Ghost In The Shell (2017)

Ghost In The Shell posterSince it’s release in 1995 the anime of Ghost In The Shell has become one of the touchstones of not only Japanese animated films breaking through into western culture (along with the likes of Akira and the Miyazaki films) but has become a heavy influence on science fiction cinema of many sorts from The Matrix to Dredd and beyond.

So now, some 22 years later, the long developing ‘Hollywood remake’ has hit the multiplexes with Scarlett Johansson leading an international cast, also including Juliet Binoche and ‘Beat’ Takeshi Kitano.

The story here concerns Johansson’s Major Mira Killian, a cyborg member of a kind of top-secret law enforcement agency, and her teams mission to take out a mysterious new threat who is killing off high level scientists from the company who created the Major’s robotic body. From there things head into a fairly predictable conspiracy plot.

While there’s nothing wrong with the plot per se, and it does use the conspiracy to explore a similar notion to the earlier animated version, it is hampered hugely by a near total lack of definition in the characters all of whom are at best two-dimensional renderings of fairly well-worn stereotypes – even Major who of all the roles has the most scope for something more.

Scarlett Johansson as Major Mira Killian - Ghost in the Shell

Johansson as Major

While this same criticism could be levelled at many of today’s blockbusters everything around the central group of characters just feels somewhat bland with a script that relies too much on spoken exposition to both move the story on and labour its point with visuals that, while technically impressive, never wow like it feels they should and display no sense of flair or originality.

Given the fact at least some of the cast are known talents it’s hard not to conclude that a major part of the problem lies with director Rupert Sanders, the man previously responsible for Snow White And The Huntsman which had many similar problems.

On top of this came the fact that there is a sense that Ghost In The Shell was produced somewhat ‘by committee’, trying to simultaneously target both the mainstream American (western) movie audience, the increasingly important Chinese market, the Japanese market and fans of the original.

Ghost in the Shell - Batou and team

The rest of Major’s team

While the original anime version of the film helped establish new tropes of future urban dystopia this version does little to build on that, strangely giving it a feeling that it is copying the very things the original influenced both visually and in terms of its story and characters.

This all comes together to leave a film that, while not technically bad, just feels flat and uninspired which, given the legacy of its progenitor, makes it a massive disappointment and a missed opportunity that probably arrived two decades too late, if it ever even needed to arrive at all.

Tagged , , , , , , , , , ,

One thought on “Ghost In The Shell (2017)

  1. Ghost says:

    This was a great film, I look forward to watching it again. I am disappointed only with the critics and reception. The film is extremely well done, fun, energetic, does the original justice and the story brings about the importance of our personal identity, technology and human rights. How can you have rights if a corporation manufactured you? The main character finds out and the observer gets to follow as the mystery unfolds.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

%d bloggers like this: