Tag Archives: Honest Crooks

Chaos Voodoo 13 – 23-25/06/17

Heave at Chaos 13

Heave

For the thirteenth year the Greenman MCC and friends took over a few fields at Pleinmont in Guernsey for their annual party weekend – Chaos!

This year with the subtitle Voodoo 13 the festival featured two stages of live music for three days featuring everything from the lightest of folk to the heaviest of rock along with the bike show and whatever other shenanigans might happen when you put a few hundred bikers and music lovers in a field.

My review of the event was published in The Guernsey Press on Saturday 1 July 2017 and you can read that, and an extended version, below.

You can also see my galleries of the event on the BBC Introducing Guernsey Facebook page.

Chaos 13 review - part 1 - 01/07/17

Chaos 13 review - part 2 - 01/07/17

Extended review

It might be unlucky for some but for Greenman MCC and the rest of the crew behind Chaos it turned out to be one of their best weekends of bikes, beer and, what we’re focussing on here, bands, yet.

Day 1

Silas The Assyrian Assassin at Chaos 13

Silas The Assyrian Assassin

As has become customary the weekend started out in The Peace Tent with Silas The Assyrian Assassin first up on Friday afternoon. Delivering one of his more coherent sets to the small but appreciative audience it was nice to hear the intentional humour along with the more pointed opinions in his songs more clearly than sometimes.

Highlights came in the form of a ‘cockney’ reworking of Dandy Warhols’ Bohemian Like You along with a series of topical original songs generally bemoaning the state of the world in his uniquely witty way.

Fly Casual frontman, Damo, followed Silas with a slightly more straightforward, but none-the-less enjoyable, set of acoustic indie, including some songs from his long time band which are always nice to hear.

The main stage got going with one of the islands up and coming younger bands, Rogue. While they seemed to have a few sound issues they didn’t let that slow them down and their mix of rock covers including the likes of Skid Row, Guns ’N’ Roses, System of a Down and Muse were a nice warm up for the evening.

Blacksmith at Chaos 13

Blacksmith

Having debuted last year, power metal trio Blacksmith upped the ante adding costumes to the mix in helping to tell their tale of the heroic ‘smith saving a princess from an evil dragon. While it may all sound a bit ridiculous the band wear it lightly and with a fun manner, and delivered their chuggy riffs brilliantly.

The first visiting band of the weekend were Jersey quintet Short Was Found. Having made their Guernsey debut at Chaos last year they came with something of a built-in following and it was clear why

Their energetic, hardcore tinged, punk rock was as fast, punchy and powerful as you could want and frontman James Pallot was a force of nature on stage.

The addition of second guitar has filled out their sound in the right way and it was nice to hear some upbeat punk rock as most of Guernsey’s harder punk bands are being a bit quiet.

Having already played the JT Market Rocks event to Chris Tarrant and friends (yes, really) earlier in the evening Honest Crooks hit the stage for a headlining set in The Peace Tent with a purpose and it wasn’t long before the crowd was packed in and skanking away.

Honest Crooks at Chaos 13

Honest Crooks

The chance to play a longer set really showed off their repertoire from great originals to well-chosen covers spanning everything from The Specials to Reel Big Fish to, somewhat bizarrely, Peter Andre’s Mysterious Girl.

Whatever they were playing though the audience were loving it and they put in an early bid for highlight of the weekend.

West Country rockers That Band took things in a different direction on the main stage with some sub-Red Hot Chilli Peppers style funk rock. While all four members played and performed very well and were perfectly listenable their set didn’t really ignite the crowd the way funky rhythms should making for a set that, while well-played, couldn’t help but feel like a bit of a dud.

SugarSlam at Chaos 13

SugarSlam

SugarSlam have become main stage regulars at Chaos over the last few years and never fail to deliver, and Chaos 13 was no exception.

Having been in the studio over the last few months they took the chance to air a lot of new material and the upbeat power pop grunge continued where they left off with their Fameless album and quickly got the crowd excited.

Rounding off the set with a pair of covers, Neil Young’s Rockin’ In The Free World and Motorhead’s Ace of Spades, left what was a loose but fun set on a high.

Having given the event its theme and following appearances on TV hailing them as one of the UK’s best undiscovered bands, there was a real sense of anticipation for the excellently named Johnny Cage & the Voodoogroove.

Johnny Cage and the Voodoogroove at Chaos 13

Johnny Cage and the Voodoogroove

Their genre defying brand of dirty rock ’n’ roll certainly came with a good groove.

The band brought an excellent character and vibe to a slick and tight performance that kept the crowd at the front, and in the case of two more ‘enthusiastic’ ladies on the stage with them, dancing. This brought the first night Chaos to a close on a high point and set the bar for the bands to follow.

Click here to see my full gallery of photos from the first day

Day Two

Track Not Found at Chaos 13

Track Not Found

Following a performance at the previous night’s Sound Guernsey show for under-18s, Track Not Found continued their three gigs in three days weekend by opening up the main stage on Saturday lunchtime.

The young three-piece have built a good reputation over the last year and continued to build on that here.

While it took them a little while to build the energy up and they were a little looser than normal, by about half way through the set, around the time guitarist Grace Tayler broke a string, they hit their stride and didn’t let the missing string slow things down to get the day going in fine fashion.

