Back in March Guernsey Gigs put on an event that was a bit of an experiment, based on the idea of some of the open mic nights that take place but formalising it with randomly drawn selections of musicians being given 20 minutes to ‘jam’ and see what happens.
Given that the first was a success for both musicians and the curious audience, there was a bit of buzz around this second version of the event with a broader scope of musicians putting their names in the buckets to play.
While people were arriving and the first of the jam bands were getting things together the Ten Toe Hobo hopped up on stage to play a short impromptu set that found the feeling of the night very well in the way only he can.
When it comes to a night like this of course it’s a little different to a normal gig as none of the bands are bands and none of the songs are songs and just getting up on stage takes more confidence than certainly I have, whatever the outcome.
The first band, dubbed I think accidentally Not Yet by the evening’s compere Graham ‘G-Dog’ Duerden, were slightly more prepared than most of the night’s combos and delivered a set of funky, jazzy instrumentals led by the saxophone of Boondoggle‘s Dennis Allen.
One thing about a jam night like this which is always something of a worry is that each group will just fall back into a kind of standard bluesy groove, so it was encouraging that even between the first two groups neither came close to doing that.
Deliberate Mistake, as they called themselves, threw together elements of psyche and indie with hip hop. With Silas The Assyrian Assassin on vocals, the backing provided a more relaxed groove for his insistent, Beastie Boys like punk rock-rap style delivery but for the most part it worked.
With Christiaan Mariess of Brunt on drums it was no surprise that The Dangles had a heavy groove going throughout nicely balanced by some more of Dennis’ saxophone and his Boondoggle comrade Carrie’s vocals.
While the next couple of bands didn’t quite gel as well they still led to some nice moments. Sexual Content featured some Doors like hints from The Recks‘ Richey Powers before he switched to guitar in Quintessentially Human and showed some fine power blues stylings as they neared their climax, showing off something we don’t get to see normally.
Possibly the most unexpected grouping of the night saw City Limits‘ lead guitar whiz, Glenn Holmes, teaming up with Ukuladeez (all counting as one vocalist). While they found a few nice jams amongst their bizarre mixture, I think their highlight moment was when Ellie added some percussion in the form of tap dancing.
And then it was Murray Brown… Named for the Burning At Both a Ends guitarist whose name had been drawn several times across the night despite the fact he wasn’t actually there and combining the forces of Lord Vapour, Mechanical Lobster and Citizen-X, amongst others to create something like a deranged version Hawkwind but with more extreme vocals drenched in reverb and delay creating a highlight of the night.
As the night neared its end things went off the rails somewhat as last group, Who Would Dare Give Me The Raspberry, filled the stage with performers who played with a great fluidity considering the situation.
With Rentoclean‘s Kieran Smale scratching on the decks (following drumming duties earlier) adding yet another new sound and Gregory Harrison delivering a kind of scat vocals with beat boxing and rap thrown in, they ended the night in a way that showed exactly the best of what this night could do, getting different groups of musicians together and creating something new that, at the start of the night, no one thought they’d be playing.