Tag Archives: Lord Vapour

BBC Introducing Guernsey: September 2017 – Of Empires and Sark Roots Festival

Of Empires and Sark Roots Festival

Of Empires and Roz & Lazlo from Sark Roots

Click here to listen to the show

As BBC Introducing prepares to celebrate its 10th birthday, BBC Introducing in Guernsey marked nine years on the air while wrapping the 2017 summer festival season for its September show.

I spoke to Jack Fletcher from Of Empires about their summer which has seen the slick rock ‘n’ roll four piece make their first foray into the UK’s mainstream festival scene with appearances at both Isle of Wight and Reading festivals thanks to promoters of all things guitar music based, This Feeling.

I also caught up with Sark Roots Festival organiser Roz following their second successful event celebrating not just the great music of the Channel Islands but all things environmental as well.

On top of that I had a brief look back at the 2017 Vale Earth Fair and, in marking the show’s birthday, a few of the tracks that have made a mark over the past decade or so.

You can listen to the show by clicking here

Tracklist

You can read my look back at Guernsey’s 2017 summer festival season here

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Guernsey Gigs Jam Night #2 – The Fermain Tavern – 22/09/17

Who Would Dare Give Me The Raspberry

Who Would Dare Give Me The Raspberry

Back in March Guernsey Gigs put on an event that was a bit of an experiment, based on the idea of some of the open mic nights that take place but formalising it with randomly drawn selections of musicians being given 20 minutes to ‘jam’ and see what happens.

Given that the first was a success for both musicians and the curious audience, there was a bit of buzz around this second version of the event with a broader scope of musicians putting their names in the buckets to play.

While people were arriving and the first of the jam bands were getting things together the Ten Toe Hobo hopped up on stage to play a short impromptu set that found the feeling of the night very well in the way only he can.

Ten Toe Hobo

Ten Toe Hobo (slightly in the dark)

When it comes to a night like this of course it’s a little different to a normal gig as none of the bands are bands and none of the songs are songs and just getting up on stage takes more confidence than certainly I have, whatever the outcome.

The first band, dubbed I think accidentally Not Yet by the evening’s compere Graham ‘G-Dog’ Duerden, were slightly more prepared than most of the night’s combos and delivered a set of funky, jazzy instrumentals led by the saxophone of Boondoggle‘s Dennis Allen.

One thing about a jam night like this which is always something of a worry is that each group will just fall back into a kind of standard bluesy groove, so it was encouraging that even between the first two groups neither came close to doing that.

Deliberate Mistake

Deliberate Mistake

Deliberate Mistake, as they called themselves, threw together elements of psyche and indie with hip hop. With Silas The Assyrian Assassin on vocals, the backing provided a more relaxed groove for his insistent, Beastie Boys like punk rock-rap style delivery but for the most part it worked.

With Christiaan Mariess of Brunt on drums it was no surprise that The Dangles had a heavy groove going throughout nicely balanced by some more of Dennis’ saxophone and his Boondoggle comrade Carrie’s vocals.

While the next couple of bands didn’t quite gel as well they still led to some nice moments. Sexual Content featured some Doors like hints from The Recks‘ Richey Powers before he switched to guitar in Quintessentially Human and showed some fine power blues stylings as they neared their climax, showing off something we don’t get to see normally.

Key Change

Key Change

Possibly the most unexpected grouping of the night saw City Limits‘ lead guitar whiz, Glenn Holmes, teaming up with Ukuladeez (all counting as one vocalist). While they found a few nice jams amongst their bizarre mixture, I think their highlight moment was when Ellie added some percussion in the form of tap dancing. 

And then it was Murray Brown… Named for the Burning At Both a Ends guitarist whose name had been drawn several times across the night despite the fact he wasn’t actually there and combining the forces of Lord Vapour, Mechanical Lobster and Citizen-X, amongst others to create something like a deranged version Hawkwind but with more extreme vocals drenched in reverb and delay creating a highlight of the night.

As the night neared its end things went off the rails somewhat as last group, Who Would Dare Give Me The Raspberry, filled the stage with performers who played with a great fluidity considering the situation.

Murray Brown

Murray Brown

With Rentoclean‘s Kieran Smale scratching on the decks (following drumming duties earlier) adding yet another new sound and Gregory Harrison delivering a kind of scat vocals with beat boxing and rap thrown in, they ended the night in a way that showed exactly the best of what this night could do, getting different groups of musicians together and creating something new that, at the start of the night, no one thought they’d be playing.