When it comes to energy you can always rely on Jawbone and this was no exception.

The set started a little on the back foot as Dom from Static Alice filled in for the bands regular frontman Steve as he raced to the site on his lunch break. As soon as he did appear though the band were all systems go with their scrappy, sloppy take on punk rock.

Jawbone at Chaos 13

Jawbone

While covers of the likes of Misfits, The Damned, Alkaline Trio and Men At Work (yes really!) have been their standards, their set of originals is growing and while Choice was a little too sloppy here Generation Y more than made up for it with its NoFX-like take on a bleak, nihilistic but still singalong sound.

While The Crowman is something of a regular in The Peace Tent, this year saw him arrive with his recently formed Crowband in tow, as heard on his new album, and they did a great job of building on The Crowman’s signature garage folk sound.

The whole set had a playful and relaxed feel though the more melancholy songs still cut through and made their point and Pimbo (with the aid of a megaphone) was one of Chaos’ most surreal moments in a while (and that’s saying something in The Peace Tent).

The fun folky vibes continued with Clameur De Haro and they quickly had The Peace Tent packed for a relaxed performance mixing their great songs with some well-chosen hard rocking covers that got people singing and clapping along.

WaterColour Matchbox at Chaos 13

WaterColour Matchbox

While it was a folky afternoon in the smaller field the main stage continued rocking with WaterColour Matchbox delivering a tight and slick set of their progressive, conceptual rock with the metallic edge dialled up for this show.

While their songs aren’t music to chill out to even on a relaxed Saturday afternoon they went down well and in the setting of the big Chaos stage they sounded suitably huge.

Having made a strong impression on their first visit to the island a couple of months ago Great North were one of the weekend’s most anticipated acts in The Peace Tent and they didn’t disappoint.

With the tent crowd at its most subdued the husband and wife duo’s voices became the focus of attention and were instantly absorbing.

Great North and Gregory Harrison at Chaos 13

Great North and Gregory Harrison

While the songs were often on the darker or more serious side Hayden Donnell brought a lighter side with a quick wit between the songs that provided the perfect balance and a few songs with Gregory Harrison on banjo just added to all this.

After the bike show and a set from The Phantom Cosmonaut (that I won’t review for obvious reasons) Brunt brought the heavy to The Peace Tent.

A band who built their reputation in this space a few years ago, the tent was busy for their return and really got into the slow and crushing grooves which flowed from the stacks of amplifiers on the stage and, while it was clear they have a dedicated following at the front, they made an impression on all gathered out of the fog.

The Recks at Chaos 13

The Recks

After a year away The Recks returned to Chaos in their spiritual setting here of The Peace Tent and hit the stage in front of a packed audience.

While it took them a few songs to get warmed up and there seemed to be some technical issues with Greg’s banjo (no jokes about banjos please), they worked through this expertly and were soon back and rolling in fine form with everyone swaying and grooving to a selection of songs ranging from new numbers recently added to their set to older ones not heard from the band since their reformation.

Heave are a band who have become the stuff of legend.

For a brief period a couple of years ago the duo delivered a series of crushingly heavy and loud sets before promptly disbanding, apparently never to be heard again.

Heave at Chaos 13

Heave

So, as soon as their name appeared on the line up for Chaos 13, they became the most anticipated band of the weekend and as soon as Neil Ettasse hit his drums and Steve Lynch’s Explorer guit-bass and wall of amps roared into life the old power was back.

With seven songs in 45 minutes it was a thick, crushing, obscenely loud racket in the best of ways that quickly got the first proper pit of the weekend going.

Steve and Neil were as tight as ever, as if they’d never been apart, and with the likes of Swamp Monster Is Loose, Smoking Molasses and epic closer Tomahawk they did what PUNiK did last year of becoming not just a highlight of the weekend but a highlight of all Chaos.

Following the onslaught of Heave was going to be no mean feat and its a bit of a shame for Graveyard Johnnys that the crowd seemed to go through a brief period of recovery while they started their set.

Graveyard Johnnys at Chaos 13

Graveyard Johnnys

Thankfully the punkabilly trio are clearly an experienced crew and soon got the crowd on side leading to another pit kicking off, in fact one of the biggest I’ve seen at Chaos in quite some time.

Frontman and upright bass player Joe Grogan played with a great charisma that whipped the audience in the frenzy while Callum Houston was a non-stop dynamo pulling punk and rock ’n’ roll licks from his blonde Telecaster in fine fashion and Tom Lord looked like something from a post apocalyptic movie behind his rolling drums.

Graveyard Johnnys provided another highpoint of the weekend and ended on a killer cover of Golden Earing’s Radar Love to close out a great day spanning everything from the lightest folk to the heaviest of rock.

Click here to see my full gallery of photos from the second day

Day Three

As something of a change to past Chaos events the Sunday afternoon of the festival was given over to a Battle of the Bands on the main stage in conjunction with Sound Guernsey, showcasing eight of the island’s young bands.

Lysergic at Chaos 13

Lysergic

While there are things to say about all the bands who took part there are a few things that apply to all of them. That is that they are all amazing talented given their ages and experience and, while the performances aren’t the level of the big bands of the last two days they all showed at least hints of some great performers to come as they develop and get more gigs under their belts.

Lysergic opened the day and were totally new to me. The first half of their set had an edgy and slightly psychedelic nature to it (appropriate given their name, was that intentional?) with covers of Talking Heads’ Psycho Killer and The Rolling Stones Paint It Black before the singer and the guitarist swapped roles and things went in a grungier direction.

This second vocalist brought a crazed energy that was great to see in a scene where the younger bands can often be a little on the polite side and I was almost surprised he didn’t end the set by throwing himself through the drum kit a la Kurt Cobain in his prime.

Vice at Chaos 13

Vice

One thing that has really stood out with the current crop of young bands in Guernsey is the number of female performers and Vice are a prime example of this. The all-girl five-piece sounded great on the slightly heavier, darker numbers from the likes of Highly Suspect and, while they could do with a bit more grit to back it up (something that comes with time), they put on a great show with their singer particularly standing out with a charismatic and confident turn.

Another female fronted band were The Violet Diversion and it wasn’t long before their singer, Kiya, was following in her uncle Stace Blondel’s footsteps and heading out on the speakers across the front of the stage, getting face to face with the crowd.

While Kiya led the charge the rest of the band were solid as well and, while their selection of songs didn’t give them the coherent image of their leader they put on a great show.

The Violet Diversion at Chaos 13

The Violet Diversion

The last band before the break are one with a little more experience, Equilibrium. While their energy was a bit up and down today they still put in a good showing and when they did hit their stride they made a great pop rock sound.

After a brief trip to The Peace Tent for a little self-described ‘smutty’ folk from A Day Before Thursday, Acoustic Accord kicked off the second half of the Battle of the Bands with a cover of Buffalo Huddleston’s Sky High. The band followed this with well-played piano and acoustic guitar covers of a range of songs, backed up with a violin and drums. While they were a little reserved for my tastes but undeniably talented musicians.

Another band who, despite their appearance, have been playing for a year or more are Cosmic Fish. It having been a while since I last saw them they’d noticeably come on again and, while still a bit loose in places, have added more power to their pop punk sound that is coming together into something very enjoyable.

Blue Mountains at Chaos 13

Blue Mountains

At this point I’ll apologise to Track Not Found for missing their third show in three days but The Peace Tent called for a toastie and Blue Mountains.

With their new EP, Hummingbird, unofficially released here (the official launch will be at Sark Folk Festival) the trio mixed their set up a bit but did exactly what we’ve come to expect; delivering a series of darkly hued folk songs based on styles of Americana with their own flavour increasingly creeping in making them one of the islands truly special bands to see and hear.

Back at the Battle Rogue were back on stage and looking far more confident than they did on Friday afternoon. While they still have some rough edges to smooth out their set was far more assured with drummer Luke Corbin and singer Carmen Stella Tippet particularly impressing – and it’s always nice to hear Skid Row’s Youth Gone Wild.

Buff Hudd and Jull-z at Chaos 13

Buff Hudd and Jull-z

With all the bands having performed the judging panel (made up of a selection of members of the stage crew and organisers) made their deliberations and announced Vice as very worthy winners with Track Not Found an honourable second, but, as with pretty much all battle of the band’s style events, all the bands were winners getting seen by a bigger audience and getting an experience they are unlikely to get for a while (or at least another year if they get invited back to Chaos in the future).

With ‘silly games’ taking place in the main field in the way they only do at Chaos the music continued in The Peace Tent with Buff Hudd. It’s hard to think of a more perfect act for this setting and Mike Meinke delivered on that as people chilled out in the tent, some singing and grooving along. Once again the Japanese version of his song Don’t Worry Yourself was a very impressive highlight along with the slightly mind-bending instrumental Mono-limb-tastic.

Ukuladeez at Chaos 13

Ukuladeez

The folky vibes continued in somewhat more surreal form next as Ukuladeez hit the stage and seemed intent on playing a game of how many people can we fit on The Peace Tent stage at once.

Within that though they delivered probably the best set I’ve ever seen from them combining their sense of fun with some great catchy songs packed with genuine humour.

With the expanded band including not just bass and drums as we’ve heard before but violin, pipes from James Dumbarton melodica and, for one track, the Folkatron 3000 (its hard to explain) from Peace Tent’s terrestrial leader Stretchy Stuff along with a choir of the Ladeez’ mums it made for a highlight set of the weekend in The Peace Tent in the most improbable of ways.

Burning At Both Ends at Chaos 13

Burning At Both Ends

Back in the main tent Burning At Both Ends kicked off the final evening session with a set of their storming style of pop punk.

With the Sound Guernsey faithful at the front and singing along the band gave it their all and this set in particular really showed frontman Peter Mitchell coming into his own in the role.

Catchy new songs stood alongside now well-known favourites and the band closed their set by inciting a circle pit for their final breakdown.

Over the years Static Alice have become firm Chaos favourites and their brand of power pop rock rarely fails to get the crowd going and this was no exception.

From the start Dom Ogier, Scott Michel and Luis Morais were all in full on performance mode getting up on the speakers in front of the stage and rarely dropping the energy for more than hour.

Static Alice at Chaos 13

Static Alice

With the biggest crowd I remember on a Sunday night in a long time Static Alice showcased songs from their new Warrior EP alongside older material that it was clear a lot in audience were familiar with before ending on a crowd pleasing encore of Billy Idol’s Rebel Yell and The Sweet’s Ballroom Blitz.

This closed Chaos on an upbeat note and brought to an end what felt like a newly revived event with something of the spirit of old back with brand new young bands rubbing shoulders with established acts and some great visiting headliners.

Click here to see my full gallery of photos from the third day

Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

BBC Introducing Guernsey: May 2017 – Static Alice, Mura Masa and The Recks

Static Alice - BBC Introducing Guernsey

Static Alice

Click here to listen to the show

The May 2017 edition of BBC Introducing Guernsey was a little different to usual with no live session but interviews with a range of artists and a look at the upcoming BBC Introducing Guernsey live stage on Arts Sunday.

Static Alice were my main guests as they release their new EP Warrior and told me about making the new record and their plans for the band.

Following his nomination for an Ivor Novello award and ahead of the release of his debut album we heard from mura masa (aka Guernsey-born producer Alex Crossan).

And as part of a look at the Arts Sunday event we heard from The Recks as well as featuring tracks from Thee JeneratorsTANTALEBuff Hudd and Blue Mountains

You can listen to the show for 30 on the BBC iPlayer Radio App or by clicking here.

Tracklist

Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Static Alice EP launch with Honest Crooks, track not found and Common Room – The Fermain Tavern – 20/05/17

Static Alice

Static Alice

After making their reputation with countless live shows over the last few years Static Alice have also found the time to record and release both a full length album and EP, and now, they’ve marked the releases of their third record, another EP titled Warrior, with what looked set to be a special show at The Fermain Tavern.

Continuing something of a trend they began a while ago two of the support acts were at the newer and younger end of the scene, with acoustic pop trio Common Room on stage first.

With acoustic guitar, bass guitar and vocals and a very pop sensibility, Common Room presented something a bit different to many acts over here. Vocalist Olivia Manheim seemed to have all the ingredients to be an excellent an engaging front person, though maybe was a little restrained in the face of a small and distant audience here.

Common Room

Common Room

Common Room were at their best when all three members relaxed into the performance as happened a few times, particularly on an impressive original song and as the set went on, and they definitely made a good impression on the small audience.

Second of the young bands was track not found. While they took a couple of songs to hit their stride once they did their combination of grunge, punk and indie rock sounded as good as ever.

While Grace Tayler leads the band with a singular presence that brings to mind Dresden Doll’s Amanda Palmer run through a noisy rock filter, Emma Thomas (drums) and Maisie Bison (bass and vocals) more than ably fill out the rest of the sound, with both carving their own niche within the band.

track not found

track not found

Once again the band gave it their all with Code Red and Ecstasy being particular highlights of a set that continued to win over new fans.

Like the headliners, Honest Crooks are another band who’d taken a bit for a break from live shows earlier in the year.

After outings at Chaos at the Jam and for the Vale Earth Fair’s Liberation Day show at The Last Post where they added organ and saxophone player Naomi Burton to their line up, they brought this more developed ska sound to The Tav .

Being my first time seeing this version of the band I wasn’t sure what to expect and it did take them a little longer than usual to settle into their normal fun and upbeat vibe but, once they were there, the additional sounds really lifted the music to a new level with the best moments allowing a new sonic dynamic between James Radford’s guitar and the organ and saxophone parts.

Honest Crooks

Honest Crooks

With a couple of new songs thrown into the mix, along with some old favourites and a couple of well-chosen covers, Honest Crooks drew the most people onto the dancefloor but with still only a small crowd the set didn’t quite live up to their much deserved reputation.

Even though they were launching a new record Static Alice started out in much the way they usually do with a selection of their now fairly well-known and established pop-rockers, in typically tight and energetic fashion.

Unfortunately with most of the audience seemingly more interested in the bar than the band their efforts did little more than elicit some light bopping from the dedicated few who remained on the dancefloor.

A decent mid set run at Audioslave’s Cochise (the set’s only cover), in tribute to the recently departed Chris Cornell, seemed to grab a little more interest but this soon waned which is a real shame as, as I’ve said before, Static Alice have a strong line in hooky, driven, rock that, at its best, can really get a crowd going.

Static Alice

Static Alice

With three of the four tracks from the Warrior EP saved for a final blast and demonstrating a slightly heavier side to the band even these fell flat as the obvious effort being put in from in the stage seemed to be lost in an energy sucking void before it reached the audience.

While there are always reasons for low turn outs at shows this one felt particularly hard to reconcile given the effort all four acts put in but it ultimately turned what should have been a celebratory night of high energy music into something disappointingly flat.

You can see a full gallery of my photos from the show on the BBC Introducing Guernsey Facebook page

Tagged , , , , , , , , , , , , , , , , ,

BBC Introducing Guernsey: April 2017 – Elliot Falla in session and Vorlon

Elliot Falla and Vorlon Daz Carre

Elliot Falla and Vorlon

Click here to listen to the show

On the April 2017 edition of BBC Introducing Guernsey I featured a pair of guests spanning the range of guitar music in Guernsey.

