Sound Guernsey‘s March 2017 show had a very punk-ska flavour to things with their old formula of two young bands playing alongside two more experienced groups.
Cosmic Fish kicked off the show with a set of old-school pop-punk starting with Green Day’s Welcome To Paradise and continuing in similar fashion.
Compared to when I’d seen them throughout last year the trio have come on in leaps in bounds and, while they still have some way to go in terms of audience interaction and performing confidence, their renditions of songs by Blink-182, Good Charlotte and their ilk have a lot going for them.
Throughout the set there were a few moments where the energy found a good level that, in a perfect world, would have seen the audience get more energetic (they remained attentive but restrained) and it was the closing pair of Jimmy Eat World’s The Middle and Blink’s All The Small Things that closed the set in a high.
Another band who made a good impression last year and have built on that are Equilibrium.
Having been one of the young highlights of the early Sound events the band went on the play Liberation Day and the Vale Earth Fair amongst other things but like the openers they seemed to have stepped up their game once more.
Sticking with a similar pop-rock selection, including a couple of extra Red Hot Chilli Peppers tunes, the band had a much more relaxed energy from the off and this was clearly infectious.
The aforementioned Chilli Peppers track Otherside was a highlight of the set as was their take at Blink-182’s Stay Together For The Kids where several members of the band swapped instruments.
Their takes on Basket Case and All The Small Things (also done earlier by Cosmic Fish) didn’t quite match the previous band’s but in all it was a good set and, with a little bit more power, Equilibrium will be a band worth keeping an eye on.
After a few months off following a very busy 2016, Honest Crooks were starting to gear up for an already busy summer season as they took to the Tav’s stage. While they were a little lose compared to past gigs it was all relaxed and fun as they mixed their own songs with some more ska oriented covers and they had the crowd going from the start.
With a genuinely funny ‘play some Slayer moment’ (a rarity these days where that joke wore thin a decade ago) and great covers of Reel Big Fish’s Beer and Sublime’s Santeria it was really their own songs that provided the highlights and they certainly set the mood well for the night’s headliners.
Following the more modern ska warm up, Sons Of The Desert set out to provide a perfect primer for all thing two-tone and of the late 70s/early 80s UK ska scene. Spanning tracks from The Beat and The Selecter to Bad Manners and Madness it was prime upbeat skanking material all the way.
With the audience a sea of bouncing red fezzes thanks to the always manic and energetic Chris Pearson, it wasn’t long before everyone was on the dance floor and both the band and audience were having a whale of a time.
The band themselves are something of an eccentric mix of performers that come together brilliantly and create a huge sound with a three-piece brass section and Andy Coleman on the organ bolstering the usual rock band line up for a real authentic two-tone sound.
There were many highlights in the set but for me Lit Up Fatty, Too Much Too Young and set closer Night Boat To Cairo were the standouts before it all went a bit chaotic in the encore with the entire audience joining the band on stage for a skank to bring one of the most energetic Sound nights yet to a close on a major high.
One of my photos of the show was used along with a review from Becks Cox in The Guernsey Press: