From Daredevil to Iron Fist the four initial characters, five if you count anti-hero Punisher who’s yet to have his own series, they’ve all had their good and bad points and, much like the movies had The Avengers, have had an obvious target in mind, The Defenders.
I had my concerns going into the series as, while I had generally enjoyed the two Daredevil series (I think due to my already established interest in the character and his story), Jessica Jones, Luke Cage and Iron Fist had all suffered from having too many episodes and not quite enough story.
Jones particularly dragged in places despite the excellent Kilgrave story, but, in The Defenders, a shared underlying thread has come together in a genuinely satisfying way.
Story faults aside, what had impressed about the standalone series was how each sat within its own genre version of the Marvel world, from gritty 70s style crime cinema (Daredevil) to a kind of tidied up blaxploitation (Luke Cage) and, in the first few episodes at least, but threaded throughout, The Defenders echoed these motifs around the individual characters very well.
The story, as previously mentioned, pulled elements of all the shows together but it’s particularly parts of the Daredevil plot and the Iron Fist back story that lead things. Featuring Marvel’s famous band of evil ninjas, The Hand, and their ongoing plans for New York – as usual based loosely around machinations of power and destroying things that don’t stand up to too in-depth an exploration but make for a good antagonising force.
While we’d met a few members of The Hand in the past their new apparent leader revealed here comes in the form of Sigourney Weaver’s Alexandra.
Echoing many of her famed genre roles of the past its clear that Weaver is having a great time chewing up scenery in a brilliantly villainous fashion with little of the potential nuance that modern villains might often have, though as the series goes on her story gains a little more depth, but nothing to change her excellently played villainy and a story arc that looks like it will make her more sympathetic actually develops the other way.
She’s ably backed up by previously introduced members of The Hand which leads to the forming of The Defenders as a kind of angsty, grumbling, street level version of The Avengers.
This formation is expectedly rocky but does lead to some brilliant moments between the characters dotted throughout the series hinting at more to come, particularly between comic book co-stars Luke Cage (Mike Colter) and Iron Fist (Finn Jones). This is best demonstrated in the series’ fourth episode where things all fall into place (well as much as they do at any point) and we get probably the most of the quartet in a room talking before the inevitable fighting starts.
Speaking of action, as with the previous series, this was all much more ‘realistic’ (for superhero stuff) than the movies with plenty of blood and far more heft to what happens, including a number of severed limbs and decapitations which really are to be expected when katanas seem to be the general weapon of choice.
While there wasn’t quite a single standout action moment like some of the past series had, everything there was, until the very end, was brilliantly handled and really it was the weight of implausibility that only mildly tainted the big battle scene in the climax.
At only eight episodes compared to the lead in series’ 13, it was far tighter, focussing only on the one story, while giving us hints of side arcs but not feeling the need to explore them in detail.
In all this made for the most satisfying of the Marvel/Netflix series so far, but it may well suffer from not being as accessible to those who haven’t seen all the build up, but for those who have it’s a pretty non-stop ride and a nice alternative to the ever-increasing sci-fi scale of the cinematic releases.