Elliot Falla was in session with his brand of folk influence indie-blues including tracks from his recent Throne EP and brand new songs. He also told us not only about the making of the EP but also how its been expanding his gigging away from the island following regular shows in Brighton and London over the last few months.

Vorlon on the other hand is a project from long-standing heavy metal musician Daz Carre. He told us about his new album, intense extreme metal project False Sense of Security, as well as his time playing music in the islands which began in the mid-90s and has taken in bands such as Crunchy Frog, Earthcorpse, Darker Shores, Mechanical Lobster, Nemesis and more primarily as drummer but also playing bass and guitar.

You can listen to the show for the next 30 days through the BBC iPlayer Radio App or by clicking here.

I also announced that BBC Introducing Guernsey will again be going live as part of Arts Sunday, you can find out more about that here.

Tracklist

Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

BBC Introducing Guernsey: March 2017 – Gregory Harrison in Session and Vinyl Vaughan’s

Gregory Harrison and Nathan Arnaud in the BBC Introducing Guernsey studio

Greg and Nathan in the studio

Click here to listen to the show

BBC Introducing Guernsey returned to the airwaves on Saturday 26th March 2017 with another two hours of music from around the Bailiwick of Guernsey.

This month I was joined in the studio by Gregory Harrison, one of the people behind a pair of recent shows organised under the Guernsey Gigs banner.

As well as telling me about the shows he spoke about joining The Recks last year, being part of The Rectory Hill Skillet Lickers and of course his own music, and he played an acoustic session for us with Nathan Arnaud accompanying him on the bass.

I also took a look at Guernsey’s new independent record store that has grown out of the charity record fairs that take place around the island, Vinyl Vaughan’s.

You can listen to the show for 30 days after the broadcast date by clicking here.

Tracklist

Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Sound Guernsey: Sons of the Desert, Honest Crooks, Equilibrium, Cosmic Fish – The Fermain Tavern – 17/03/17

Sons of the Desert

Sons of the Desert and friends

You can see a full gallery of my photos from the show on the BBC Introducing Guernsey Facebook page

Sound Guernsey‘s March 2017 show had a very punk-ska flavour to things with their old formula of two young bands playing alongside two more experienced groups.

Cosmic Fish kicked off the show with a set of old-school pop-punk starting with Green Day’s Welcome To Paradise and continuing in similar fashion.

Compared to when I’d seen them throughout last year the trio have come on in leaps in bounds and, while they still have some way to go in terms of audience interaction and performing confidence, their renditions of songs by Blink-182, Good Charlotte and their ilk have a lot going for them.

Cosmic Fish

Cosmic Fish

Throughout the set there were a few moments where the energy found a good level that, in a perfect world, would have seen the audience get more energetic (they remained attentive but restrained) and it was the closing pair of Jimmy Eat World’s The Middle and Blink’s All The Small Things that closed the set in a high.

Another band who made a good impression last year and have built on that are Equilibrium.

Having been one of the young highlights of the early Sound events the band went on the play Liberation Day and the Vale Earth Fair amongst other things but like the openers they seemed to have stepped up their game once more.

Sticking with a similar pop-rock selection, including a couple of extra Red Hot Chilli Peppers tunes, the band had a much more relaxed energy from the off and this was clearly infectious.

Equilibrium

Equilibrium

The aforementioned Chilli Peppers track Otherside was a highlight of the set as was their take at Blink-182’s Stay Together For The Kids where several members of the band swapped instruments.

Their takes on Basket Case and All The Small Things (also done earlier by Cosmic Fish) didn’t quite match the previous band’s but in all it was a good set and, with a little bit more power, Equilibrium will be a band worth keeping an eye on.

After a few months off following a very busy 2016, Honest Crooks were starting to gear up for an already busy summer season as they took to the Tav’s stage. While they were a little lose compared to past gigs it was all relaxed and fun as they mixed their own songs with some more ska oriented covers and they had the crowd going from the start.

Honest Crooks

Honest Crooks

With a genuinely funny ‘play some Slayer moment’ (a rarity these days where that joke wore thin a decade ago) and great covers of Reel Big Fish’s Beer and Sublime’s Santeria it was really their own songs that provided the highlights and they certainly set the mood well for the night’s headliners.

Following the more modern ska warm up, Sons Of The Desert set out to provide a perfect primer for all thing two-tone and of the late 70s/early 80s UK ska scene. Spanning tracks from The Beat and The Selecter to Bad Manners and Madness it was prime upbeat skanking material all the way.

With the audience a sea of bouncing red fezzes thanks to the always manic and energetic Chris Pearson, it wasn’t long before everyone was on the dance floor and both the band and audience were having a whale of a time.

Sons of the Desert

Sons of the Desert

The band themselves are something of an eccentric mix of performers that come together brilliantly and create a huge sound with a three-piece brass section and Andy Coleman on the organ bolstering the usual rock band line up for a real authentic two-tone sound.

There were many highlights in the set but for me Lit Up Fatty, Too Much Too Young and set closer Night Boat To Cairo were the standouts before it all went a bit chaotic in the encore with the entire audience joining the band on stage for a skank to bring one of the most energetic Sound nights yet to a close on a major high.