You can see more of my photos from the show on the BBC Introducing Guernsey Facebook page

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Sark Roots Festival 2017 – 15-17/09/17

Sark Roots Festival Field

The festival field

In 2016 the Sark Roots Festival appeared on the Channel Islands scene, late in the season and looking in some way like a cross between the wildly successful Sark Folk Festival and the Vale Earth Fair, combining a diverse selection of musical acts with workshops on various earthy subjects and the idyllic setting of Sark – specifically a field to the north of the island overlooking Guernsey and Herm one way and Alderney and France the other.

I’ll admit that I was initially sceptical, while the music side looked good it didn’t seem to be anything we hadn’t seen at any of the other festivals happening around the Bailiwick over the summer and the other stuff, which to my mind looked like a lot of ‘hippy nonsense’ (to use the polite version of my commonly used phrase), looked like too much distraction from the music.

After good reports from pretty much everyone who went, and as I missed the 2017 Sark Folk Festival, I thought I’d give it a go for this year though and I have to say it failed to live up my original expectations in the best of ways.

Sark Roots Festival Field

The festival field

Of course the location was spectacular  – other than the destroyed vineyards and intentionally abandoned properties, where in Sark isn’t?

The set up of the field, while reminiscent of the folk festival, was rather more rustic and humble with extra additions of a play area including trampoline, tight ropes and a home-made climbing frame, several fire pits which would come into their own later in the evening and various tents and tipis where the weekend’s non-musical events would take place.

The main tent included a good-sized stage at one end and, slightly separate, a bar at the other selling a range of small brewery beers and ciders from Sark Brewery, Guernsey’s White Rock Brewery and Rocquette Cider.

Day 1

Ten Toe Hobo

Ten Toe Hobo

So onto the music which began with a regular of pretty much all festivals in the islands, Ten Toe Hobo.

Delivering possibly a more blues tinged version of his usual busking style set he provided a relaxed start to the weekend that really captured the tone perfectly.

The set got more energetic as it went on with original song Loose Lips a favourite as always and Move On, another original track I’m sure I’d heard before, also sounding great and of course the song that has become something of his theme tune, Charlie Winston’s Like A Hobo being another highlight.

While a few bands and performers have come out of Sark over the years there was only one truly Sark based act on the bill here, Big Sheep.

Big Sheep

Ash, Dave and Roz of Big Sheep

Featuring the festival’s lead organisers Roz (ukulele) and Lazlo (bass) along with leader Dave (guitar and vocals), Ash (trumpet and vocals) and part-time Space Pirate Jess (fiddle) they presented their usual mix of original tunes and songs and a few made famous by The Levellers.

While there were a few points where it all became a bit of a mess when it coalesced they have a great sound, particularly with Roz’s vocals working alongside Dave’s to build some deeper tones.

For obvious reasons they were very warmly received and got the first dancers of the day up with a group of the island’s youngsters who seemed to be having a great time all weekend and gave the whole thing as much a community fair kind of feel as that of a festival.

Sergeant Pipon's Lonely Hearts Club Band

Sergeant Pipon’s Lonely Hearts Club Band

The first of the weekend’s acts from Jersey was Sergeant Pipon’s Lonely Hearts Club Band (abbreviated to Sergeant Pipon on the programme).

They came across like a slightly more risqué answer to the The Space Pirates of Rocquaine with a foot a bit more firmly in rock ’n’ roll territory.

With songs of drinking, debauchery and other nocturnal activities, run through a filter of tunes sounding suspiciously like some familiar favourites, they were the first of the weekend’s band to get really irreverent and were great fun with it.

With the sun now set the tent was filling up for The Rectory Hill Skillet Lickers and, with them at full, eight-piece, strength on stage, the upbeat tones continued and they soon had a few dancing at the front.

The Rectory Hill Skillet Lickers

Louis and Clem of The Rectory Hill Skillet Lickers

Clem and Louis Brouard sharing the stage they added to the family feel of the festival while their brand of lo-fi, vintage, rag time sounded as good as ever.

Gemma Honey’s sweeter voice and Clem’s abrasive vocals played off each other brilliantly while a few songs previously heard from The John Wesley Stone were highly appreciated and Ash Jarman continued to show his ridiculous musical skill swapping from brass to some very finely played spoons!

With quite a sonic contrast Lord Vapour brought their fuzzy cosmic grooves fresh off their recent debut European tour.

With new material that builds on their past jammed out heavy psychedelia they built to huge crescendos and, while in the past they have sometimes felt rhythmically imbalanced they had a more measured pace here that saw them at their best driven by the relaxed but powerful drum work of Squirrel.

