Tag Archives: the recks

Guernsey Literary Festival presents The Recks, Heidi Joubert and Harry Baker – The Fermain Tavern – 13/05/17

The Recks

The Recks

Every year the Guernsey Literary Festival sets aside a night of its week-long event to combine music and poetry in the live environment of The Fermain Tavern. In the past this has welcomed the likes of John Cooper Clarke, Linton Kwesi Johnston, Attila The Stockbroker and Ruts DC and this year, in a slight twist, it featured world poetry slam champion Harry Baker, jazz percussion YouTube sensation Heidi Joubert and our own schizophrenic indie folksters, The Recks.

With the venue already busy early on Heidi Joubert took to the stage with her band for a soundcheck that, it transpired, had been delayed by the artists being unable to find the venue during the afternoon (and seemingly the festival organisers unable to give them suitable directions or chaperone them accordingly), so this set things off in an odd way and, seemingly, reduced the length of Baker’s performance as well.

Harry Baker

Harry Baker

This was doubly a shame as, for the five or six poems we were treated to, Baker was excellent. From the surreal flight of fancy Dinosaur Love to a poem about the love between a pair of prime numbers, to his tongue twisting, poetry slam winning, piece of verse centred on the letter P, Baker was one of the most entertaining and engaging performers I’ve witnessed, particularly when you consider he came armed with nothing but his voice and his words.

With a largely subtle performance side setting off his word play, he was a delight and, while I didn’t quite get the parody aspect of his Ed Sheeran reworking, it rounded off his set with a barrage of excellent puns turning a Sheeran love song into something I don’t doubt is far more entertaining and endearing than the original – I just wish there’d been time for more.

After a brief break The Heidi Joubert Trio returned to the stage and proceeded to stumble and dawdle their way through a set of easy listening, Latin style, jazz – interspersed with much talking to the sound man and trying to convince the audience to at once ‘shake it’ and, later on, be quiet!

A little research after the show seems to indicate that much of Joubert’s fame stems from a video of her busking on a train going viral on Facebook and she wasn’t shy in telling us about that during the set either, but what may work in a short online clip failed to remain interesting for the better part of an hour.

Heidi Joubert

Heidi Joubert

Rather than a collection of songs what we experienced felt like a disorganised jam of a set and, while all three were clearly very good players, it didn’t come together to make anything approaching an enjoyable whole and mostly amounted to a lot of other people’s riffs and lyrics forced into jammed out grooves and delivered with a sense of knowing arrogance that was ultimately hugely frustrating.

After that something needed to happen and, thankfully, The Recks delivered.

With something more of an energetic attitude than I have seen from them in a long time they launched into their set (a very similar line up of songs to that heard on Liberation Day) at breakneck pace and never looked back.

All five members of the band seemed intent on making their mark and, while Richey Powers was just the frontman we’ve come to expect, it was Gregory Harrison who really seemed to up his game revealing an intensity previously only hinted at and perfectly fitting his place in the band.

Gregory Harrison of The Recks

Gregory Harrison of The Recks

With next single In The Garden taking on something of a new spirit and the twisted disco of new song She Ain’t No Revelator providing a couple of highlights the performance reached its climax in three-part encore ending on a genuinely deranged Papa Leworthy that was as heavy and dirgey as this band could ever muster.

It’s just a shame many who’d come along early missed the genuine highlight of the night by leaving early and I’m not sure I can put into words how disappointing it was (not to mention disrespectful) that a majority of the events organisers also seemed to have vanished well before their own event was over, but none-the-less The Recks continued their current run of great shows as they head towards the height of summer festival season.

You can see a full gallery of my photos from the show on the BBC Introducing Guernsey Facebook page

Tagged , , , , , , , , , , , , , , ,

LibRock 2017 – Albert Pier, St Peter Port – 09/05/17

The Recks

The Recks

Once again live music was at the core of the Liberation Day celebrations for 2017.

As well as events all over the island the ‘official’ part came with Centre Stage Guernsey’s LibRock 2017 on the Albert Pier on the St Peter Port seafront with music from The Devotees, The Recks, Clameur De Haro, The Silverados, Problematic and Unclassified.

My review of the show was published in the Guernsey Press on Saturday 13th May, you can read it below with an extended version underneath that, and you can see a full gallery of my photos from the show on the BBC Introducing Guernsey Facebook page.

Liberation Day press cutting 13/05/17

Full Review

The Devotees

The Devotees

Liberation Day has changed.