One of my photos of the show was used along with a review from Becks Cox in The Guernsey Press:

Sound-review-March-2017-for-blog

Tagged , , , , , , , , , , , , , , , ,

BBC Introducing Guernsey: December 2016 – Review of the Year

BBC Introducing Guernsey 2016 sessions

Some of our sessions from 2016

Click here to listen to the show

To round off 2016 on BBC Introducing Guernsey I put together a show packed with some of the best music featured on the show across the year.

Featured were tracks from our regular acoustic sessions including Burning At Both EndsThe Secret SmilesClameur de Haro and more.

There were also album tracks and singles from The RecksOf EmpiresRobyn Sherwell and others as well as a look at some of the highlight artists from the summer festivals and a few brand new tracks as well.

You can listen to the show on the BBC iPlayer by clicking here or through the BBC iPlayer Radio App on mobile devices.

If you are making your own music you can upload it to BBC Introducing by clicking here

Tracklist

You can read my review of the year here

Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Music in Guernsey – Review of the Year 2016

2016 has been another packed year for music in Guernsey and the Bailiwick. With more festivals than ever, events seemingly most nights of the week all year and many records released covering everything from acoustic folk to drum ‘n’ bass to heavy metal its fair to say the ‘scene’ is possibly the most varied it has ever been.

My review of the year was published in The Guernsey Press on Saturday 31st December 2016 and there’s a full version below.

Review of the Year 2016 press scan

2016 has been something of a landmark year for me with regards to Guernsey’s music scene as it marks ten years since I started reporting on music on the island. In that time countless bands have come and gone, some making massive waves others barely ripples, but it’s been very rare that any haven’t at least given it their all.

This level of enthusiasm from bands, DJs and any other performers can, I think, be credited with 2016 being the year when locally produced music seemed to most crossover into Guernsey’s mainstream public consciousness.

SugarSlam

SugarSlam

One of the ways I think this crossover has occurred has been with the recent proliferation of music festival and ‘all-dayers’, hitting a high of at least 10 across the past year ranging from the established and varied likes of the Vale Earth Fair and Liberation Day to more specific events like Chateau De Son and Smaashfest or charity based shows like Jonah Beats.

Jonah Beats set the bar high for these back in March with a day spanning everything from lo-fi folk to pounding drum ’n’ bass at the Vale Castle. Highlights on that day included Blakalska, SugarSlam, the return of The Swallows and a rare big stage appearance from Last Of The Light Brigade. The organisers also released a double CD compilation album to raise money for the Helping Jonah – Helping Others charity.

The summer festival season got going, as has become the standard, with the Chaos weekend. While the event has been bigger in the past, this year’s slightly scaled down show had something of the old atmosphere back.

PUNiK at Chaos

PUNiK

This was certainly helped by the presence of great visiting bands like Japanese punks PUNiK (who also released a fine debut album), Manchester noise-rock duo The Hyena Kill and experimental rock two piece Science Of Eight Limbs.

As well as the visitors Honest Crooks continued their run of great shows with a standout set in The Peace Tent that had everyone skanking as the sun set, while SugarSlam, Brunt and Static Alice stormed the War Stage across the weekend.

The Sark Folk Festival continued its run of great events with this year’s having less of the ‘us vs them’ atmosphere of traditional folk fans and those out for a fun weekend in a field.

Burg with Becky

Burg And The Back Porch Band

Musically there was a lot of good stuff on offer but it was the artists with their roots in the islands that really stood out for me. The highlight came from Burg & The Back Porch Band bringing some Americana to the spectacular teepee stage on the Saturday evening and invoking impressive singalong moments as well as creating one of the best atmospheres I can remember at a show in a long time.

Meanwhile Robert J. Hunter, The Space Pirates of Rocquaine, Buffalo Huddleston, Nessi Gomes and visitors Mad Dog Mcrea provided other choice moments.

New festival The Gathering took place at North Field in July and showcased a real variety of bands from the island. With three days it felt like almost every band with a slightly mainstream angle was featured on the main stage but it was the Friday and Sunday evening that brought the musical highlights for me with SugarSlam and Static Alice playing to a disappointingly small crowd on the opening night and Kings and Of Empires closing the show on Sunday on a real high.

Static Alice at The Gathering

Static Alice

Whether The Gathering becomes a regular part of the island’s festival calendar remains to be seen but as an event helping spread the word about the great talent in Guernsey to a wider audience it certainly did a good job.

The Vale Earth Fair this year certainly claimed its place as centrepiece of the island’s musical calendar as the Collective presented a year-long series of events celebrating its 40th anniversary.

The festival weekend itself was as big as its ever been with a series of gigs across the Friday and Saturday leading up to the main festival day.

Teaspoonriverneck at Vale Earth Fair

Teaspoonriverneck

Asian Dub Foundation were one of the biggest headliners the show’s ever seen but for me the highlights came with She Drew The Gun, a special appearance from Teaspoonriverneck, The Correspondents and Heads Off, though special mention has to go out to Honest Crooks and Buffalo Huddleston who, with earlier slots, did a great job of getting the festival atmosphere going much earlier than usually happens.