And, as Richey from The Reck’s pointed out, they all have great looking hair.

Monty of The Pirates

Monty of The Pirates

While Lord Vapour had got heads nodding it was The Pirates (formerly Pirate Party Brigade) from Jersey who really got the moving with the highly skankable punk ska energy.

As a party band par excellence they blasted through a set of infectiously energetic songs in tight and punchy fashion led by the brilliantly gritty charisma of Monty that provided a strong highlight of the first day.

And then came Sark (and Channel Island) favourites, The Recks

Being undeniably in the party spirit on a technical level the band were just the wrong side of lose and ended up going about as all over the place as a band can while still sticking to a performance.

Richey of The Recks

Richey of The Recks

With that though they brought an amazing energy to the tent that ran into the crowd and back and it was one of those moments of everyone coming together in a way that defies conventional wisdom making for a rousingly raucous performance.

Ending on a take at old favourite Porcupine that was maybe a little too busked, their performance here suited the mood of the night and rounded off the first day of the festival in an appropriate style – oh, and Richey was wearing a very nice coat… (he might have told me to point that out).

You can see more of my photos from the first day of the festival on the BBC Introducing Guernsey Facebook page

Day 2

After a raucous end to the first night my second day at the festival began (after a failed attempt at dodging some rain after breakfast) in much more sedate fashion with Blue Mountains.

Blue Mountains

Blue Mountains

Their relaxed and fun manner worked well to give their rather dark songs a lighter edge and they held the gradually growing crowd rapt.

Andrew Degnen added a ukulele to one song, along with his usual fiddle on the others, particularly Henry Lee which was reworked with a bigger lead violin part, and they debuted a brand new song about Sark as, they pointed out, it seems you can’t be a folk band in the islands without a song about the place, all before coming to a fine climax with Emmy Lou Harris’ Red Dirt Girl which was as evocative as always.

Things got a bit more groovy next with some upbeat indie from Jersey’s Axon Bower. While there wasn’t anything much new to their sound for a summer afternoon in a field it was spot on and brought some great vibes to the event as the sun looked set on staying out.

Tantale

Tantale

Continuing with an indie rock sound, but in a slightly different way, were Tantale.

Going acoustic for this more sedate event they mixed originals with covers from the likes of REM and Soundgarden and captured some of their usual psychedelic tones with a very chilled out feeling.

Added to this was the fact that they were playing with Jawbone’s Alex Childs on drums showing a very different side to her playing than in her regular band and putting in a stellar performance having only had two practices!

Lead by a relaxed Crowman, The Crowband took Sark Roots on a surreal flight of fancy that mixed folk, steampunk and music hall in a way unlike anything else.

The Crowband

The Crowman and Shacks

With entertaining chat between the songs, things got more demented as the set went on with cultural reference points spanning everything from Isambard Kingdom Brunel to Chitty Chitty Bang Bang to The Hangover via the small northern town of Pimbo, culminating in a singalong to Give Me Booze from their latest album to finish.

Things didn’t get much more conventional next as what Parish 13 took to the stage looking and acting like they could be residents of Royston Vasey.

While they started off looking and sounding like a gypsy/pirate novelty act, as they went on and people got on their feet it started to feel a little more organic with an interesting selection of songs including cover of Gogol Bordello and The Mad Caddies.

While it was hard to escape the feeling they were trying a bit too hard for the novelty factor they upped the energy in the tent well as we headed into the evening.

The Space Pirates of Rocquaine

The Space Pirates of Rocquaine

The piratical theme continued, albeit in slightly less of a forced fashion, with The Space Pirates of Rocquaine.

It took a couple of songs but they soon got the crowd involved with a set that was the perfect balance between their more restrained, family friendly, selves and their more rock ’n’ roll tendencies.

Rise sounded anthemic once again while SS Briseis brought a rowdy punk energy before they delivered an encore of Mr Le Goupillot to close the first highlight set of the weekend.

After recent outings at the 2017 Vale Earth Fair and its warm up show Weymouth quartet The Surfin’ Birds returned to the islands with quite some fan fare.

A grooving jam set the tone at the start before we spent an hour surfing the psychedelic waves with a strong garage heart.

The Surfin' Birds

The Surfin’ Birds

The set and sound were different from their previous visit showing a band capable of quite some variety who all played off one another on stage excellently making for a tight and powerful performance that was the best I’ve seen from them and was another highlight of the festival.

With a lantern parade going on outside the tent remained packed for the big ska party of The Honest Crooks.

This band couldn’t be more suited to an event like this and the crowd was skanking from the start. With a selection of their own great songs making up the bulk of the set there were a few covers thrown in too but all were warmly greeted and the addition of trumpet player Danny on a few songs added an extra level to the ska punk sound.

The Honest Crooks

The Honest Crooks

With a longer set than expected they packed in the tracks and even got Henry from Lord Vapour up for kazoo duties on Gentlemen’s Dub Club’s High Grade (its safe to say he’s no Bobby Battle on the instrument but did drink a pint from a shoe as if to make up for that – I’m not sure why either), before the band closed their set with a big jammed out ending that got the a small pit going amongst the revellers at the front.

It seems only inevitable that after all that Buffalo Huddleston would close the show and they did it in just the fashion we’ve come to expect.

Buffalo Huddleston

Mike of Buffalo Huddleston

Their upbeat folk-hop had the audience going from the start and its hard to argue with the appeal of this band with new songs greeted as positively as more well-known ones building a great atmosphere in the tent that permeated out into the field leading to two encores, and there was a point where I wasn’t sure if the crowd would let the band leave the stage rounding off the second day on a real high as we relaxed around a fire pit watching distant lightning arcing across the sky.

You can see more of my photos from the second day of the festival on the BBC Introducing Guernsey Facebook page

Day 3

John Le Sauvage

John Le Sauvage

As is probably to be expected the Sunday of the festival was a more relaxed affair but it was good to see that by lunchtime the site was getting busy and, with the sun well and truly out and it feeling like a summer’s day the field became the perfect place to relax and enjoy the afternoon.

Musically things got going with John Le Sauvage playing a mix of country and folk style songs in a chilled out fashion.

With an easy manner on stage he went down well spanning everything from Johnny Cash’s Folsom Prison Blues to Pulp’s Disco 2000 and Cranberries’ Zombie.

After letting their rock ’n’ roll side out the previous night The Space Pirates of Rocquaine (billed as The Bootleg Pirates) were back for something a little more sedate.

The Space Pirates of Rocquaine

The Space Pirates of Rocquaine

Starting out with a few solo and duo songs from Guppy, Lisa and Tim to set the mood before the full band, including extra vocals from Jess Nash on a few songs, took to the stage for a very different set to the previous night including their more folky songs.

They still found time for some upbeat moments though, like their take on Billy Bragg’s You Woke Up My Neighbourhood and their own Follies D’Amour before ending on an atmospherically slowed down version of The Witch of the Longfrie.

Boondoggle brought some jazzy acoustic pop the show and were much more relaxed on stage than when I’ve seen them in the past, capturing the mood excellently.

With a different combination of sounds thanks to Carrie’s great voice and Dennis’ clarinet and sax they stood out from the pack of acoustic artists currently on the scene in the islands.

Carrie from Boondoggle

Carrie from Boondoggle

With the boat calling I just had time to catch New Zealander Monty Bevins before heading off to the harbour and he continued the afternoon’s atmosphere with a soulful singer-songwriter style.

While young men with acoustic guitars are ten a penny he was in the upper set of those on the circuit, if not being truly remarkable, but sounded nice.

Sark Roots Festival then was in many ways exactly what I expected but in others nothing like I anticipated. With some great music on offer it all came packaged in probably the most laid back of any of the festivals in the islands and certainly left a strong impression, even on this sometimes jaded and cynical sort.

You can see more of my photos from the third day of the festival on the BBC Introducing Guernsey Facebook page

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BBC Introducing in Guernsey: August 2017 – Le Quesne, Alderney Week and Festival Previews

Le Quesne, aka Tyler Edmonds, on BBC Introducing Guernsey

Le Quesne, aka Tyler Edmonds, on BBC Introducing Guernsey

Click here to listen to the show

For the August 2017 edition of BBC Introducing in Guernsey I welcomed into the studio an artist who we’ve featured since the shows inception who is taking things in a new direction.

I also heard from two of the bands who headed to our northern most outpost for Alderney Week and having a look ahead to the final festivals of the season.

I first featured Tyler Edmonds music in the show’s early days when he was (as he still is) leader of Last of the Light Brigade (previously known as No Ambition and Stratosfear) but now he has released his first solo record under the name of Le Quesne – he joined me this month for an interview and a live session.

Also on the show we heard from Robert J. Hunter and The Recks who, along with others, performed earlier in the month as part of Alderney Week.

And I took ahead to the Vale Earth Fair and Sark Roots Festival which round off this years festival season which now stretches right into September.

