Having missed it in the cinema I thought I’d delve into The Wolverine by the extended ‘Unleashed’ cut of the movie that comes with the Blu-ray package. I’m not sure how much is different or added, but it seems the main gist of the changes is that Logan (Hugh Jackman) drops a few more ‘f-bombs’ and there’s a bit more graphic stuff in the fight scenes.
Anyway, The Wolverine tells us a new story about Logan and, thankfully, drops a lot of the over the top sci-fi comic book stuff of X-Men Origins: Wolverine and replaces with something that, at times, borders on feeling a bit James Bond as it takes Logan out of the world we’ve previously seen in the X-Men movies (though this is clearly still the same canon) as we go to Japan and find out about another part of the, essentially immortal, character’s story.
Clearly inspired by the work of Frank Miller (the man who brought us 300 and Sin City) we are in a more serious world for The Wolverine, especially as we see Logan with his powers (sort of) removed for much of the film and, while it never quite reaches realistic territory, it does give Jackman something different to do with the character and attempts to introduce a bit more peril than there might otherwise have been.
Unfortunately, like most of the current crop of comic book movies, this sense of peril never quite gets to where we need it to. Much like Man of Steel or The Avengers, heading into this movie we already know the hero makes it through and, while it would be easy to assume that of any such movie, having the knowledge that a direct sequel was already in the works (and in the case here already being shot) does lose something in suspension of disbelief, so throughout there really is no feeling that Logan might not make it through no matter how dire the straits might appear.
For a fair amount of the movie this is reasonably well dealt with as we get some pretty well executed action sequences that do some interesting things and so distract us, particularly earlier in the movie. A highlight of these is a sequence on the bullet train that mixes wirework with special effects to create something interesting and genuinely exciting.
These action scenes do have a slightly odd feel though as, while we may be used to Captain America or Iron Man knocking bad guys out before going on their way, Wolverine’s mutation of huge metal claws means he ends up inevitably killing a lot of the people he faces so the body count here is heading into Commando territory but without really paying it any notice. While in the era of Commando this was standard, in today’s style of action blockbuster it feels a bit strange as heroes killing people is generally frowned upon, though it does fit better with Logan than if he didn’t use the claws.
As the film continues we get a bit more of Logan’s backstory, although emotionally speaking it doesn’t add much that we haven’t seen in any of the other X-Men films, and a bit more of the James Bond kind of feel, particularly reminiscent of You Only Live Twice, just without the hugely inappropriate make up work on the lead, this soon though gives way to more action, which again is well mounted with samurai swords vs claws being a major motif.
Unfortunately, for the films climactic scenes, we get back into the standard territory laid out in pretty much every Marvel movie of the recent run as a big robot-like thing turns up to have a fight with the lead and, while this does a much better job of it than Iron Man did with Iron Monger, it still doesn’t quite sit with the tone of the rest of the movie and feels very much like it had to be included to make it fit the ‘comic book movie’ style.
While Jackman clearly still loves playing Logan, and is excellent in the part, few other characters here stand a chance of being fully rounded leaving something of a lack of an emotional centre, despite the attempt to include a love interest storyline, everyone remains 2D, no matter what glasses you might be wearing.
While not a ‘bad’ film The Wolverine is also far from a particularly good one and, while far superior to X-Men Origins: Wolverine of X-Men: The Last Stand, it feels fairly imbalanced and is certainly over long at two and a bit hours, though waiting through it does lead to a ‘post’ credits scene that almost steals the show and sets up things to come in X-Men: Days of Future Past…