Along with the festival weekend the Collective staged an exhibition of photos and poster art chronicling the 40 years of the event which was a fascinating chance to chart some of the performers who’ve been there for the whole time and see how the event has evolved since its humble origins. The now annual Unplugged and John Peel tribute nights both provided some great moments, but it was the return of Pussycat And The Dirty Johnsons that was my Vale Earth Fair related highlight.

Away from the festivals there was of course plenty of other music going on, in fact I think its fair to say that with the exception of Sundays there seemed to be something musical happening every day of the year if you knew where to look.

For me though the highlights amongst all of this came in the form of the Sound Guernsey events for Guernsey’s youngsters. Showcasing a range of music they have grown from relatively humble intentions with shows at The Venue to fully fledged event gigs at The Fermain Tavern.

Honest Crooks at Sound Guernsey

Honest Crooks

Their summer party being a highlight of this as The Doomsday Project, Honest Crooks, Asylum Seekas and Blakalaska shared a stage with already impressive new comers Track Not Found and Equilibrium while their Christmas Party later in December gave was another great night.

When it comes to new bands a few have stood out. As well as the aforementioned Track Not Found, hardcore metallers Granite Wolf made an impressive debut in September developing on the likes of Brutus Stonefist and She Haunts The Roads and I very much look forward to hearing more of what they’ve got to offer.

The real stand out of the new crop though were Burning At Both Ends who have taken the fairly well trodden pop-punk template and breathed a new life and energy into it, winning over many fans with their tight live shows and impressive debut album.

Burning At Both Ends

Burning At Both Ends

As well as great music on the island, musicians continued to spread their wings further afield.

Along with two BBC Introducing showcases on BBC Radio 1 featuring 12 acts, a few stand outs emerged, Robyn Sherwell continued her rise with the release of her debut full length album to much acclaim back in April, including a UK tour and having one of her songs picked up for use on the trailer to Hollywood movie Suffragette.

Nessi Gomes also completed a hugely impressive crowdfunding campaign leading to the release of her debut album, Diamonds & Demons which was supported by a tour of the UK, Europe and the Middle East which will culminate with the official Guernsey album launch event next month.

Of Empires continued their march to becoming bona-fide rock ’n’ roll stars with support from all over the place including debuting new single Baby Darlin’ Sugar on BBC Radio 1 through BBC Introducing and picking up many nods as one of the UK bands to watch as we head into the new year and they prepare for the release of more music and a lot more gigs.

Robert J. Hunter

Robert J. Hunter

Meanwhile Robert J. Hunter continued gigging around London and the rest of the UK regularly, initially supporting his second album, Before The Dawn and then releasing his third, Where I’m From, though the Spiritual Records label a couple of weeks ago.

Plenty more records were released this year with Space Pirates of Rocquaine’s Vraic & Roll, Lord Vapour’s Mill Street Blues, Brunt’s Blackbeard and the aforementioned Burning At Both Ends all standing out, but it was a single, Drifting, from the duo of Flexagon and Buff Hudd that really seemed to take off, receiving much praise and also being picked up by Tom Robinson on BBC 6 Music.

As the year neared its end The Recks made something of surprise return with a new single and line up and they look set to make 2017 their year as they plan to finally unleash their long-awaited and much-anticipated debut album and in a standout live moment SugarSlam (yes, them again, they’ve had a great year) and Insurrection marked their 25th and 30th anniversaries respectively with an excellent night at the De La Rue.

Insurrection

Insurrection

It’s safe to say that 2016 has been an impressive year for music in Guernsey with a real variety of sounds and styles coming to the fore (beyond what’s mentioned here drum ’n’ bass and electronic music have had a real growth as well with Hard Riddims and Strategy gaining footholds as regular events) and opening up what could easily be a small and insular scene to a wide audience, and lets hope that continues with more people heading out to listen to new music around the island and there’s already some exciting sounding things coming up!

And a few particular highlights by category…

Band of the Year – Honest Crooks
Festival Stage/Event of the Year – Vale Earth Fair’s 40th Anniversary celebrations
Newcomers of the Year – Burning At Both Ends
Set of the Year – Burg & The Back Porch Band at Sark Folk Festival
Album of the YearRobert J. Hunter – Where I’m From
Visiting Band of the Year – PUNiK

You can listen to the BBC Introducing Guernsey review of the year radio show here

Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Sound Guernsey Birthday Show – The Fermain Tavern – 25/11/16

Honest Crooks help Jon and Ani celebrate a year of Sound

Honest Crooks help Jon and Ani celebrate a year of Sound

For their first birthday show Sound Guernsey put on a show at The Fermain Tavern that continued their mission to allow the island’s youngsters to experience a range of live music, in a safe setting, with four bands spanning a range of sounds and styles – you can see more of my photos from the show by clicking here.

First up was garage punk two piece The Phantom Cosmonaut.

As I’m a member of the band I can’t really say much about them other than that we had a great time on stage and it seemed the audience responded by heading down to the front for the duration.

Having made their mark at Sound back in the summer Jawbone hit the stage to a great reception that continued throughout their typically raucous set.