You can listen to the show by clicking here

Tracklist

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BBC Introducing Guernsey: July 2017 – Chaos, Sark Folk Festival and more

Vice and Track Not Found at the BBC Introducing Guernsey studio

Vice and Track Not Found

Click here to listen to the show

On the July 2017 edition of BBC Introducing in Guernsey we had a festival special of a show with more besides.

For my look back at Chaos Voodoo 13 I spoke to the winners and runners-up of the Chaos/Sound Guernsey Battle of the Bands, VICE and track not found, while hearing music from some of the weekend’s highlight acts.

I also heard from some of the artists who played the Sark Folk Festival including Burg & The Back Porch BandJoe Corbin and Ukuladeez.

On top of that mura masa told us about releasing his self-titled debut album with a special signing at Guernsey’s HMV store and I had a brief look ahead to next month’s Vale Earth Fair.

You can listen to the show by clicking here.

Tracklist

And here’s a new video from The Recks that also came out this month, as a little bonus bit:

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Vale Earth Fair Fundraiser – The Fermain Tavern – 22/07/17

Rentoclean at The Fermain Tavern

Rentoclean

Every year The Vale Earth Fair gears up for their summer festival with a series of fundraisers but this year, they come with a slight difference, as the collective are raising money for a new van and have even set up a crowd funding campaign to help.

With that in mind they presented a night of live music at The Fermain Tavern headlined by the return Rentoclean, a band who, a couple of years ago, had a strong reputation as the band to book if you wanted a party.

With only a handful gathered around tables at the back of the venue Jacques Evans started off the night with a set of reggae tinged acoustic balladry. While he’s always shown a raw talent on both acoustic and electric guitar Evans’ set here showed he has begun to pull it together into something more coherent.

Jacques Evans at The Fermain Tavern

Jacques Evans

Gone are the extended jams of old, replaced with a series of enjoyable, if slightly melancholy, love songs, alongside a few customary reggae covers that are always going to go down well with the Earth Fair crowd (even if they are slightly lost on me).

In addition to this Jacques employed some strategic use of a loop pedal to augment the solo acoustic guitar sound in a way that some who some who rely on the trickery of the loop pedal would do well to learn from (Ed Sheeran and acolytes, I’m looking at you).

An instrumental track later in the set did lose the focus somewhat as its mix of loop work and intricate Spanish style playing led Jacques to become a little too self-absorbed on stage but otherwise he provided a good warm up for the evening.

Lord Vapour at The Fermain Tavern

Lord Vapour

For the second night in a row Lord Vapour took to the Tav’s stage (before heading into town for a later session at The Vault, making it a three gig weekend) and for the second night they brought the impressive, heavy grooves.

They may have been in slightly loser mode than the previous night but still held it together well with new songs providing some highlight moments along with subtly titled set closer, Sugartits. While the audience weren’t as receptive as the youngsters at Sound the band seemed more relaxed making for a highly enjoyable set.

With the audience still rather on the small side and content to stay at the back of the room Citizen-X took to the stage for an audio/visual experience like no other in the island.

Those at the back probably missed the visual side of the show thanks to the location of the projector, but for those who bothered to head forward we were treated to one of the good Citizen’s best performances yet.

Citizen-X at The Fermain Tavern

Citizen-X

With new tracks alongside older ones it was clear he has added a darker tone to his electronic sounds, with creepily surreal imagery to match and the two far more in sync and smoothly presented than in the past.

While one of his tracks made it more explicit, there was a sense of harmony being created from an underlying anarchy and chaos and, while there is still a slightly missing performance element (I’m confounded as to what that could be, mind you), Citizen-X’s show continues to develop into something genuinely fascinating.

After a brief pause for some more reggae, dub and punk sounds from Earth Fair Collective member and regular DJ Rob R, Rentoclean took to the stage and hit the ground running in the manner they always did as tight reggae rhythms with a punk edge filling the Tav.

Unfortunately the small crowd that had gathered earlier seemed to have already started to leave meaning, beyond a handful of enthusiastic fans on the dance floor and another handful lurking at the back, Rentoclean were playing to a nearly empty room.

Rentoclean at The Fermain Tavern

Rentoclean

One of the band’s hallmarks has always been that they are best with a vocal and energetic audience in front of them and as the set went on it wasn’t surprising that things began to drag.

While they remained tight and sharp during the songs, in between they took time to chat with each other more than the audience losing whatever energy may have built up every few minutes and, while they didn’t resort to the extended jams they sometimes have in the past, it still felt like more of a challenge than a show.

