In summer 2016 two of the biggest bands in the world of pop punk released records that had something of a comeback feel to them. I’ve already taken a look at Green Day’s effort, Revolution Radio, so now I’ve had a listen to Blink-182’s California.
Originally forming in the wake of the pop-punk explosion caused by the likes of Green Day back in 1995, Blink-182 became arguably the biggest band of the following wave of American pop-punk with their 1999 album Enema of the State and 2001’s Take Off Your Pants and Jacket.
Since then something of a direction on their self-titled 2003 album was followed by a lengthy hiatus and then a change of personnel before California with Alkaline Trio leader Matt Skiba joining in place of founding guitarist and vocalist Tom DeLonge.
So to California. As the name suggests this is a partial concept record about the band’s home state, particularly the southern part of it – Blink originally formed in and around San Diego – and it is the three tracks that most obviously provide this theme that are three of the highlights. Los Angeles, San Diego and the title track all present different aspects of the band at their most mature and inventive sounding.
This is balanced with the kind of songs that made the bands reputation with pop hooks, singalongs and catchy choruses aplenty, that had me singing along after only a couple of listens. Particularly in this group are She’s Out Of Her Mind and Kings of the Weekend.
On top of this Built This Pool and Brohemian Rhapsody show the band still have their juvenile streak with these two 30 second skit-songs very reminiscent of several from their back catalogue.
What sets California apart from Blink’s past efforts is, I think, something that Skiba brings to the table. Alkaline Trio are known for adding gothic elements to their pop-punk and dealing with darker themes and that sneaks through here. Sober is a song that while upbeat and still has the Blink thing going on suggests something deeper as do the Californian tryptic.
Admittedly Blink have headed in these directions in the past as well with the likes of Stay Together For The Kids and Adam’s Song but Skiba’s presence adds an extra level to it as well as making for a more digestible sound than DeLonge ever managed.
With a lot of variety for a pop-punk record California still falls together like a complete package of an album including some moments of the more modern style of pop-punk with heavier guitar tones along with the upbeat feel.
It’s not just Skiba who’s on top form either, but founder member Mark Hoppus (bass and vocals) and long time drummer Travis Barker are both clearly at the top of their game as well, and as ever the drums are a big part of what elevates Blink-182 above the rest of the pop-punk pack and California certainly shows this longstanding band can still be a cut above the rest.