Baby Driver

From the moment Edgar Wright's latest film Baby Driver begins with a full volume blast of The Jon Spencer Blues Explosion as we focus on Ansel Elgort's 'Baby' sat in a high-powered car waiting for a heist to take place while rocking out to the sounds of his iPod it's clear this isn't going to... Continue Reading →

The World’s End

Going into the final installment in the loosely collected Three Flavours Cornetto Trilogy I have to admit I felt a certain amount of trepidation. While I have greatly enjoyed the ouvre of Wright, Pegg and Frost from Spaced to Hot Fuzz (including Scott Pilgrim vs The World and, to a lesser extent, Paul) the chances... Continue Reading →

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