Tag Archives: Cosmic Fish

Chaos Voodoo 13 – 23-25/06/17

Heave at Chaos 13


For the thirteenth year the Greenman MCC and friends took over a few fields at Pleinmont in Guernsey for their annual party weekend – Chaos!

This year with the subtitle Voodoo 13 the festival featured two stages of live music for three days featuring everything from the lightest of folk to the heaviest of rock along with the bike show and whatever other shenanigans might happen when you put a few hundred bikers and music lovers in a field.

My review of the event was published in The Guernsey Press on Saturday 1 July 2017 and you can read that, and an extended version, below.

You can also see my galleries of the event on the BBC Introducing Guernsey Facebook page.

Chaos 13 review - part 1 - 01/07/17

Chaos 13 review - part 2 - 01/07/17

Extended review

It might be unlucky for some but for Greenman MCC and the rest of the crew behind Chaos it turned out to be one of their best weekends of bikes, beer and, what we’re focussing on here, bands, yet.

Day 1

Silas The Assyrian Assassin at Chaos 13

Silas The Assyrian Assassin

As has become customary the weekend started out in The Peace Tent with Silas The Assyrian Assassin first up on Friday afternoon. Delivering one of his more coherent sets to the small but appreciative audience it was nice to hear the intentional humour along with the more pointed opinions in his songs more clearly than sometimes.

Highlights came in the form of a ‘cockney’ reworking of Dandy Warhols’ Bohemian Like You along with a series of topical original songs generally bemoaning the state of the world in his uniquely witty way.

Fly Casual frontman, Damo, followed Silas with a slightly more straightforward, but none-the-less enjoyable, set of acoustic indie, including some songs from his long time band which are always nice to hear.

The main stage got going with one of the islands up and coming younger bands, Rogue. While they seemed to have a few sound issues they didn’t let that slow them down and their mix of rock covers including the likes of Skid Row, Guns ’N’ Roses, System of a Down and Muse were a nice warm up for the evening.

Blacksmith at Chaos 13


Having debuted last year, power metal trio Blacksmith upped the ante adding costumes to the mix in helping to tell their tale of the heroic ‘smith saving a princess from an evil dragon. While it may all sound a bit ridiculous the band wear it lightly and with a fun manner, and delivered their chuggy riffs brilliantly.

The first visiting band of the weekend were Jersey quintet Short Was Found. Having made their Guernsey debut at Chaos last year they came with something of a built-in following and it was clear why

Their energetic, hardcore tinged, punk rock was as fast, punchy and powerful as you could want and frontman James Pallot was a force of nature on stage.

The addition of second guitar has filled out their sound in the right way and it was nice to hear some upbeat punk rock as most of Guernsey’s harder punk bands are being a bit quiet.

Having already played the JT Market Rocks event to Chris Tarrant and friends (yes, really) earlier in the evening Honest Crooks hit the stage for a headlining set in The Peace Tent with a purpose and it wasn’t long before the crowd was packed in and skanking away.

Honest Crooks at Chaos 13

Honest Crooks

The chance to play a longer set really showed off their repertoire from great originals to well-chosen covers spanning everything from The Specials to Reel Big Fish to, somewhat bizarrely, Peter Andre’s Mysterious Girl.

Whatever they were playing though the audience were loving it and they put in an early bid for highlight of the weekend.

West Country rockers That Band took things in a different direction on the main stage with some sub-Red Hot Chilli Peppers style funk rock. While all four members played and performed very well and were perfectly listenable their set didn’t really ignite the crowd the way funky rhythms should making for a set that, while well-played, couldn’t help but feel like a bit of a dud.

SugarSlam at Chaos 13


SugarSlam have become main stage regulars at Chaos over the last few years and never fail to deliver, and Chaos 13 was no exception.

Having been in the studio over the last few months they took the chance to air a lot of new material and the upbeat power pop grunge continued where they left off with their Fameless album and quickly got the crowd excited.

Rounding off the set with a pair of covers, Neil Young’s Rockin’ In The Free World and Motorhead’s Ace of Spades, left what was a loose but fun set on a high.