I remember a day of the St. Peter Port seafront being packed with people, plenty for everyone to do (yes including the controversial ‘fun’ fair) and a real atmosphere and feeling that ‘everyone was here’.

As I made my way along the seafront from North Beach this year though this was not the case. All there seemed to be as an ‘attraction’ were a series of stalls selling locally made gifts and novelties, most of which you can see any given Sunday in the same place over the summer.

Unclassified

Unclassified

Thankfully though something else existed behind this celebration of arts and crafts mediocrity – on the arm of the Albert Pier there was the chance of something genuinely celebratory…

As with last year Centre Stage kicked off their LibRock event with a pair of younger bands.

Unclassified were making their first foray into the world of big public performances and, with their harmonies and varied instrumentation gained the attention of those gathering on the pier.

Though it seemed a little masked by nerves, singer Louise Madden had a good sense of stage presence that grew as the set went on ending on a high point medley of songs including Blondie’s Call Me and Queen’s We Will Rock You.

Problematic

Problematic

Still young but more experienced, Problematic continue to come on in leaps and bounds and demonstrated that again.

Frontman and bass player Harvey Falla showed a nice streak of presence and performance which was excellently counterpointed by guitarist Harvey Page looking aloof and cool behind his shades, in just the way a teen rock ‘n’ roller should.

With original songs standing up along side covers of the likes of Slaves and Royal Blood the trio made a big sound with some great raucous moments and hints of real power.

The rock n roll continued, in a slightly different vein, with The Silverados slick, fun, rockabilly-pop.

Monty McMonagle of The Silverados

Monty of The Silverados

While they took a couple of songs to warm up (both literally and figuratively I imagine given the north-east wind) they were soon rolling along well and started to get the first few memebers of the crowd dancing.

Their best moments came with excellently reworked versions of Eurythmics Sweet Dreams and Snow Patrol’s Chasing Cars before climaxing with The Stray Cats Rumble In Brighton which always suits a sunny seaside show (though I didn’t see any actual rumbling tonight) and as ever guitarist Monty McMonagle’s was a twang-tastic highlight.

With the beer tent finally open and the crowd starting to ‘warm up’ a little, Clameur De Haro brought their eccentric brand of hillbilly rock to the stage.

It didn’t take long for the growing crowd to start filling the space in front of the stage and for more to get dancing, with many singing along not only to the classic rock covers from the likes of Queen, Black Sabbath and Van Halen, but the band’s own songs too which they seem to have custom-built for a fun and rowdy singalong.

Bob and Rich Klein of Clameur De Haro

Bob and Rich of Clameur De Haro

Clameur De Haro are perfect for a day like this and, in their own slightly ramshackle way, provided one of the two highlight sets.

Since their return at the end of last year The Recks had struggled somewhat to rediscover what I can only describe as their ‘mojo’ but tonight, following an outing at the Reasons festival in Jersey a couple of weekend’s ago, it was all back.

The five piece meandered their way through their set of typically ‘schizophrenic psychedelic’ sounds that spanned everything from indie rock to latin rhythms.

Lovers In The Night started it out and got the audience dancing and singing and that only grew more as they played through both well-known songs like recent single Low Life and In The Garden and brand new songs She Ain’t No Revelator and Parisian Stupor.

Richey Powers of The Recks

Richey Powers of The Recks

The new songs managed to catch the imagination right away with Parisian Stupor bringing those latin rhythms to the fore in a way that at once sounded like one of guitarist/banjo player Gregory Harrison’s solo songs and a Recks song rolled into one in the best of ways.

While the cold weather may have removed a bit of the sweaty, visceral thrill The Recks have often brought to The Fermain Tavern, they reached a crescendo with Train Wreck, Valentine and Lights re-staking their claim as one of the best bands the islands have to offer.

After the traditional fireworks veteran favourites The Devotees hit the stage with a bang!

Chris Dean of The Devotees

Chris Dean of The Devotees

Unfortunately the bang was one of the stage amps blowing a fuse, but, after a bit of too-ing and fro-ing from the crew (who did a great job all day), things were soon back up and running and Chris Dean and his band treated us to a rousing set of songs spanning from The Who to Pulp and back again.

For the crowd who stayed out braving the cold it may as well have been a festival as they jumped around and sang along with glee.

For the final salvo the band were joined on stage by Sons of the Desert’s brass section for some expanded tracks including a great take on The Who’s 5:15 from Quadrophenia, Chelsea Dagger and Parklife while The Jam’s Town Called Malice brought Liberation Day 2017 to an upbeat close that almost made you forget the disappointment of the rest of the official ‘celebrations’.

Tagged , , , , , , , , , , , , , , , ,

BBC Introducing Guernsey: April 2017 – Elliot Falla in session and Vorlon

Elliot Falla and Vorlon Daz Carre

Elliot Falla and Vorlon

Click here to listen to the show

On the April 2017 edition of BBC Introducing Guernsey I featured a pair of guests spanning the range of guitar music in Guernsey.

Elliot Falla was in session with his brand of folk influence indie-blues including tracks from his recent Throne EP and brand new songs. He also told us not only about the making of the EP but also how its been expanding his gigging away from the island following regular shows in Brighton and London over the last few months.

Vorlon on the other hand is a project from long-standing heavy metal musician Daz Carre. He told us about his new album, intense extreme metal project False Sense of Security, as well as his time playing music in the islands which began in the mid-90s and has taken in bands such as Crunchy Frog, Earthcorpse, Darker Shores, Mechanical Lobster, Nemesis and more primarily as drummer but also playing bass and guitar.

You can listen to the show for the next 30 days through the BBC iPlayer Radio App or by clicking here.

I also announced that BBC Introducing Guernsey will again be going live as part of Arts Sunday, you can find out more about that here.

Tracklist

Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Acoustic Night with Blue Mountains, Mick Le Huray, Richey Powers and Llewellyn Van Eeden – The Fermain Tavern – 08/04/17

Richey Powers

Richey Powers

After a jam night and an international Folk Americana night, Guernsey Gigs continued their run of shows at The Fermain Tavern by inviting four acoustic acts on to the stage. Spanning veterans of the scene to new performers the night featured a mix of sounds, once again in a relaxed ‘club’ style setting.

First up was Llewellyn Van Eeden. Having played open mic nights and a few smaller gigs including a set on the busking stage at last year’s Vale Earth Fair, this was only my second chance to catch him play and, for the most part, it was an enjoyable performance.

With a blues feel to the majority of his set, Van Eeden added a nice abrasive edge that didn’t feel forced to a fairly standard sound.

Llewellyn Van Eeden

Llewellyn Van Eeden

Adding a harmonica to a few songs rounded it off, albeit in still standard way, and, combined with a relatively easy-going nature on stage, made for a nice way to start the night.

Later in the set we were treated to a folkier song in Afrikaans before the set closed on a pair of what can only be described as ‘pirate folk’ that, while a little novelty, were good fun and went down very well with the audience.

While better known as frontman of psychedelic folk beast The Recks, Richey Powers had the opportunity to show a slightly different side of himself going solo. For the most part it was what you’d expect with folk sounds from various traditions rubbing shoulders with something of an American indie rock sensibility.

Richey Powers

Richey Powers

Much like with The Recks, Richey’s songs were often long, and in a solo setting a little over long on a couple of occasions, but generally were engrossing rides that drew the audience in.

The solo setting also gave us the chance to hear the more intricate side of Richey’s playing that often gets lost in the multilayered sound of The Recks.

With Frugal Heart providing a nice highlight the set then ended with a more intense stomping blues-y song that, if nothing else, proved a good pair of Cuban heels can work just as effectively as an amplified stomp box.

Mick Le Huray is a longstanding member of Guernsey’s music and folk scene and has been a fixture of the Sark Folk Festival since its inception and many events before. With his first solo album recorded and released in the last year he has found something of a new lease of life and that was evident here.

Mick Le Huray and Andrew Degnen

Mick Le Huray and Andrew Degnen

Accompanied by Andrew Degnen on fiddle, Mick played a set strong with the feel of the 1960s folk revival delivered with a real sense of feeling and humility. Andrew’s violin expanded the sound nicely but didn’t help the set dragging a little in the middle for me when it went a little too traditional folk for my tastes.

A song with Guernsey French lyrics and a more upbeat closer brought Mick’s set to an end on a high point though and made a nice contrast to the two younger solo performers that came before.

In trio mode tonight Blue Mountains delivered a set made up of many songs, but all continued their journey into a melancholy side of dark Americana.

Colleen Irven and Mike Bonsall of Blue Mountains

Colleen Irven and Mike Bonsall of Blue Mountains

With Andrew Degnen’s fiddle and a few tracks where Mike Bonsall swapped from guitar to banjo, Blue Mountains new songs expanded their range of sounds but it was the harmonies and style that remained at the heart of their songs.

A real highlight of the new songs came with Hummingbird, while We Come & Go shifted things into slightly more upbeat territory towards the end of the set, it was just a shame the audience had drifted away somewhat by this stage of the night.

Rounding the night off on a great vocal harmony moment to close their take on Emmylou Harris’ Red Dirt Girl, Blue Mountains concluded things on a high point and, as this gig was clearly promoted as the first in a series, I hope to see more music of this quality in this relaxed setting going forward.

You can see a full gallery of my photos from the show on the BBC Introducing Guernsey Facebook page

Tagged , , , , , , , , , , , , , , , , ,

BBC Introducing Guernsey: March 2017 – Gregory Harrison in Session and Vinyl Vaughan’s

Gregory Harrison and Nathan Arnaud in the BBC Introducing Guernsey studio

Greg and Nathan in the studio

Click here to listen to the show

BBC Introducing Guernsey returned to the airwaves on Saturday 26th March 2017 with another two hours of music from around the Bailiwick of Guernsey.

This month I was joined in the studio by Gregory Harrison, one of the people behind a pair of recent shows organised under the Guernsey Gigs banner.

As well as telling me about the shows he spoke about joining The Recks last year, being part of The Rectory Hill Skillet Lickers and of course his own music, and he played an acoustic session for us with Nathan Arnaud accompanying him on the bass.

I also took a look at Guernsey’s new independent record store that has grown out of the charity record fairs that take place around the island, Vinyl Vaughan’s.

You can listen to the show for 30 days after the broadcast date by clicking here.

Tracklist

Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , ,

BBC Introducing Guernsey: January 2017 – Nessi Gomes and Robert J. Hunter

Nessi Gomes on BBC Introducing Guernsey

Nessi Gomes on BBC Introducing Guernsey

Click here to listen to the show

As BBC Introducing enters its tenth year I started off 2017 with a special live session from Nessi Gomes, a look at Robert J. Hunter‘s new album and a selection of brand new music from around the islands.

Following the release of her debut album, Diamonds & Demons, last autumn Nessi Gomes returned to Guernsey in January 2017 for a show at The Fermain Tavern, while she was in the island she joined me in the studio to record a solo acoustic session featuring tracks from the album and two brand new songs.

Having released three albums in the past two years I caught up with Robert J. Hunter and spoke to him about his latest release, Where I’m From, and what its been like making his mark on the blues scene in the UK since he left the islands.

As well as this there was new music from WaterColour MatchboxBurning At Both EndsElliot Falla and more.

You can listen to the show on the BBC iPlayer by clicking here or with the BBC iPlayer Radio App.

Tracklist

Tagged , , , , , , , , , , , , , , , , , , , , ,

Vale Earth Fair New Years Eve Party – The Fermain Tavern – 31/12/16

The Recks

The Recks

2016 was a landmark year for Guernsey’s longest running music festival, the Vale Earth Fair, as it marked 40 years since the first fair took place.

To celebrate that they organised a series of special events from their unplugged night to a return visit from recent favourites Pussycat & The Dirty Johnsons to the main festival itself and, to round of the year, a new year’s party like no other with The Recks, Vienna Ditto and Gay Army.

My review of the show was published in the Guernsey Press on Saturday 7th January 2017 and you can see a full set of my photos from the show on the BBC Introducing Guernsey Facebook page.

The Recks, Vienna Ditto and Gay Army review scan - 07/01/17

New Years Eve can often be an odd night for events as people look to do rather different and specific things to ‘ring in’ the new year, so a regular live music show may not be much of a draw. Thankfully the Vale Earth Fair Collective were on hand at The Fermain Tavern to round off their 40th Anniversary celebrations with a selection of bands chosen to make this feel like something special, and in that they certainly delivered.

DJs St. Ace and Vauvert Underground kicked things off (as well as filling in between the bands throughout the night) and set the scene with a suitably varied selection of tracks ranging everything from Faith No More to The Jam to Grace Jones to Motorhead and as the night wore on they kept people on the dance floor until the bitter end.

Gay Army

Gay Army

First on stage though were Gay Army. Having been absent for the last year or so it was good to see and hear them back and they launched into things with their usual wall of nicely un-festive noise and darkness.

