In the late 1980s, while Hulk Hogan stood atop the world of professional wrestling, many other men less famous but (arguably) more hard-working formed the remainder of the ‘sports entertainment’ pyramid of the World Wrestling Federation.
One man who always stood out, captivating audiences with a sinister, quiet menace in the face of all the bluster and bombast, was Jake ‘The Snake’ Roberts.
If you’ve seen Darren Aaronofsky’s film The Wrestler you’ll have an idea of part of the story of what happened to Roberts, the man born as Aurelian Smith, once his time in limelight faded as he was one of the inspirations for Mickey Rourke’s Randy ‘The Ram’ Robinson.
Some of this decline was also documented, in allegedly sensationalised and unfairly represented form, in late 90s documentary Beyond The Mat.
The Resurrection of Jake the Snake, a crowdfunded project, acts as something of a sequel to that documentary as it picks things up in 2011/12 as Roberts made headlines on celebrity gossip site TMZ following a particularly tragic performance at an indie wrestling show that was videoed and shared online.
From there, former wrestler and now life coach-cum-fitness guru, Diamond Dallas Page, who was mentored by Roberts early in his career, makes contact with The Snake and we follow their progress to the titular ‘resurrection’.
The film itself is fairly basically constructed with semi-talking head interviews with the protagonists and associates along with ‘fly on the wall’ footage ranging from yoga sessions to doctors visits to rather ‘reality tv’ level public confrontations which at times feel a little too invasive.
What this is does very well though is paint a picture of a man who, after a lifetime of abuse of varying descriptions, is finally beginning to overcome his own issues and learn about himself in a way he never had, while also shedding light onto the less glamourous side of the world of pro-wrestling that is rarely seen if all you watch is WWE sanctioned programming.
While the many moments of burly men crying and hugging could easily be ridiculous, much like the profession they all come from, there is a real heart and honesty present alongside an inspirational streak both in Page’s zeal and Robert’s struggles, both internal and external and his, eventual, overcoming them.
This gives us a great insight into the nature of addiction and overcoming it which is backed up by interviews with other wrestlers who’ve had similar problems such as ‘Goldust’ Dustin Runnels and the addition, half way through the film, of ‘Razor Ramon’ Scott Hall going through a similar situation to Roberts.
This all makes for a fascinating story, that, while it feels a little like an infomercial for Page’s DDP Yoga health system at times, is far more than the sum of its parts shedding light on the somewhat absurd world of professional wrestling and also issues around addiction that are frequently glossed over or not made in such an abrupt and impactful fashion.
It also acts as a truly redemptive story for Roberts and Hall and triumphant tale for Page as, by April 2017, all three will be members of the WWE Hall of Fame which is, amongst other things, a sign of respectability for many former performers (despite what a few others have gone on to do since).