fashion led by the brilliantly gritty charisma of Monty that provided a strong highlight of the first day.

And then came Sark (and Channel Island) favourites, The Recks

Being undeniably in the party spirit on a technical level the band were just the wrong side of lose and ended up going about as all over the place as a band can while still sticking to a performance.

Richey of The Recks

Richey of The Recks

With that though they brought an amazing energy to the tent that ran into the crowd and back and it was one of those moments of everyone coming together in a way that defies conventional wisdom making for a rousingly raucous performance.

Ending on a take at old favourite Porcupine that was maybe a little too busked, their performance here suited the mood of the night and rounded off the first day of the festival in an appropriate style – oh, and Richey was wearing a very nice coat… (he might have told me to point that out).

You can see more of my photos from the first day of the festival on the BBC Introducing Guernsey Facebook page

Day 2

After a raucous end to the first night my second day at the festival began (after a failed attempt at dodging some rain after breakfast) in much more sedate fashion with Blue Mountains.

Blue Mountains

Blue Mountains

Their relaxed and fun manner worked well to give their rather dark songs a lighter edge and they held the gradually growing crowd rapt.

Andrew Degnen added a ukulele to one song, along with his usual fiddle on the others, particularly Henry Lee which was reworked with a bigger lead violin part, and they debuted a brand new song about Sark as, they pointed out, it seems you can’t be a folk band in the islands without a song about the place, all before coming to a fine climax with Emmy Lou Harris’ Red Dirt Girl which was as evocative as always.

Things got a bit more groovy next with some upbeat indie from Jersey’s Axon Bower. While there wasn’t anything much new to their sound for a summer afternoon in a field it was spot on and brought some great vibes to the event as the sun looked set on staying out.

Tantale

Tantale

Continuing with an indie rock sound, but in a slightly different way, were Tantale.

Going acoustic for this more sedate event they mixed originals with covers from the likes of REM and Soundgarden and captured some of their usual psychedelic tones with a very chilled out feeling.

Added to this was the fact that they were playing with Jawbone’s Alex Childs on drums showing a very different side to her playing than in her regular band and putting in a stellar performance having only had two practices!

Lead by a relaxed Crowman, The Crowband took Sark Roots on a surreal flight of fancy that mixed folk, steampunk and music hall in a way unlike anything else.

The Crowband

The Crowman and Shacks

With entertaining chat between the songs, things got more demented as the set went on with cultural reference points spanning everything from Isambard Kingdom Brunel to Chitty Chitty Bang Bang to The Hangover via the small northern town of Pimbo, culminating in a singalong to Give Me Booze from their latest album to finish.

Things didn’t get much more conventional next as what Parish 13 took to the stage looking and acting like they could be residents of Royston Vasey.

While they started off looking and sounding like a gypsy/pirate novelty act, as they went on and people got on their feet it started to feel a little more organic with an interesting selection of songs including cover of Gogol Bordello and The Mad Caddies.

While it was hard to escape the feeling they were trying a bit too hard for the novelty factor they upped the energy in the tent well as we headed into the evening.

The Space Pirates of Rocquaine

The Space Pirates of Rocquaine

The piratical theme continued, albeit in slightly less of a forced fashion, with The Space Pirates of Rocquaine.

It took a couple of songs but they soon got the crowd involved with a set that was the perfect balance between their more restrained, family friendly, selves and their more rock ’n’ roll tendencies.

Rise sounded anthemic once again while SS Briseis brought a rowdy punk energy before they delivered an encore of Mr Le Goupillot to close the first highlight set of the weekend.

After recent outings at the 2017 Vale Earth Fair and its warm up show Weymouth quartet The Surfin’ Birds returned to the islands with quite some fan fare.

A grooving jam set the tone at the start before we spent an hour surfing the psychedelic waves with a strong garage heart.

The Surfin' Birds

The Surfin’ Birds

The set and sound were different from their previous visit showing a band capable of quite some variety who all played off one another on stage excellently making for a tight and powerful performance that was the best I’ve seen from them and was another highlight of the festival.

With a lantern parade going on outside the tent remained packed for the big ska party of The Honest Crooks.

This band couldn’t be more suited to an event like this and the crowd was skanking from the start. With a selection of their own great songs making up the bulk of the set there were a few covers thrown in too but all were warmly greeted and the addition of trumpet player Danny on a few songs added an extra level to the ska punk sound.

The Honest Crooks

The Honest Crooks

With a longer set than expected they packed in the tracks and even got Henry from Lord Vapour up for kazoo duties on Gentlemen’s Dub Club’s High Grade (its safe to say he’s no Bobby Battle on the instrument but did drink a pint from a shoe as if to make up for that – I’m not sure why either), before the band closed their set with a big jammed out ending that got the a small pit going amongst the revellers at the front.

It seems only inevitable that after all that Buffalo Huddleston would close the show and they did it in just the fashion we’ve come to expect.

Buffalo Huddleston

Mike of Buffalo Huddleston

Their upbeat folk-hop had the audience going from the start and its hard to argue with the appeal of this band with new songs greeted as positively as more well-known ones building a great atmosphere in the tent that permeated out into the field leading to two encores, and there was a point where I wasn’t sure if the crowd would let the band leave the stage rounding off the second day on a real high as we relaxed around a fire pit watching distant lightning arcing across the sky.

You can see more of my photos from the second day of the festival on the BBC Introducing Guernsey Facebook page

Day 3

John Le Sauvage

John Le Sauvage

As is probably to be expected the Sunday of the festival was a more relaxed affair but it was good to see that by lunchtime the site was getting busy and, with the sun well and truly out and it feeling like a summer’s day the field became the perfect place to relax and enjoy the afternoon.

Musically things got going with John Le Sauvage playing a mix of country and folk style songs in a chilled out fashion.

With an easy manner on stage he went down well spanning everything from Johnny Cash’s Folsom Prison Blues to Pulp’s Disco 2000 and Cranberries’ Zombie.

After letting their rock ’n’ roll side out the previous night The Space Pirates of Rocquaine (billed as The Bootleg Pirates) were back for something a little more sedate.

The Space Pirates of Rocquaine

The Space Pirates of Rocquaine

Starting out with a few solo and duo songs from Guppy, Lisa and Tim to set the mood before the full band, including extra vocals from Jess Nash on a few songs, took to the stage for a very different set to the previous night including their more folky songs.

They still found time for some upbeat moments though, like their take on Billy Bragg’s You Woke Up My Neighbourhood and their own Follies D’Amour before ending on an atmospherically slowed down version of The Witch of the Longfrie.

Boondoggle brought some jazzy acoustic pop the show and were much more relaxed on stage than when I’ve seen them in the past, capturing the mood excellently.

With a different combination of sounds thanks to Carrie’s great voice and Dennis’ clarinet and sax they stood out from the pack of acoustic artists currently on the scene in the islands.

Carrie from Boondoggle

Carrie from Boondoggle

With the boat calling I just had time to catch New Zealander Monty Bevins before heading off to the harbour and he continued the afternoon’s atmosphere with a soulful singer-songwriter style.

While young men with acoustic guitars are ten a penny he was in the upper set of those on the circuit, if not being truly remarkable, but sounded nice.

Sark Roots Festival then was in many ways exactly what I expected but in others nothing like I anticipated. With some great music on offer it all came packaged in probably the most laid back of any of the festivals in the islands and certainly left a strong impression, even on this sometimes jaded and cynical sort.

You can see more of my photos from the third day of the festival on the BBC Introducing Guernsey Facebook page

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Interview on BBC Radio Guernsey – 05/09/17

Tom Girard - Picture By Steve Sarre 04-07-17

Photo by Steve Sarre, Guernsey Press

Click here to listen to the interview

In something of a switch of positions I was on the other end of the microphone on Tuesday 5th September 2017 as I headed into BBC Radio Guernsey to be interviewed.

Across an hour speaking to Euan Mahy we focussed mostly on my work with BBC Introducing and promoting music from Guernsey and the islands while also looking at how I got involved with all of that.

Along with discussions of BBC Introducing Guernsey, The Phantom Cosmonaut and more we also had time to a play a few tracks including See You With The Angels Kid by Of Empires, Low Life by The Recks and Bigger Things by Robert J. Hunter from his latest album Where I’m From.

You can listen to the interview for the next 30 days or so by clicking here (the interview starts around the 2 hours and 40 minute mark)

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