Jo Reeve’s guitar filled the Tav with with a swirling mix of distortion and delay while Ian Allsopp and Jay Allen’s rhythms added a groovy, dance-y, underlay that got a few moving early on (albeit at a polite distance from the stage).

That distance was filled by vocalist Rolls who prowled in front of the stage like a man possessed and, though he was at times an intimidating presence, it is he that tops off Gay Army’s sound to make it the dark, rhythmic beast it is.

Even if a few seemed slightly put off by the constant intensity as the set wore on, closer Cracked Amerika ended it on a high point that felt perfectly suitable for the transition from 2016 to 2017.

As Reading based duo Vienna Ditto set up on stage I was curious. They played the Vale Earth Fair itself in 2015 and though I missed them I had heard very good reports from many and, what with this seemingly being the year of the two piece band, I was hopeful.

Vienna Ditto

Vienna Ditto

Unfortunately what followed was 45 minutes of a largely disjointed, glitchy, mess of sounds combining synths, sharply distorted guitars and vocals in a way that rarely seemed to structurally coalesce into any kind of sustained groove and a total absence of any hook.

Confusing ‘chat’ between the tracks and an insistence of telling people to dance didn’t help and while the projections on the back of the stage looked nice they didn’t add anything either or even seem to connect to the songs.

Certainly the two members of the band were good at what they were doing, particularly the vocals stood out strongly, and towards the end of the set there were a couple of moments where it seemed to come together a little more but it was too little too late for me.

Despite my misgivings a fair few headed onto the dance floor and looked to be enjoying it and I was left thinking I could see how this could be as impressive as I was told, it just didn’t get there tonight.

Richey Powers and Mox of The Recks

Richey and Mox of The Recks

Having reformed back in October this was only the second appearance from the new line up of The Recks and once again there was something of a sense of anticipation for it and the dance floor filled as they got themselves set up on stage.

Kicking off with the historically highly energetic Lipstick & High Heels and latest single Low Life it soon became clear that once again, while the band are tighter than they’ve ever been, it all felt a bit slow and the sense of excitement and danger that once made them so compelling was yet to be re-found or replaced. This made for a very odd set that certainly was not by any stretch unenjoyable as both the songs and the performance were great, but just missed something.

Just before midnight they launched into old favourite She Wants That Too and the whole band seemed to get a new energy reminiscent of old that I hoped would carry the rest of the set. Unfortunately midnight meant a break for bagpipes, kisses (for the lucky ones), hugs and general auld lang syne mumbling.

Ash Jarman and Richey Powers of The Recks

Ash and Richey of The Recks

Following that we got something an encore from The Recks with Valentine getting some of the previous energy back and Papa Leworthy closing the show and leaving many calling for more.

While this was certainly a mixed bag of a night it was a great way of seeing in the new year and closed off a highlight year for the Vale Earth Fair in exactly the way they have always done things; with varied, interesting and different sounds showcasing just what Guernsey and the islands have to offer alongside visitors you may not otherwise get to experience – and here’s to more of it in 2017 and beyond.

Tagged , , , , , , , , , , , , ,

BBC Introducing Guernsey: December 2016 – Review of the Year

BBC Introducing Guernsey 2016 sessions

Some of our sessions from 2016

Click here to listen to the show

To round off 2016 on BBC Introducing Guernsey I put together a show packed with some of the best music featured on the show across the year.

Featured were tracks from our regular acoustic sessions including Burning At Both EndsThe Secret SmilesClameur de Haro and more.

There were also album tracks and singles from The RecksOf EmpiresRobyn Sherwell and others as well as a look at some of the highlight artists from the summer festivals and a few brand new tracks as well.

You can listen to the show on the BBC iPlayer by clicking here or through the BBC iPlayer Radio App on mobile devices.

If you are making your own music you can upload it to BBC Introducing by clicking here

Tracklist

You can read my review of the year here

Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Music in Guernsey – Review of the Year 2016

2016 has been another packed year for music in Guernsey and the Bailiwick. With more festivals than ever, events seemingly most nights of the week all year and many records released covering everything from acoustic folk to drum ‘n’ bass to heavy metal its fair to say the ‘scene’ is possibly the most varied it has ever been.

My review of the year was published in The Guernsey Press on Saturday 31st December 2016 and there’s a full version below.

Review of the Year 2016 press scan

2016 has been something of a landmark year for me with regards to Guernsey’s music scene as it marks ten years since I started reporting on music on the island. In that time countless bands have come and gone, some making massive waves others barely ripples, but it’s been very rare that any haven’t at least given it their all.