Having given the event its theme and following appearances on TV hailing them as one of the UK’s best undiscovered bands, there was a real sense of anticipation for the excellently named Johnny Cage & the Voodoogroove.

Johnny Cage and the Voodoogroove at Chaos 13

Johnny Cage and the Voodoogroove

Their genre defying brand of dirty rock ’n’ roll certainly came with a good groove.

The band brought an excellent character and vibe to a slick and tight performance that kept the crowd at the front, and in the case of two more ‘enthusiastic’ ladies on the stage with them, dancing. This brought the first night Chaos to a close on a high point and set the bar for the bands to follow.

Click here to see my full gallery of photos from the first day

Day Two

Track Not Found at Chaos 13

Track Not Found

Following a performance at the previous night’s Sound Guernsey show for under-18s, Track Not Found continued their three gigs in three days weekend by opening up the main stage on Saturday lunchtime.

The young three-piece have built a good reputation over the last year and continued to build on that here.

While it took them a little while to build the energy up and they were a little looser than normal, by about half way through the set, around the time guitarist Grace Tayler broke a string, they hit their stride and didn’t let the missing string slow things down to get the day going in fine fashion.

When it comes to energy you can always rely on Jawbone and this was no exception.

The set started a little on the back foot as Dom from Static Alice filled in for the bands regular frontman Steve as he raced to the site on his lunch break. As soon as he did appear though the band were all systems go with their scrappy, sloppy take on punk rock.

Jawbone at Chaos 13


While covers of the likes of Misfits, The Damned, Alkaline Trio and Men At Work (yes really!) have been their standards, their set of originals is growing and while Choice was a little too sloppy here Generation Y more than made up for it with its NoFX-like take on a bleak, nihilistic but still singalong sound.

While The Crowman is something of a regular in The Peace Tent, this year saw him arrive with his recently formed Crowband in tow, as heard on his new album, and they did a great job of building on The Crowman’s signature garage folk sound.

The whole set had a playful and relaxed feel though the more melancholy songs still cut through and made their point and Pimbo (with the aid of a megaphone) was one of Chaos’ most surreal moments in a while (and that’s saying something in The Peace Tent).

The fun folky vibes continued with Clameur De Haro and they quickly had The Peace Tent packed for a relaxed performance mixing their great songs with some well-chosen hard rocking covers that got people singing and clapping along.

WaterColour Matchbox at Chaos 13

WaterColour Matchbox

While it was a folky afternoon in the smaller field the main stage continued rocking with WaterColour Matchbox delivering a tight and slick set of their progressive, conceptual rock with the metallic edge dialled up for this show.

While their songs aren’t music to chill out to even on a relaxed Saturday afternoon they went down well and in the setting of the big Chaos stage they sounded suitably huge.

Having made a strong impression on their first visit to the island a couple of months ago Great North were one of the weekend’s most anticipated acts in The Peace Tent and they didn’t disappoint.

With the tent crowd at its most subdued the husband and wife duo’s voices became the focus of attention and were instantly absorbing.

Great North and Gregory Harrison at Chaos 13

Great North and Gregory Harrison

While the songs were often on the darker or more serious side Hayden Donnell brought a lighter side with a quick wit between the songs that provided the perfect balance and a few songs with Gregory Harrison on banjo just added to all this.

After the bike show and a set from The Phantom Cosmonaut (that I won’t review for obvious reasons) Brunt brought the heavy to The Peace Tent.

A band who built their reputation in this space a few years ago, the tent was busy for their return and really got into the slow and crushing grooves which flowed from the stacks of amplifiers on the stage and, while it was clear they have a dedicated following at the front, they made an impression on all gathered out of the fog.

The Recks at Chaos 13

The Recks

After a year away The Recks returned to Chaos in their spiritual setting here of The Peace Tent and hit the stage in front of a packed audience.

While it took them a few songs to get warmed up and there seemed to be some technical issues with Greg’s banjo (no jokes about banjos please), they worked through this expertly and were soon back and rolling in fine form with everyone swaying and grooving to a selection of songs ranging from new numbers recently added to their set to older ones not heard from the band since their reformation.

Heave are a band who have become the stuff of legend.

For a brief period a couple of years ago the duo delivered a series of crushingly heavy and loud sets before promptly disbanding, apparently never to be heard again.

Heave at Chaos 13


So, as soon as their name appeared on the line up for Chaos 13, they became the most anticipated band of the weekend and as soon as Neil Ettasse hit his drums and Steve Lynch’s Explorer guit-bass and wall of amps roared into life the old power was back.

With seven songs in 45 minutes it was a thick, crushing, obscenely loud racket in the best of ways that quickly got the first proper pit of the weekend going.

Steve and Neil were as tight as ever, as if they’d never been apart, and with the likes of Swamp Monster Is Loose, Smoking Molasses and epic closer Tomahawk they did what PUNiK did last year of becoming not just a highlight of the weekend but a highlight of all Chaos.

Following the onslaught of Heave was going to be no mean feat and its a bit of a shame for Graveyard Johnnys that the crowd seemed to go through a brief period of recovery while they started their set.

Graveyard Johnnys at Chaos 13

Graveyard Johnnys

Thankfully the punkabilly trio are clearly an experienced crew and soon got the crowd on side leading to another pit kicking off, in fact one of the biggest I’ve seen at Chaos in quite some time.

Frontman and upright bass player Joe Grogan played with a great charisma that whipped the audience in the frenzy while Callum Houston was a non-stop dynamo pulling punk and rock ’n’ roll licks from his blonde Telecaster in fine fashion and Tom Lord looked like something from a post apocalyptic movie behind his rolling drums.

Graveyard Johnnys provided another highpoint of the weekend and ended on a killer cover of Golden Earing’s Radar Love to close out a great day spanning everything from the lightest folk to the heaviest of rock.

Click here to see my full gallery of photos from the second day

Day Three

As something of a change to past Chaos events the Sunday afternoon of the festival was given over to a Battle of the Bands on the main stage in conjunction with Sound Guernsey, showcasing eight of the island’s young bands.

Lysergic at Chaos 13


While there are things to say about all the bands who took part there are a few things that apply to all of them. That is that they are all amazing talented given their ages and experience and, while the performances aren’t the level of the big bands of the last two days they all showed at least hints of some great performers to come as they develop and get more gigs under their belts.

Lysergic opened the day and were totally new to me. The first half of their set had an edgy and slightly psychedelic nature to it (appropriate given their name, was that intentional?) with covers of Talking Heads’ Psycho Killer and The Rolling Stones Paint It Black before the singer and the guitarist swapped roles and things went in a grungier direction.

This second vocalist brought a crazed energy that was great to see in a scene where the younger bands can often be a little on the polite side and I was almost surprised he didn’t end the set by throwing himself through the drum kit a la Kurt Cobain in his prime.

Vice at Chaos 13


One thing that has really stood out with the current crop of young bands in Guernsey is the number of female performers and Vice are a prime example of this. The all-girl five-piece sounded great on the slightly heavier, darker numbers from the likes of Highly Suspect and, while they could do with a bit more grit to back it up (something that comes with time), they put on a great show with their singer particularly standing out with a charismatic and confident turn.

Another female fronted band were The Violet Diversion and it wasn’t long before their singer, Kiya, was following in her uncle Stace Blondel’s footsteps and heading out on the speakers across the front of the stage, getting face to face with the crowd.

While Kiya led the charge the rest of the band were solid as well and, while their selection of songs didn’t give them the coherent image of their leader they put on a great show.

The Violet Diversion at Chaos 13

The Violet Diversion

The last band before the break are one with a little more experience, Equilibrium. While their energy was a bit up and down today they still put in a good showing and when they did hit their stride they made a great pop rock sound.

After a brief trip to The Peace Tent for a little self-described ‘smutty’ folk from A Day Before Thursday, Acoustic Accord kicked off the second half of the Battle of the Bands with a cover of Buffalo Huddleston’s Sky High. The band followed this with well-played piano and acoustic guitar covers of a range of songs, backed up with a violin and drums. While they were a little reserved for my tastes but undeniably talented musicians.

Another band who, despite their appearance, have been playing for a year or more are Cosmic Fish. It having been a while since I last saw them they’d noticeably come on again and, while still a bit loose in places, have added more power to their pop punk sound that is coming together into something very enjoyable.

Blue Mountains at Chaos 13

Blue Mountains

At this point I’ll apologise to Track Not Found for missing their third show in three days but The Peace Tent called for a toastie and Blue Mountains.

With their new EP, Hummingbird, unofficially released here (the official launch will be at Sark Folk Festival) the trio mixed their set up a bit but did exactly what we’ve come to expect; delivering a series of darkly hued folk songs based on styles of Americana with their own flavour increasingly creeping in making them one of the islands truly special bands to see and hear.

Back at the Battle Rogue were back on stage and looking far more confident than they did on Friday afternoon. While they still have some rough edges to smooth out their set was far more assured with drummer Luke Corbin and singer Carmen Stella Tippet particularly impressing – and it’s always nice to hear Skid Row’s Youth Gone Wild.

Buff Hudd and Jull-z at Chaos 13

Buff Hudd and Jull-z

With all the bands having performed the judging panel (made up of a selection of members of the stage crew and organisers) made their deliberations and announced Vice as very worthy winners with Track Not Found an honourable second, but, as with pretty much all battle of the band’s style events, all the bands were winners getting seen by a bigger audience and getting an experience they are unlikely to get for a while (or at least another year if they get invited back to Chaos in the future).

With ‘silly games’ taking place in the main field in the way they only do at Chaos the music continued in The Peace Tent with Buff Hudd. It’s hard to think of a more perfect act for this setting and Mike Meinke delivered on that as people chilled out in the tent, some singing and grooving along. Once again the Japanese version of his song Don’t Worry Yourself was a very impressive highlight along with the slightly mind-bending instrumental Mono-limb-tastic.

Ukuladeez at Chaos 13


The folky vibes continued in somewhat more surreal form next as Ukuladeez hit the stage and seemed intent on playing a game of how many people can we fit on The Peace Tent stage at once.

Within that though they delivered probably the best set I’ve ever seen from them combining their sense of fun with some great catchy songs packed with genuine humour.

With the expanded band including not just bass and drums as we’ve heard before but violin, pipes from James Dumbarton melodica and, for one track, the Folkatron 3000 (its hard to explain) from Peace Tent’s terrestrial leader Stretchy Stuff along with a choir of the Ladeez’ mums it made for a highlight set of the weekend in The Peace Tent in the most improbable of ways.

Burning At Both Ends at Chaos 13

Burning At Both Ends

Back in the main tent Burning At Both Ends kicked off the final evening session with a set of their storming style of pop punk.

With the Sound Guernsey faithful at the front and singing along the band gave it their all and this set in particular really showed frontman Peter Mitchell coming into his own in the role.

Catchy new songs stood alongside now well-known favourites and the band closed their set by inciting a circle pit for their final breakdown.

Over the years Static Alice have become firm Chaos favourites and their brand of power pop rock rarely fails to get the crowd going and this was no exception.

From the start Dom Ogier, Scott Michel and Luis Morais were all in full on performance mode getting up on the speakers in front of the stage and rarely dropping the energy for more than hour.

Static Alice at Chaos 13

Static Alice

With the biggest crowd I remember on a Sunday night in a long time Static Alice showcased songs from their new Warrior EP alongside older material that it was clear a lot in audience were familiar with before ending on a crowd pleasing encore of Billy Idol’s Rebel Yell and The Sweet’s Ballroom Blitz.

This closed Chaos on an upbeat note and brought to an end what felt like a newly revived event with something of the spirit of old back with brand new young bands rubbing shoulders with established acts and some great visiting headliners.

Click here to see my full gallery of photos from the third day

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Sound Guernsey: Sons of the Desert, Honest Crooks, Equilibrium, Cosmic Fish – The Fermain Tavern – 17/03/17

Sons of the Desert

Sons of the Desert and friends

You can see a full gallery of my photos from the show on the BBC Introducing Guernsey Facebook page

Sound Guernsey‘s March 2017 show had a very punk-ska flavour to things with their old formula of two young bands playing alongside two more experienced groups.

Cosmic Fish kicked off the show with a set of old-school pop-punk starting with Green Day’s Welcome To Paradise and continuing in similar fashion.

Compared to when I’d seen them throughout last year the trio have come on in leaps in bounds and, while they still have some way to go in terms of audience interaction and performing confidence, their renditions of songs by Blink-182, Good Charlotte and their ilk have a lot going for them.

Cosmic Fish

Cosmic Fish

Throughout the set there were a few moments where the energy found a good level that, in a perfect world, would have seen the audience get more energetic (they remained attentive but restrained) and it was the closing pair of Jimmy Eat World’s The Middle and Blink’s All The Small Things that closed the set in a high.

Another band who made a good impression last year and have built on that are Equilibrium.

Having been one of the young highlights of the early Sound events the band went on the play Liberation Day and the Vale Earth Fair amongst other things but like the openers they seemed to have stepped up their game once more.

Sticking with a similar pop-rock selection, including a couple of extra Red Hot Chilli Peppers tunes, the band had a much more relaxed energy from the off and this was clearly infectious.



The aforementioned Chilli Peppers track Otherside was a highlight of the set as was their take at Blink-182’s Stay Together For The Kids where several members of the band swapped instruments.

Their takes on Basket Case and All The Small Things (also done earlier by Cosmic Fish) didn’t quite match the previous band’s but in all it was a good set and, with a little bit more power, Equilibrium will be a band worth keeping an eye on.

After a few months off following a very busy 2016, Honest Crooks were starting to gear up for an already busy summer season as they took to the Tav’s stage. While they were a little lose compared to past gigs it was all relaxed and fun as they mixed their own songs with some more ska oriented covers and they had the crowd going from the start.

Honest Crooks

Honest Crooks

With a genuinely funny ‘play some Slayer moment’ (a rarity these days where that joke wore thin a decade ago) and great covers of Reel Big Fish’s Beer and Sublime’s Santeria it was really their own songs that provided the highlights and they certainly set the mood well for the night’s headliners.

Following the more modern ska warm up, Sons Of The Desert set out to provide a perfect primer for all thing two-tone and of the late 70s/early 80s UK ska scene. Spanning tracks from The Beat and The Selecter to Bad Manners and Madness it was prime upbeat skanking material all the way.

With the audience a sea of bouncing red fezzes thanks to the always manic and energetic Chris Pearson, it wasn’t long before everyone was on the dance floor and both the band and audience were having a whale of a time.

Sons of the Desert

Sons of the Desert

The band themselves are something of an eccentric mix of performers that come together brilliantly and create a huge sound with a three-piece brass section and Andy Coleman on the organ bolstering the usual rock band line up for a real authentic two-tone sound.

There were many highlights in the set but for me Lit Up Fatty, Too Much Too Young and set closer Night Boat To Cairo were the standouts before it all went a bit chaotic in the encore with the entire audience joining the band on stage for a skank to bring one of the most energetic Sound nights yet to a close on a major high.

One of my photos of the show was used along with a review from Becks Cox in The Guernsey Press:


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School of Popular Music Summer Party – The Fermain Tavern – 05/08/16

A Box

A Box

Over the last few years a few new music schools have emerged in Guernsey giving youngsters a chance to learn music away from the more formal and classical training offered by the School’s Music Service.

One such is the School of Popular Music who operate regular classes across a range of disciplines and encourage their students to play the music they like in bands as well as solo.

For their 2016 summer project they got a group of young musicians together and gave them a week to form bands, practice and prepare for a show at Guernsey’s premier music venue, The Fermain Tavern.

With ages ranging from 8 to 15 the first half of the evening, showcasing these young musicians, was certainly a mixed affair but the thing that struck most throughout was the level of enthusiasm, fun and commitment all these players showed.

Rainbow Pugs

Rainbow Pugs

First band on, known somewhat cryptically as ‘A Box’, delivered, like all the young bands, a set of reasonably well-known covers.

Featuring Toby and Jamie of Cosmic Fish gave them a bit of a head start and they played a competent set that showed all four have a lot of potential.

Rainbow Pugs (the bands all chose their all names and, no I don’t know what their inspiration was) were the youngest band of the night and were joined on stage by SOPM’s Alex Wilson who helped guide them through the short set that was well delivered despite the understandable nerves in front of a big audience.

I Blame The Parents probably had the best name of the evening (and the best I’ve heard in a while) and were highlighted by a few guitar players and a drummer who certainly brought the right attitude and swagger to the stage and showed that with time they could bring a complete package.

Clear Vision

Clear Vision

Next up were Lanterns who swapped instruments around mid set, showing a few members have skill in multiple disciplines which is always impressive for someone who just about muddles through on one. Once again another group with some obvious musical talent and plenty of potential.

I’m not sure if they do but Clear Vision came across as a group with a bit more playing experience than the previous bands and rocked their way through their set admirably.

Special mention has to go to their lead guitarist who managed to successfully combine the riffs of Queen’s We Will Rock You and AC/DC’s Back in Black all with a foot planted firmly in the monitor in a classic rock ’n’ roll pose.

Sorry Imogen rounded off the young bands with a set highlighted by a selection of impressive harmonies and a generally relaxed vibe.

They closed their set on a reworked take of Bon Jovi classic Living On A Prayer rounding off the first half of the evening with a real sense that live music in Guernsey is in safe hands, even if they could do with a few more bass players.

Sorry Imogen

Sorry Imogen

After a bit of break as, disappointingly the youngsters couldn’t stay on in the venue, Elliot Falla opened the later part of the show with his brother Harvey in tow on mandolin.

As always Elliot’s take on acoustic indie blues sounded very good and the addition of the mandolin and second vocals added a nice folky side to the sound, along with some harmonies that tempered Elliot’s voice.

That said, his voice has come on impressively even in the few months since I’d last seen him play and with a batch of new songs its clear Elliot is really coming into his own.

If Elliot Falla’s performance was well delivered if a little low-key for a party, Clameur De Haro soon changed that launching into their bluegrass inspired set with their usual sense of fun.

Clameur De Haro

Clameur De Haro

Unfortunately a broken string soon stalled proceedings for a few minutes, though the band took it admirably in their stride joking with both one another and the audience while fiddle player Josh De Kooker took the chance to play a quick jig that got a few dancing.

After that brief break the band were back on it, building on the already good atmosphere in the venue highlighted by their ode to Guernsey’s most famous politician, Dear John and even getting a smile out of cajon player Shifty.

The good atmosphere continued as the small but enthusiastic audience headed onto the dance floor as Honest Crooks took to the stage. The ska-punk trio really felt as if they were on home turf here and entirely playing to their fans and friends making for one of the most relaxed and fun sets I’ve seen from them.

Joined on kazoo by To The Woods’ Bobby Battle for a fair bit of the set, this was one of those gigs where the lines between band and audience were well and truly blurred in the best of ways.

Honest Crooks

Honest Crooks

With covers by Sublime, Reel Big Fish, Gentlemen’s Dub Club and others receiving some of the most instantly positive reactions it is to the credit of the band that their original songs stand alongside these classics of the genre and, I would suggest, that if I didn’t know which were covers and which were originals there would be no difference.

Rounding off with that song by Sublime closed the night on a high that showcased not just some of the current best musicians playing ‘popular music’ in Guernsey but made it clear that there is a lot more good stuff to come.

