Since then the band have come and gone a couple of times with varying levels of success, and each have pursued their own careers outside the band, but the trio of Tom Morello (guitars), Tim Commerford (Bass) and Brad Wilk (drums), following a few stints with the late Chris Cornell as Audioslave, have now reconvened, joined by hip hop pioneers Chuck D and DJ Lord of Public Enemy and B-Real of Cypress Hill, under the name Prophets of Rage.
Given the political outlook of all six men it’s probably unsurprising that they should be so re-energised now and across their self-titled debut there is a newly found power that was missing from Rage Against The Machine’s resurrection when I saw them at Reading Festival in 2008.
Here, from the opening strains of Radical Eyes onwards, Prophets of Rage mix everything you’d expect them to in a great balance that brings the hard rock groove of Audioslave into the metallic edge of Rage Against The Machine, with the biting MCing of Chuck D and the more varied but no less pointed vocal stylings of B-Real, all with DJ Lord being a constant presence along with the band.
It’s hard to not compare this to Rage as, sonically, there are a lot of similarities but, compared to that band’s work this is, unsurprisingly, more mature. Certainly it is packed with political motive, titles like Unfuck The World, Hail To The Chief and Who Owns Who, make that obvious before you even listen, but rather than the largely polemic ranting of Zack De La Rocha, Chuck D and B-Real add something more to it making it much more digestible and more personal feeling.
The supergroup is always a worrying concept and Prophets of Rage certainly fall into that category but, unlike some examples, they don’t feel like several other acts rammed together but do feel like a new band in their own right, just fuelled by the same things as their past projects.
Added to all of this is the fact that songs are hugely catchy and great to listen to.
It’s not often a record can sit in the CD player in my car for a week and just loop, but this one does and each listen reveals new things, from the interplay between Morello’s guitars and Lord’s decks to how well Chuck D and B-Real’s voices work together to make a bigger sound that I can envisage and really want to experience live just from listening.
The album has no real weak points but its opening trio of tracks (Radical Eyes, Unfuck The World and Legalize Me) are a solid highlight as are Hail To The Chief and Take Me Higher and I can only imagine (and hope) that with the continuing political upheavals taking place Prophets of Rage will have fuel for plenty more great music to come.