This level of enthusiasm from bands, DJs and any other performers can, I think, be credited with 2016 being the year when locally produced music seemed to most crossover into Guernsey’s mainstream public consciousness.

SugarSlam

SugarSlam

One of the ways I think this crossover has occurred has been with the recent proliferation of music festival and ‘all-dayers’, hitting a high of at least 10 across the past year ranging from the established and varied likes of the Vale Earth Fair and Liberation Day to more specific events like Chateau De Son and Smaashfest or charity based shows like Jonah Beats.

Jonah Beats set the bar high for these back in March with a day spanning everything from lo-fi folk to pounding drum ’n’ bass at the Vale Castle. Highlights on that day included Blakalska, SugarSlam, the return of The Swallows and a rare big stage appearance from Last Of The Light Brigade. The organisers also released a double CD compilation album to raise money for the Helping Jonah – Helping Others charity.

The summer festival season got going, as has become the standard, with the Chaos weekend. While the event has been bigger in the past, this year’s slightly scaled down show had something of the old atmosphere back.

PUNiK at Chaos

PUNiK

This was certainly helped by the presence of great visiting bands like Japanese punks PUNiK (who also released a fine debut album), Manchester noise-rock duo The Hyena Kill and experimental rock two piece Science Of Eight Limbs.

As well as the visitors Honest Crooks continued their run of great shows with a standout set in The Peace Tent that had everyone skanking as the sun set, while SugarSlam, Brunt and Static Alice stormed the War Stage across the weekend.

The Sark Folk Festival continued its run of great events with this year’s having less of the ‘us vs them’ atmosphere of traditional folk fans and those out for a fun weekend in a field.

Burg with Becky

Burg And The Back Porch Band

Musically there was a lot of good stuff on offer but it was the artists with their roots in the islands that really stood out for me. The highlight came from Burg & The Back Porch Band bringing some Americana to the spectacular teepee stage on the Saturday evening and invoking impressive singalong moments as well as creating one of the best atmospheres I can remember at a show in a long time.

Meanwhile Robert J. Hunter, The Space Pirates of Rocquaine, Buffalo Huddleston, Nessi Gomes and visitors Mad Dog Mcrea provided other choice moments.

New festival The Gathering took place at North Field in July and showcased a real variety of bands from the island. With three days it felt like almost every band with a slightly mainstream angle was featured on the main stage but it was the Friday and Sunday evening that brought the musical highlights for me with SugarSlam and Static Alice playing to a disappointingly small crowd on the opening night and Kings and Of Empires closing the show on Sunday on a real high.

Static Alice at The Gathering

Static Alice

Whether The Gathering becomes a regular part of the island’s festival calendar remains to be seen but as an event helping spread the word about the great talent in Guernsey to a wider audience it certainly did a good job.

The Vale Earth Fair this year certainly claimed its place as centrepiece of the island’s musical calendar as the Collective presented a year-long series of events celebrating its 40th anniversary.

The festival weekend itself was as big as its ever been with a series of gigs across the Friday and Saturday leading up to the main festival day.

Teaspoonriverneck at Vale Earth Fair

Teaspoonriverneck

Asian Dub Foundation were one of the biggest headliners the show’s ever seen but for me the highlights came with She Drew The Gun, a special appearance from Teaspoonriverneck, The Correspondents and Heads Off, though special mention has to go out to Honest Crooks and Buffalo Huddleston who, with earlier slots, did a great job of getting the festival atmosphere going much earlier than usually happens.

Along with the festival weekend the Collective staged an exhibition of photos and poster art chronicling the 40 years of the event which was a fascinating chance to chart some of the performers who’ve been there for the whole time and see how the event has evolved since its humble origins. The now annual Unplugged and John Peel tribute nights both provided some great moments, but it was the return of Pussycat And The Dirty Johnsons that was my Vale Earth Fair related highlight.

Away from the festivals there was of course plenty of other music going on, in fact I think its fair to say that with the exception of Sundays there seemed to be something musical happening every day of the year if you knew where to look.

For me though the highlights amongst all of this came in the form of the Sound Guernsey events for Guernsey’s youngsters. Showcasing a range of music they have grown from relatively humble intentions with shows at The Venue to fully fledged event gigs at The Fermain Tavern.

