With the contractual obligation, basic, but enjoyable, Spider-Man reboot, The Amazing Spider-Man a couple of years ago, things seemed to be heading in a reasonable direction for the web slinger.
Certainly that film had its flaws but its focus on the relationship between Peter Parker (Andrew Garfield) and Gwen Stacy (Emma Stone), along with some new intrigue based on a slightly tweaked Spidey origin story made for an enjoyable watch.
In The Amazing Spider-Man 2 we start off in a reasonable place as, after a bit of a more in-depth look at what happened to Peter’s parents, we are dropped into the middle of a pretty well conceived chase through New York with police heading after a hijacked truck and Spider-Man joining in from above.
This does go a bit CG heavy in places (particularly as our hero juggles small orange phials of plutonium – surely it should be green?), but it gets the ball rolling pretty well as it sets up Peter’s clash between his life fighting crime and his life with Gwen.
What it also does is introduce us to Max Dillon (Jamie Foxx) who is to become one of the films main problems, in a couple of senses.
The next portion of the film seemingly tries to pointlessly re-introduce us to everything the introduction has already re-established in terms of Peter’s relationships, whilealso setting up the film’s villain, comic book mainstay Electro, in one of the most convoluted super villain origins in a while, that never quite works.
Also introduced are Harry Osborn (Dane Dehaan) and his father Norman (who cameoed in the first movie) and the film tries to establish Harry and Peter as best friends in a way that never convinces, leading to some serious problems later on.
Then we get another big action scene in Times Square as Electro’s powers are introduced following some more relationship stuff between Peter and Gwen. While the first film handled this side of the story well, here the supposed emotion feels generic and empty and, while both actors do a decent job, they really don’t seem to have much to work with.
Another villain is introduced as things go on and we start to head in the same direction of Sam Raimi’s Spider-Man 3 as the movie becomes over burdened with super villain exposition to such a degree that any hope of coherence or emotional attachment is lost and it all falls into by the numbers crash-bang-wallop.
While, thankfully, there aren’t the three villains of Raimi’s movie and there’s no ‘evil-emo-Peter’ song and dance number to cope with, The Amazing Spider-Man 2 descends into a bad video game like mess in its supposedly climactic action sequences, that totally negates the potential emotion of the film’s denouement.
This climax, which must have had Empire Strikes Back levels of potential on paper, is also completely blown by the scenes that follow which seem entirely inserted to set up not one but two possible sequels (I’m assuming The Amazing Spider-Man 3 and The Sinister Six… who knows what happened to 1 to 5).
These scenes may have worked, condensed, as a mid and post-credits sting, but, in the main body of the movie, just feel like a cop-out ending that is, in one case, the equivalent of hitting the ‘Reset’ on a SNES or Mega Drive.
While it could be argued there is a good film somewhere in The Amazing Spider-Man 2 it is, unfortunately, buried in a layer of extraneous villains, product placement and sequel bait, that leaves the whole thing feeling messy and generally incoherent which, in a climate of Guardians of the Galaxy and Captain America: The Winter Solider, just doesn’t cut it.