That’s taken me to peaks (Start Trek II: The a Wrath of Kahn, the climax of Star Trek: The Next Generation) and troughs (Season 3 of The Original Series, Star Trek V: The Final Frontier) but now I’ve reached probably the highlight of my cinematic Trek viewing (I was too young for Kahn first time round), Star Trek: First Contact.
As this movie was something of a highlight of my teenage cinema going I’m pleased to report it stands up pretty well, enjoyment-wise. Taking the most popular villainous alien race from The Next Generation TV series, The Borg, and reuniting the cast last seen together in Star Trek: Generations it contains many of the standard tropes of Trek with much talking and debate, time travel and moral dilemmas aplenty.
In this it manages to be one of the most action packed of the original run of the Star Trek films with a spectacular space battle in the first act that sees a decimated Federation fleet going up against a single Borg cube and kick starting the story of the Enterprise crew heading back in time to save the future.
While it’s all very enjoyable for a Trek fan like myself, it’s hard to avoid the fact that, once the main story really kicks in, the movie does revert into feeling a bit too much like a longer, bigger budget, version of a TV episode.
It’s hard to put a finger on exactly what causes this but part of it is the way director Jonathan Frakes (also Cdr. William Riker) has the film shot.
I get the feeling much of this was to try to create a claustrophobic feeling on board the invaded ship, but it serves to make it look far cheaper and smaller in scale than it could be.
Along with this the scenes in the mountains of Montana on Earth come with very few establishing shots or cinematically impressive views of the bunker complex which continue the TV budget feel and Frakes doesn’t really come with a great pedigree in cinema before or since.
Thankfully many of the performances keep it enjoyable and lively.
Patrick Stewart as Captain Jean-Luc Picard does exactly what he does best throughout while the continuing story of Commander Data’s ‘becoming more human’ gives Brent Spiner the chance to continue his always mesmerisingly eccentric turn as the android officer.
Beyond that the guest stars feel like they’re going through the motions with James Cromwell’s Zephram Cochrane being rather one-dimensional, but fun, and Alice Krige’s Borg Queen doing little but giving a physical form to an antagonist previously notable for its lack of individual physical form, so somewhat spoiling the effect.
All this, if I’m totally honest, makes for a bit of a rough ride of a movie in many ways as it’s probably a bit too self-referencing, but comes with a certain extra joie de vivre often missing from Star Trek that makes it an entertaining couple of hours, even if it does feel like it could have been a TV special rather than a full-blown movie.