Over the last few years I’ve followed singer-songwriter Tadhg Daly and his band (originally called The Five Mile Road, in reference to their home island’s famous surf spot) from their origins in Jersey as a grunge and alt-folk tinged indie band through the release of their debut single Learn To Live in 2014 and now onto the release of their first EP, Taghazout.
The EP has two rather distinct sides to it with the first and third tracks and the second and fourth sharing a similar feeling.
Lower The Sound opens the record in brooding fashion, building both structurally and emotionally from groovy organ sounds to acoustic and electric guitars and finally the full band with a reverb heavy electric guitar solo soaring over it all. Third track, Don’t Tell Me, shares many similarities to this showing the darker, more introspective, side of Tadhg’s style.
Control Yourself and Without You I’m Alone, meanwhile, add a bluesy feel to the sound, stemming from the band’s past grungy tones. On these Daly seems to be channeling another Channel Islands’ export to the UK, Alderney’s Robert J. Hunter, in his vocal tones – albeit with his own, slightly more subtle, less all out anguished, twist.
All four tracks feel produced and polished to perfection and, in some ways, this is one of the downfalls of the EP. With this production style on songs of this nature, it feels they’ve lost something of the heart that I can hear in the lyrics or just below the surface within Daly’s performance.
On top of this the overlaying of backing vocals on each track, while at times well used, feels a little overdone, often overriding Daly’s own performance in a way that makes me wonder if there was a lack of confidence in the accessibility of his voice (something I can’t see at all).
As a whole Taghazout has something of the feel of a soundtrack to a hangover, or at least a Sunday morning feeling. With a slow building start leading to a mellow but brooding nature with deep thoughts overlaid on modern blues music that feels on the verge of emotionally breaking down though never quite stepping over that boundary. While it may not be perfect, as a first EP it showcases Tadhg Daly in a way that is at once accessible and hints at a deeper, darker, side to both his songwriting and performance.