While Rentoclean haven’t really changed what they’re doing I can only think that Guernsey audiences have found newer sources for their fun, punky, reggae-ish party music, particularly since the arrival of Honest Crooks and, in a slightly different vein, Buffalo Huddleston, which meant the return of this band wasn’t greeted with the excitement it might have been a few years ago.

On top of that, with the proliferation of live music events around the island, a simple Vale Earth Fair fundraiser no longer attracts the kind of crowds it would have done five or ten years ago making what on paper should have been a great, high energy night, fall a little flat.

You can see more of my photos of the show on the BBC Introducing Guernsey Facebook page

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Sound Guernsey School’s Out Party – The Fermain Tavern 21/07/17

Unclassified at The Fermain Tavern

Unclassified

Following on from the Battle of the Bands at Chaos 13, Sound Guernsey’s Summer Of Sound continued with a School’s Out Party at The Fermain Tavern on Friday 21st July with Unclassified, Blakalaska, The Phantom Cosmonaut, Lord Vapour and Kings.

Unclassified opened the show and continued Sound Guernsey’s ethos of giving new bands a place to get gig experienced and showcase their music.

While their performance could do with a bit more power and conviction they got a nice bounce going with their pop rock covers as the set went on and went down well as the night’s audience were arriving. 

Lee of Blakalaska at The Fermain Tavern

Lee of Blakalaska

After quite some time away Blakalaska made a rare appearance next. While they took a couple of songs to get in their groove and for the sound to be levelled out, once they did they were as tight and huge sounding as always.

Going on so early I think did a disservice to a sound that is custom but for late night dancing but they still had the audience interested and got some dancing as the set went on.

While they are perfect on a big stage in the more intimate confines of the Tav they did lack a little connection but it’s always a treat to hear their unique take on dance rock.

After The Phantom Cosmonaut assaulted the crowd with their brand of Strong Style a Rock ‘N’ Roll things got a bit loose and groovy with Lord Vapour.

Joe of Lord Vapour at The Fermain Tavern

Joe of Lord Vapour

With tasty riffs and heaviness aplenty the trio did exactly what we’ve come to expect, taking their songs and jamming them out into that psychedelic space beyond.

With a few new tracks (including one inspired by Frank Herbert’s Dune, following in the footsteps of Whitechapel Murders and winning them many bonus points in my book) amongst numbers from their first album they too sounded huge and really got the young audience head banging away and loving it.

With one of the most varied lineups I’ve seen in sometime the night’s headliners continued that trend as Kings launched into a set of polished precision pop.

It was great to hear something so unashamedly energetic and fun and clearly designed to get an audience jumping and singing along, and that they did.

Eli of Kings at The Fermain Tavern

Eli of Kings

Strategic and well done use of samples and backing tracks elevated their sound in a different direction and, along with the pop, there was a constant hint of an edge that kept it interesting and away from becoming too saccharine.

Frontman Eli Crossan had the audience in the palm of his hand throughout with a non-patronising manner and impressive voice, while Casey-Joe Rumens took a massive, arena rock, guitar sound and made it fit in the Tav perfectly closing the night and launching the summer holidays on a high.

You can see a full gallery of my photos from the show on the BBC Introducing Guernsey Facebook page

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BBC Introducing Guernsey: April 2017 – Elliot Falla in session and Vorlon

Elliot Falla and Vorlon Daz Carre

Elliot Falla and Vorlon

Click here to listen to the show

On the April 2017 edition of BBC Introducing Guernsey I featured a pair of guests spanning the range of guitar music in Guernsey.

Elliot Falla was in session with his brand of folk influence indie-blues including tracks from his recent Throne EP and brand new songs. He also told us not only about the making of the EP but also how its been expanding his gigging away from the island following regular shows in Brighton and London over the last few months.

Vorlon on the other hand is a project from long-standing heavy metal musician Daz Carre. He told us about his new album, intense extreme metal project False Sense of Security, as well as his time playing music in the islands which began in the mid-90s and has taken in bands such as Crunchy Frog, Earthcorpse, Darker Shores, Mechanical Lobster, Nemesis and more primarily as drummer but also playing bass and guitar.

You can listen to the show for the next 30 days through the BBC iPlayer Radio App or by clicking here.

I also announced that BBC Introducing Guernsey will again be going live as part of Arts Sunday, you can find out more about that here.

Tracklist

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BBC Introducing Guernsey: December 2016 – Review of the Year

BBC Introducing Guernsey 2016 sessions

Some of our sessions from 2016

Click here to listen to the show

To round off 2016 on BBC Introducing Guernsey I put together a show packed with some of the best music featured on the show across the year.

Featured were tracks from our regular acoustic sessions including Burning At Both EndsThe Secret SmilesClameur de Haro and more.

There were also album tracks and singles from The RecksOf EmpiresRobyn Sherwell and others as well as a look at some of the highlight artists from the summer festivals and a few brand new tracks as well.

You can listen to the show on the BBC iPlayer by clicking here or through the BBC iPlayer Radio App on mobile devices.

If you are making your own music you can upload it to BBC Introducing by clicking here

Tracklist

You can read my review of the year here

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Music in Guernsey – Review of the Year 2016

2016 has been another packed year for music in Guernsey and the Bailiwick. With more festivals than ever, events seemingly most nights of the week all year and many records released covering everything from acoustic folk to drum ‘n’ bass to heavy metal its fair to say the ‘scene’ is possibly the most varied it has ever been.

My review of the year was published in The Guernsey Press on Saturday 31st December 2016 and there’s a full version below.

Review of the Year 2016 press scan

2016 has been something of a landmark year for me with regards to Guernsey’s music scene as it marks ten years since I started reporting on music on the island. In that time countless bands have come and gone, some making massive waves others barely ripples, but it’s been very rare that any haven’t at least given it their all.

This level of enthusiasm from bands, DJs and any other performers can, I think, be credited with 2016 being the year when locally produced music seemed to most crossover into Guernsey’s mainstream public consciousness.

SugarSlam

SugarSlam

One of the ways I think this crossover has occurred has been with the recent proliferation of music festival and ‘all-dayers’, hitting a high of at least 10 across the past year ranging from the established and varied likes of the Vale Earth Fair and Liberation Day to more specific events like Chateau De Son and Smaashfest or charity based shows like Jonah Beats.

Jonah Beats set the bar high for these back in March with a day spanning everything from lo-fi folk to pounding drum ’n’ bass at the Vale Castle. Highlights on that day included Blakalska, SugarSlam, the return of The Swallows and a rare big stage appearance from Last Of The Light Brigade. The organisers also released a double CD compilation album to raise money for the Helping Jonah – Helping Others charity.

The summer festival season got going, as has become the standard, with the Chaos weekend. While the event has been bigger in the past, this year’s slightly scaled down show had something of the old atmosphere back.

PUNiK at Chaos

PUNiK

This was certainly helped by the presence of great visiting bands like Japanese punks PUNiK (who also released a fine debut album), Manchester noise-rock duo The Hyena Kill and experimental rock two piece Science Of Eight Limbs.

As well as the visitors Honest Crooks continued their run of great shows with a standout set in The Peace Tent that had everyone skanking as the sun set, while SugarSlam, Brunt and Static Alice stormed the War Stage across the weekend.

The Sark Folk Festival continued its run of great events with this year’s having less of the ‘us vs them’ atmosphere of traditional folk fans and those out for a fun weekend in a field.

Burg with Becky

Burg And The Back Porch Band

Musically there was a lot of good stuff on offer but it was the artists with their roots in the islands that really stood out for me. The highlight came from Burg & The Back Porch Band bringing some Americana to the spectacular teepee stage on the Saturday evening and invoking impressive singalong moments as well as creating one of the best atmospheres I can remember at a show in a long time.

Meanwhile Robert J. Hunter, The Space Pirates of Rocquaine, Buffalo Huddleston, Nessi Gomes and visitors Mad Dog Mcrea provided other choice moments.

New festival The Gathering took place at North Field in July and showcased a real variety of bands from the island. With three days it felt like almost every band with a slightly mainstream angle was featured on the main stage but it was the Friday and Sunday evening that brought the musical highlights for me with SugarSlam and Static Alice playing to a disappointingly small crowd on the opening night and Kings and Of Empires closing the show on Sunday on a real high.

Static Alice at The Gathering

Static Alice

Whether The Gathering becomes a regular part of the island’s festival calendar remains to be seen but as an event helping spread the word about the great talent in Guernsey to a wider audience it certainly did a good job.

The Vale Earth Fair this year certainly claimed its place as centrepiece of the island’s musical calendar as the Collective presented a year-long series of events celebrating its 40th anniversary.

The festival weekend itself was as big as its ever been with a series of gigs across the Friday and Saturday leading up to the main festival day.

Teaspoonriverneck at Vale Earth Fair

Teaspoonriverneck

Asian Dub Foundation were one of the biggest headliners the show’s ever seen but for me the highlights came with She Drew The Gun, a special appearance from Teaspoonriverneck, The Correspondents and Heads Off, though special mention has to go out to Honest Crooks and Buffalo Huddleston who, with earlier slots, did a great job of getting the festival atmosphere going much earlier than usually happens.

