Having first made her presence known playing highly regarded sets of acoustic cover versions around Guernsey over the last decade, 2016 saw Nessi Gomes refocus her attention to her own music and, following a wildly successful crowd funding campaign through IndieGoGo, release her first collection of original music, Diamonds & Demons.
While Gomes’ live performances have generally focussed on her solo vocal and guitar work, such as in her mesmerising set at the 2016 Sark Folk Festival, on record that sound is expanded with a host of guest musicians and the work of producer and arranger Duncan Bridgeman.
This expansion gives the album a strangely electronic feel, combined with a development of the folk and world elements of Gomes’ original writing. We are introduced to this through the oddly hypnotic Into The Earth that drifts its way from the speakers to become firmly lodged in the listeners head.
From there the record meanders from the slightly more commercial likes of These Walls through songs in Gomes’ native Portuguese to moments reminiscent of Sigur Ros’ vast soundscapes.
While all the production serves to develop the songs very well the strongest feature of the whole album remains the core of Gomes’ singing and playing. This has something of the style of many current female vocalists but Gomes adds to that an extra soulfulness combined with a strong streak of thoughtfulness and meaning in the lyrics all of which is captured here.
The highlight of all of this is the title track, Diamonds & Demons, that combines everything that makes the album what it is with the addition of Mercury Music Prize nominee Sam Lee on extra vocals, contrasting and complimenting Gomes’ voice excellently.
Though it is a more developed sound than I’ve heard from Nessi Gomes in the past what Diamonds & Demons does as an album is capture the essence of her work and develop it to create something that washes over the listener in the same way as her live performances, but with many extras that could only come from the studio all in a highly enjoyable package.
This review was also posted in The Guernsey Press on Saturday 14th January 2017: