If you asked a cartoonist to draw a punky, rock n roll trio there’s a fair chance that, in the best of ways, they’d come up with something thing like Pussycat And The Dirty Johnsons.
Fronted by the enigmatic human-cat girl Puss, with be-quiffed greaser Dirty Jake on guitar and old school rocker Filfy Antz on drums, before you even press play on the newly released digital edition of their Dirty Rock ‘N’ Roll album on Dirty Water Records, they are captivating.
From opener Burying The Bodies all the tropes of Cramps style proto-psychobilly are present with a definite taste for the macabre running across the record while Jake’s guitars, as they do live, combine low-end rumbling rhythms with classic rock n roll lead, with a bit of slide thrown in for good measure to create something very much of his own.
As the record rolls on things vary with Puss’ lyrics bringing up everything from adolescent romance (of a sort) to antidepressants to the kind of less glamorous ladies that prowl British town centres of a weekend on the appropriately titled and raging album closer, Hideous.
Throughout Puss’s vocals combine aspects of Johnny Rotten, Poly Styrene and Little Richard. Much like Jake’s guitar this makes for something all her own that more than stands up without her on stage antics, while still evoking her feline side.
As well as the core trio two tracks on the album also feature the double bass work of Phil Polecat, while not essential thanks to Jake’s unique guitar style they do make for the stand out tracks on the record in ‘lead single’ Get Outta My Face and Dirty L’il Dog, though Mirtazapine and the opening trio of Burying The Bodies, Hell Bent and Living With Mum And Dad all come a close second.
While Pussycat and the Dirty Johnsons are undeniably a band with a strong visual style, Dirty Rock ‘N’ Roll shows that they more than hold their own when that’s removed and their mix of punk and rock ‘n’ roll is allowed to speak for itself.