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Sound Guernsey: Static Alice, Jawbone, Burning At Both Ends and Cosmic Fish – The Venue – 29/05/16

Static Alice

Static Alice

The latest Sound Guernsey show for 11-17 year olds had something of an ‘end of chapter one’ feel to it. Having started last November with Buffalo Huddleston packing the house the series of events have had their ups and downs but the last few have really found their feet with Blakalaska bringing a highlight a few months ago and Last of the Light Brigade going down a storm at the previous show. Here a band who it was clear many had been waiting see, were closing what looks to be the last Sound show at The Venue, Static Alice.

To clarify, posters around the room were advertising the Sound Guernsey summer party in July which will be the first to take place across the road at the home of live music in Guernsey, The Fermain Tavern… but before that, we had the end of May bank holiday show.

As I arrived Cosmic Fish were just getting into their first song when bass player Billy achieved the rare feat of breaking a bass string. Thanks to Dan from Jawbone lending his instrument it wasn’t long before the young foursome were back into it and tearing through a set of grungy, punk-y, rock covers from the likes of Feeder, Green Day and Nirvana.

Cosmic Fish

Cosmic Fish

For such a young band (at the risk of sounding patronising) they performed with a surprising amount of attitude, though there’s plenty more for them to find, and, while they had their musically wobbly moments its clear they were focussing on playing a gig for the audience as well as being good on their instruments, which all four clearly are (despite Billy understandably struggling a bit with an alien bass guitar) and this is really great to see.

Lead guitarist Jamie had the lead breaks of Smells Like Teen Spirit and more down very well, while frontman Toby brought an innocent suggestion of a pop punk sneer to the Green Day tracks and the drummer (another Toby) kept the rhythms strong.

Throughout the set both the young audience and the members of the older bands were clearly enjoying the show and I would say this four-piece is certainly one to watch as they grow and develop.

Burning at Both Ends

Burning at Both Ends

Barely a week on from their first gig together Burning At Both Ends came on with a much more relaxed confidence and had the audience into their take on pop punk from the start.

A new song (even compared the new songs played last weekend) showed a more complex side to their version of this often derided genre, while This Ain’t No Christmas Jingle showed they certainly have the fun side sorted as well.

Across the set frontman Peter Mitchell was far more chatty and engaging than I had seen previously and, with a few ‘classic’ pop punk covers from the like of Blink 182 and Lit along with some catchy originals they got some mild pogoing going around the room to close things off on a high.

Having had a while away from the live scene Jawbone were back here in three-piece form and with guitarist/vocalist Lee Burton on the verge of loosing his voice – that didn’t stop them though as they blasted into their set of classic punk covers (and an original or two). Setting the scene with a sloppy version of The Damned’s Neat, Neat, Neat, they spanned 40 years of punk, and a little else besides.



If I’m honest, they did their best to murder a few of these classics with not only Lee’s voice going more and more but his thumb getting split open on his guitar strings not helping either – their attitude though just about carried things through.

It was clear from the start the young audience weren’t entirely sure what to make of this raucous and ramshackle sonic assault, but, by about half way through they started to get the measure of Jawbone and, by the time they closed the set on The Ramones’ Bonzo Goes To Bitburg, they won the crowd over with a lot of fun, high-spirited, ‘tea’ fuelled, noise.

While the three previous bands had all gone down well, it was clear as the audience came forward right away that Static Alice were the band they’d come to see. With the words to most of the songs being sung back to them, Static Alice have clearly gained a following with the island’s younger music fans and the band paid the enthusiasm back with a hugely energetic performance.

Scott and Luis of Static Alice

Scott and Luis of Static Alice

Like Burning At Both Ends they seemed to be a bit more relaxed than they often are but were no less musically tight and Dom Ogier’s stage presence and performance really shone through as she headed off into the audience several times bringing everyone into the show whether they were lurking in the side room or the tables at the back.

With Hurricane closing the set an encore was called for and came in the form The Sweet’s classic glam stomper Ballroom Blitz that, with the encouragement of Lee and Dan from Jawbone, saw Sounds’ first circle pit kick off, albeit in rather polite fashion, and close out the show on a real moment as Sound prepares to expand with their summer party at The Tav in July and on into the Autumn once the summer holiday is over.

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