Jawbone

Jawbone

With covers by the likes of The Damned, Vandals and The Misfits alongside originals and a couple of punked up pop songs they delivered one of their tighter sets, though still with their own sense of sloppy fun that had the enthusiastic audience singing along to both well-known covers and the band’s own songs – all while pogo-ing along.

The second act making their Sound debut tonight were Day Release, more accustomed to the pub rock circuit that didn’t stop them getting the crowd going from the off and it was their take at Green Day’s Basket Case that really got them moving and singing along.

With some extra guitar solo moments thrown in from fellow birthday boy Tricky the band had an extra energy than when I’ve seen the, in the last, possibly down to playing to quite such an energetic crowd.

Day Release

Day Release

This aspect of the crowd is one that has developed along with Sound and its move to The Fermain Tavern seems to have helped it no end. While in the first few months the audience would get involved from time to time now, in the environs of Guernsey’s premier music venue, they have become engaged and enraptured throughout.

While some seem content to nod along, intently watching the performers, others are more inclined to dance, but all head to the front seemingly regardless of the style of music on offer which is refreshing to see when so often bands play to an empty dancefloor with an audience lurking in the shadows,

Another band who’ve become firm Sound favourites, Honest Crooks, rounded off the night with guest drummer Barney Bean (more commonly seen in Blakalaska) adding something of an extra speed and punch to the ska punk sounds.

Honest Crooks at Sound Guernsey

Honest Crooks

Once agin the audience were into it from the start with many singing along to the band’s original songs as well as the their takes on a few pop hits. Some guitar issues didn’t slow the band up as Lee from Jawbone happily provided a replacement before himself joining the Crooks on stage to add kazoo (in the place of brass) to High Grade.

The fast paced Stressball rounded off the set with plenty of skanking (of a sort) on the dancefloor before the surprise birthday cake was served and, with an impressive line up already confirmed for their Christmas party, it looks like Sound is going from strength to strength in helping create a new generation of musically inspired youth.

You can see more of my photos from the show by clicking here

Tagged , , , , , , , , , , ,

Halloween rocks at The Tav – The Fermain Tavern – 29/10/16

SugarSlam on Halloween

SugarSlam

For more than a decade The Fermain Tavern has been hosting a night of rock music on Halloween weekend and each year things have got more elaborate and, thanks to Noizemonkey, 2016 was no exception.

The Tav was decorated with a range of zombies, severed heads, cobwebs and more with walls of skulls surrounding the stage giving the whole thing a sense of a haunted ancient catacomb… with an electric chair in the corner just for the sake of it.

The live music kicked off with The Peppered Ant Legs playing what rumour suggests might be their last gig, but if so that didn’t seem to slow them down any as they launched into a duo of classic Black Sabbath songs that set the dark and spooky tone well. From there they did what they do best rocking their way through a set of hard rock classics spanning Led Zeppelin, AC/DC, Kiss and more.

The Peppered Ant Legs

The Peppered Ant Legs

While they’re never likely to the world on fire this was probably the best I’ve seen this line up of the band and it went down well with the slowly growing audience, most of whom were resplendent in a range of Halloween costumes.

Heavy metal newcomers Blacksmith made their Tav debut next as they told the tale of a humble blacksmith hunting a demon for the kind of reason that he would, all through the medium of metal.

It might sound ridiculous but the band’s relaxed stage manner and chatty nature between the songs makes it about as un-pofaced as conceptual power metal can be.

Combined with this is the fact that they have some great songs grown from mighty riffs that they delivered excellently and sounded huge.

Blacksmith

Blacksmith

On top of this bass player Iain Baxter’s screams are always impressive while Adam Powell was on relaxed form as frontman and it’s always good to see him show off his electric guitar skill when he’s more known for playing acoustic covers in the corner of pubs.

While past Halloween shows had often veered towards the heavier stuff, this year things were a little more on the lighter side, particularly as Honest Crooks took to the stage and almost instantly had the dancefloor full moving bodies.

With Burning At Both End‘s Guitarist Martyn Brown handling bass duties in the absence of Charlie Holmes the set had a slightly different feel with less backing vocals but this didn’t seem to affect things too much.

Honest Crooks

Martyn with Honest Crooks

A lack of kazoos (and man mountain Bobby Battle to play it) gave some of the ska numbers a more direct and punky feel, and it maybe wasn’t as slick as their recent shows, but on a night like this with a real party atmosphere it made for a fun and punchy set.

SugarSlam continued the party spirit as it was clear from the off that the impressively costumed quartet were rather well ‘lubricated’.

While it seemed they may be suffering from the 11 o’clock set curse at the start as it went on the dancefloor soon got busy as their tactic of playing their originals songs first before going into full party mood with a set of classic covers paid off.

SugarSlam

Plumb and Ross of SugarSlam

With a somewhat impromptu ‘best dancer’ award given out, a highlight of the set came as the band made a point of celebrating their 25th birthday with a rendition of AC/DC’s Whole Lotta Rosie before a now customary run at Ace Of Spades in tribute to Lemmy brought the show to a close on a raucous and rowdy high that once again showed The Tav is the place to be to celebrate Halloween in rocking style.

Tagged , , , , , , , , , , , , , , , ,