Once again live music was at the core of the Liberation Day celebrations for 2017.
As well as events all over the island the ‘official’ part came with Centre Stage Guernsey’s LibRock 2017 on the Albert Pier on the St Peter Port seafront with music from The Devotees, The Recks, Clameur De Haro, The Silverados, Problematic and Unclassified.
My review of the show was published in the Guernsey Press on Saturday 13th May, you can read it below with an extended version underneath that, and you can see a full gallery of my photos from the show on the BBC Introducing Guernsey Facebook page.
Liberation Day has changed.
I remember a day of the St. Peter Port seafront being packed with people, plenty for everyone to do (yes including the controversial ‘fun’ fair) and a real atmosphere and feeling that ‘everyone was here’.
As I made my way along the seafront from North Beach this year though this was not the case. All there seemed to be as an ‘attraction’ were a series of stalls selling locally made gifts and novelties, most of which you can see any given Sunday in the same place over the summer.
Thankfully though something else existed behind this celebration of arts and crafts mediocrity – on the arm of the Albert Pier there was the chance of something genuinely celebratory…
As with last year Centre Stage kicked off their LibRock event with a pair of younger bands.
Unclassified were making their first foray into the world of big public performances and, with their harmonies and varied instrumentation gained the attention of those gathering on the pier.
Though it seemed a little masked by nerves, singer Louise Madden had a good sense of stage presence that grew as the set went on ending on a high point medley of songs including Blondie’s Call Me and Queen’s We Will Rock You.
Still young but more experienced, Problematic continue to come on in leaps and bounds and demonstrated that again.
Frontman and bass player Harvey Falla showed a nice streak of presence and performance which was excellently counterpointed by guitarist Harvey Page looking aloof and cool behind his shades, in just the way a teen rock ‘n’ roller should.
With original songs standing up along side covers of the likes of Slaves and Royal Blood the trio made a big sound with some great raucous moments and hints of real power.
The rock n roll continued, in a slightly different vein, with The Silverados slick, fun, rockabilly-pop.
Monty of The Silverados
While they took a couple of songs to warm up (both literally and figuratively I imagine given the north-east wind) they were soon rolling along well and started to get the first few memebers of the crowd dancing.
Their best moments came with excellently reworked versions of Eurythmics Sweet Dreams and Snow Patrol’s Chasing Cars before climaxing with The Stray Cats Rumble In Brighton which always suits a sunny seaside show (though I didn’t see any actual rumbling tonight) and as ever guitarist Monty McMonagle’s was a twang-tastic highlight.
With the beer tent finally open and the crowd starting to ‘warm up’ a little, Clameur De Haro brought their eccentric brand of hillbilly rock to the stage.
It didn’t take long for the growing crowd to start filling the space in front of the stage and for more to get dancing, with many singing along not only to the classic rock covers from the likes of Queen, Black Sabbath and Van Halen, but the band’s own songs too which they seem to have custom-built for a fun and rowdy singalong.
Bob and Rich of Clameur De Haro
Clameur De Haro are perfect for a day like this and, in their own slightly ramshackle way, provided one of the two highlight sets.
Since their return at the end of last year The Recks had struggled somewhat to rediscover what I can only describe as their ‘mojo’ but tonight, following an outing at the Reasons festival in Jersey a couple of weekend’s ago, it was all back.
The five piece meandered their way through their set of typically ‘schizophrenic psychedelic’ sounds that spanned everything from indie rock to latin rhythms.
Lovers In The Night started it out and got the audience dancing and singing and that only grew more as they played through both well-known songs like recent single Low Life and In The Garden and brand new songs She Ain’t No Revelator and Parisian Stupor.
Richey Powers of The Recks
The new songs managed to catch the imagination right away with Parisian Stupor bringing those latin rhythms to the fore in a way that at once sounded like one of guitarist/banjo player Gregory Harrison’s solo songs and a Recks song rolled into one in the best of ways.
While the cold weather may have removed a bit of the sweaty, visceral thrill The Recks have often brought to The Fermain Tavern, they reached a crescendo with Train Wreck, Valentine and Lights re-staking their claim as one of the best bands the islands have to offer.
After the traditional fireworks veteran favourites The Devotees hit the stage with a bang!
Chris Dean of The Devotees
Unfortunately the bang was one of the stage amps blowing a fuse, but, after a bit of too-ing and fro-ing from the crew (who did a great job all day), things were soon back up and running and Chris Dean and his band treated us to a rousing set of songs spanning from The Who to Pulp and back again.
For the crowd who stayed out braving the cold it may as well have been a festival as they jumped around and sang along with glee.
For the final salvo the band were joined on stage by Sons of the Desert’s brass section for some expanded tracks including a great take on The Who’s 5:15 from Quadrophenia, Chelsea Dagger and Parklife while The Jam’s Town Called Malice brought Liberation Day 2017 to an upbeat close that almost made you forget the disappointment of the rest of the official ‘celebrations’.