From the moment Edgar Wright’s latest film Baby Driver begins with a full volume blast of The Jon Spencer Blues Explosion as we focus on Ansel Elgort’s ‘Baby’ sat in a high-powered car waiting for a heist to take place while rocking out to the sounds of his iPod it’s clear this isn’t going to be a normal crime thriller.
What this instantly sets up is something that has become a hallmark of Wright’s work, just taken to a new level, of combining two somewhat improbable genres at once. So, following the romcom/horror of Shaun Of The Dead, the teen movie/comic book movie of Scott Pilgrim Vs The World we get a musical comedy crime thriller.
A fairly simple plot device sets this up and is very well handled through the tale of Baby’s involvement with a criminal gang and his attempt to remove himself from this life.
While the part of Baby is fairly stoic Elgort brings a great presence and depth to his role and, as he in virtually every shot of the film, delivers a very impressive performance.
Kevin Spacey, Jon Hamm and Jamie Foxx meanwhile all look to be having a great time letting their villainous sides out and pitching it with a great deal of humour but really turning up the threat when needed (Foxx and Hamm switch to a scary level of intensity very impressively).
Like Wright’s other work though the director’s style really is the co-star as the camera flies and spins around to create some of the best driving sequences I’ve seen in along that never lose the point of the story or get lost in cgi and puts the increasingly overblown Fast & Furious movies to shame with its structural simplicity.
Along with this of course Wright adds a matching level of camera movement and action to the most mundane of tasks like making breakfast or buying coffee, making the whole film move seamlessly regardless of what’s going on and even the romantic sub-plot doesn’t feel forced.
What all this does is create a film that takes Wright away from the ‘Cornetto trilogy’ much of his reputation is based on, and show he is more than capable of translating his style into a more action centric movie Hollywood prefers without losing the thing that makes his films what they are, leaving us with one of the most entertaining films I remember in sometime with a soundtrack to rival any in recent memory.