Along with the festival weekend the Collective staged an exhibition of photos and poster art chronicling the 40 years of the event which was a fascinating chance to chart some of the performers who’ve been there for the whole time and see how the event has evolved since its humble origins. The now annual Unplugged and John Peel tribute nights both provided some great moments, but it was the return of Pussycat And The Dirty Johnsons that was my Vale Earth Fair related highlight.

Away from the festivals there was of course plenty of other music going on, in fact I think its fair to say that with the exception of Sundays there seemed to be something musical happening every day of the year if you knew where to look.

For me though the highlights amongst all of this came in the form of the Sound Guernsey events for Guernsey’s youngsters. Showcasing a range of music they have grown from relatively humble intentions with shows at The Venue to fully fledged event gigs at The Fermain Tavern.

Honest Crooks at Sound Guernsey

Honest Crooks

Their summer party being a highlight of this as The Doomsday Project, Honest Crooks, Asylum Seekas and Blakalaska shared a stage with already impressive new comers Track Not Found and Equilibrium while their Christmas Party later in December gave was another great night.

When it comes to new bands a few have stood out. As well as the aforementioned Track Not Found, hardcore metallers Granite Wolf made an impressive debut in September developing on the likes of Brutus Stonefist and She Haunts The Roads and I very much look forward to hearing more of what they’ve got to offer.

The real stand out of the new crop though were Burning At Both Ends who have taken the fairly well trodden pop-punk template and breathed a new life and energy into it, winning over many fans with their tight live shows and impressive debut album.

Burning At Both Ends

Burning At Both Ends

As well as great music on the island, musicians continued to spread their wings further afield.

Along with two BBC Introducing showcases on BBC Radio 1 featuring 12 acts, a few stand outs emerged, Robyn Sherwell continued her rise with the release of her debut full length album to much acclaim back in April, including a UK tour and having one of her songs picked up for use on the trailer to Hollywood movie Suffragette.

Nessi Gomes also completed a hugely impressive crowdfunding campaign leading to the release of her debut album, Diamonds & Demons which was supported by a tour of the UK, Europe and the Middle East which will culminate with the official Guernsey album launch event next month.

Of Empires continued their march to becoming bona-fide rock ’n’ roll stars with support from all over the place including debuting new single Baby Darlin’ Sugar on BBC Radio 1 through BBC Introducing and picking up many nods as one of the UK bands to watch as we head into the new year and they prepare for the release of more music and a lot more gigs.

Robert J. Hunter

Robert J. Hunter

Meanwhile Robert J. Hunter continued gigging around London and the rest of the UK regularly, initially supporting his second album, Before The Dawn and then releasing his third, Where I’m From, though the Spiritual Records label a couple of weeks ago.

Plenty more records were released this year with Space Pirates of Rocquaine’s Vraic & Roll, Lord Vapour’s Mill Street Blues, Brunt’s Blackbeard and the aforementioned Burning At Both Ends all standing out, but it was a single, Drifting, from the duo of Flexagon and Buff Hudd that really seemed to take off, receiving much praise and also being picked up by Tom Robinson on BBC 6 Music.

As the year neared its end The Recks made something of surprise return with a new single and line up and they look set to make 2017 their year as they plan to finally unleash their long-awaited and much-anticipated debut album and in a standout live moment SugarSlam (yes, them again, they’ve had a great year) and Insurrection marked their 25th and 30th anniversaries respectively with an excellent night at the De La Rue.

Insurrection

Insurrection

It’s safe to say that 2016 has been an impressive year for music in Guernsey with a real variety of sounds and styles coming to the fore (beyond what’s mentioned here drum ’n’ bass and electronic music have had a real growth as well with Hard Riddims and Strategy gaining footholds as regular events) and opening up what could easily be a small and insular scene to a wide audience, and lets hope that continues with more people heading out to listen to new music around the island and there’s already some exciting sounding things coming up!

And a few particular highlights by category…

Band of the Year – Honest Crooks
Festival Stage/Event of the Year – Vale Earth Fair’s 40th Anniversary celebrations
Newcomers of the Year – Burning At Both Ends
Set of the Year – Burg & The Back Porch Band at Sark Folk Festival
Album of the YearRobert J. Hunter – Where I’m From
Visiting Band of the Year – PUNiK

You can listen to the BBC Introducing Guernsey review of the year radio show here

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