In mid-September 2015 The Rocky Horror Show was mid run at The Playhouse theatre in London.
Having been a fan of the show since I first saw the movie in my teens I was hugely excited when I found out there was a live screening of the show happening at Guernsey’s Princess Royal Centre for the Performing Arts.
Despite not having any suitable fancy dress I went along with a couple of friends and we had a great time along with the others who’d come along making for a not full, but busy enough, theatre.
My review of the show was published in The Guernsey Press on Saturday 3rd October and you can read an extended edition below the clipping.
42 years into its life (and believe me, it is a life) Richard O’Brien’s Rocky Horror Show continues to go from strength to strength and this was very much in evidence as many fans, along with a few ‘virgins’, headed into the auditorium at the Princess Royal Centre for the Performing Arts for a special live screening of the latest incarnation of the show from the Playhouse Theatre in London’s West End.
This was my first live stream screening and it was a bit strange going in to a theatre for not quite a live stage show, but not quite a film.
With a few members of the audience in costume (though none seemed to have been brave enough to dress as Frank N. Furter) and all with a sense of general enthusiasm, there was a good atmosphere from the start, as we were welcomed by ‘Bake Offs’ Mel Geidroyc’ on the screen and given a bit of an intro to just what the show is.
Added to this was a brief interview with O’Brien explaining that this was a special charity event for Amnesty International with a host of guest star narrators (a part usually currently filled by the creator themself).
The show itself was ingeniously staged with a lot of manual prop and scenery work all brilliantly melded into the run of the show with high-tech ‘west end’ stage wizardry also present but not distracting from the performances as often seems to happen with some of the bigger shows.
With such a well-loved and well-known show (particularly thanks to its film version) anyone stepping into the roles of Brad, Janet, Frank, Riff, Magenta, Colombia, et al would have their work cut out but all did a great job. For the most part they stayed away from totally aping the movie bringing something of their own to the performance while keeping enough of what made previous versions of the show so popular.
Particularly impressive was David Bedella as Frank N. Furter who combined aspects of Tim Curry’s iconic performance with an extra knowing level and a bit more of the ‘serious actor in a b-movie’ style intended by O’Brien. On top of this, appearances by Stephen Fry, Adrian Edmonson, Anthony Head and (somewhat bizarrely) Emma Bunton as the narrator (or Criminologist) added something extra, with Fry in particular being a stand out and playing up the audience’s ‘partici….pation’ (sorry I couldn’t resist).
Ben Forster and Haley Flaherty
Audience participation is a big part of the Rocky Horror experience and, while the Guernsey crowd was a little on the quiet side, those in the theatre in London were more than game and added an extra level of laughs to the original script with what has become a series of traditional, often lewd, heckles.
The actors played along with these excellently and lead to a few moments of corpse-ing that the actors took in their stride and were enjoyed by all on and off stage.
In seeing the show live the climax took on something of a bigger meaning as the ‘floor show’ descends into chaos and Bedella delivered a particularly impressive, at points even moving, rendition of Frank’s torch song I’m Going Home.
For the curtain call Time Warp and Sweet Transvestite were reprised and at this point the Guernsey audience joined their London compatriots in the ‘Transylvanian folk dance’ and, while it felt slightly odd clapping a screen, it felt like part of the whole experience.
And a great experience it was, for both the initiated and the virgins Rocky Horror Show Live was the perfect mix of fun, great performances and some cracking ‘teenaged, three-chord, rock ‘n’ roll’ all in the name of a good cause.
A week later I took the chance of a free night in London to go and see the show ‘in the flesh’ and was not disappointed. The cast delivered a performance with the same energy and enthusiasm that made it feel that they loved this show as much as the audience, many of whom were in costume, even in the dress circle.
O’Brien was particularly impressive as the narrator throughout playing off the crowd with a dry style.
Kristian Lavercombe and Bedella
The whole show had the feeling of being somewhere between a stage musical and a rock ‘n’ roll concert with every character and song receiving wild applause and appreciation while the audience participation took on something of a life of its own with the cast revelling in this somewhat unconventional West End musical that seemed to allow the performers the chance to cut loose much more than others might.
While seeing a screening was great, I would recommend anyone who likes a fun show packed with positivity to catch this live when it tours and if you’ve not seen it, track it down, either live or as the film as its message is one I think everyone could do with hearing and living by.