Honest Crooks at Sound Guernsey

Honest Crooks

Their summer party being a highlight of this as The Doomsday Project, Honest Crooks, Asylum Seekas and Blakalaska shared a stage with already impressive new comers Track Not Found and Equilibrium while their Christmas Party later in December gave was another great night.

When it comes to new bands a few have stood out. As well as the aforementioned Track Not Found, hardcore metallers Granite Wolf made an impressive debut in September developing on the likes of Brutus Stonefist and She Haunts The Roads and I very much look forward to hearing more of what they’ve got to offer.

The real stand out of the new crop though were Burning At Both Ends who have taken the fairly well trodden pop-punk template and breathed a new life and energy into it, winning over many fans with their tight live shows and impressive debut album.

Burning At Both Ends

Burning At Both Ends

As well as great music on the island, musicians continued to spread their wings further afield.

Along with two BBC Introducing showcases on BBC Radio 1 featuring 12 acts, a few stand outs emerged, Robyn Sherwell continued her rise with the release of her debut full length album to much acclaim back in April, including a UK tour and having one of her songs picked up for use on the trailer to Hollywood movie Suffragette.

Nessi Gomes also completed a hugely impressive crowdfunding campaign leading to the release of her debut album, Diamonds & Demons which was supported by a tour of the UK, Europe and the Middle East which will culminate with the official Guernsey album launch event next month.

Of Empires continued their march to becoming bona-fide rock ’n’ roll stars with support from all over the place including debuting new single Baby Darlin’ Sugar on BBC Radio 1 through BBC Introducing and picking up many nods as one of the UK bands to watch as we head into the new year and they prepare for the release of more music and a lot more gigs.

Robert J. Hunter

Robert J. Hunter

Meanwhile Robert J. Hunter continued gigging around London and the rest of the UK regularly, initially supporting his second album, Before The Dawn and then releasing his third, Where I’m From, though the Spiritual Records label a couple of weeks ago.

Plenty more records were released this year with Space Pirates of Rocquaine’s Vraic & Roll, Lord Vapour’s Mill Street Blues, Brunt’s Blackbeard and the aforementioned Burning At Both Ends all standing out, but it was a single, Drifting, from the duo of Flexagon and Buff Hudd that really seemed to take off, receiving much praise and also being picked up by Tom Robinson on BBC 6 Music.

As the year neared its end The Recks made something of surprise return with a new single and line up and they look set to make 2017 their year as they plan to finally unleash their long-awaited and much-anticipated debut album and in a standout live moment SugarSlam (yes, them again, they’ve had a great year) and Insurrection marked their 25th and 30th anniversaries respectively with an excellent night at the De La Rue.

Insurrection

Insurrection

It’s safe to say that 2016 has been an impressive year for music in Guernsey with a real variety of sounds and styles coming to the fore (beyond what’s mentioned here drum ’n’ bass and electronic music have had a real growth as well with Hard Riddims and Strategy gaining footholds as regular events) and opening up what could easily be a small and insular scene to a wide audience, and lets hope that continues with more people heading out to listen to new music around the island and there’s already some exciting sounding things coming up!

And a few particular highlights by category…

Band of the Year – Honest Crooks
Festival Stage/Event of the Year – Vale Earth Fair’s 40th Anniversary celebrations
Newcomers of the Year – Burning At Both Ends
Set of the Year – Burg & The Back Porch Band at Sark Folk Festival
Album of the YearRobert J. Hunter – Where I’m From
Visiting Band of the Year – PUNiK

You can listen to the BBC Introducing Guernsey review of the year radio show here

Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

BBC Introducing Guernsey: November 2016 – Burning At Both Ends and Brunt

Burning at Both Ends on BBC Introducing Guernsey

Burning at Both Ends on BBC Introducing Guernsey

Click here to listen to the show

Following the showcases earlier in the week with Huw Stephens on BBC Radio 1, I was back on BBC Radio Guernsey on Saturday 26th November for the regular BBC Introducing Guernsey show.

My guests playing an acoustic session this month were Burning At Both Ends, while they were in the studio I had a chat with them about their debut album and the state of pop punk in Guernsey today.

I also spoke to Brunt who have recently released a new EP, Blackbeard, and they told me about recording it and the response they’ve had from all over the world to both their previous release and the new one.

You can listen to the show for a month on the BBC iPlayer by clicking here or downloading the BBC iPlayer Radio App.

Tracklist

Tagged , , , , , , , , , , , , , , , , , , ,